wateroftyne

[quote name='xilddx' timestamp='1413554431' post='2579498'] No criticism of the mods from me on this, but I'm interested in the philosophical implications of why it's ok for kids to see sexualised images of women baring their breasts in The Sun, but not on Basschat. It is obviously legal to publish such images as there is no age restriction of The Sun, there were no naked breasts in this thread or on Huff Post. So is it simply context? [/quote] It was one or two specific posts in the thread that pushed it over the edge.

[quote name='the boy' timestamp='1413554046' post='2579491'] Huh??? Sorry teacher. [/quote] No problem.

And for the record, PMing a mod is the preferred method for raising these queries. :-)

How's this for a simple bass part that's also a slice of genius? http://www.youtube.com/watch?v=o7pVjl4Rrtc

[quote name='Ghost_Bass' timestamp='1413455004' post='2578352'] I see what you mean. Just checked the 2126 and seems that the sound may be spot on my needs and likes but at 25kg (before adding the tweeter and cloth frame) i think i'll stick with my S12T's 19kg and wheels for a bit longer Cheers [/quote] Of course - there's room for all! My point was just that you don't have to trade in looks and price for sound and weight..

[quote name='Ghost_Bass' timestamp='1413453653' post='2578328'] Don't know... i like BF because of the flat response. From what i've been reading TKS seems to have a small amount of "colour" (read mid-scoop/bass boost) on it's sound. Maybe i'm wrong. I do love their looks with the silver cloth and that big wood frame around, SEXY!!! [/quote] Yep - the 12"s I use have no tweeters, and couldn't be described as flat. Mid-scoop? Nope. Nada. The mids on these are glorious, which is why I love 'em. I detest mid scoop. They're just excellent quality traditional-sounding bass cabs, with a lovely roll-off at the top, but lightweight. The Neo 1126 I had a loan of was much more 'full range studio monitor'-sounding. Not my bag at all, but loaded with a tweeter, the flat-response lovers would probably be right into it.

[quote name='Ghost_Bass' timestamp='1413453142' post='2578324'] Yep but you can't find it all together in other gear *snip* ( i haven't tried TKS yet) [/quote]

[quote name='paul_5' timestamp='1413385601' post='2577782'] I'd also like to add anything by the Eagles to the Coldplay and Snow Patrol list of dullest music to play. [/quote] Goodness. I would never mention The Eagles in the same sentence as the entirely dreadful Coldplay. Meisner and Schmitt wrote some great lines. I've just encountered Dakota for the first time ever with a dep I've been doing. I'd never heard it until now. The song is totally dull, so the bass part suits it (I don't have any problem playing it with fingers).

I haven't A/B'd them, but I've gigged both the Compact and the H115. (DISCLAIMER - my feedback is based on a limited run of gigs. Please bear this in mind) They're both compact and light - the Compact has the edge as it's a smaller box, but the H115 is far from a hardship. It's still a one-hand carry over short distances. I had mixed results with the Compact. At a couple of lower-volume gigs it was great. Like.. really nice, to the point where I could easily have handed my money over there and then. But at higher volumes, results varied. It seemed to lack authority. For the money, it would have to be a single-cab solution, but I just didn't feel like it was up to the task. The H115 rang my bell from the off. Every note has a supportive punch behind it that always seems to be there regardless of volume. I usually had the tweeter dialled off or thereabouts, and even with flats the notes 'speak' clearly. And it's pretty sensitive, so despite my head only putting out about 175w into 8ohm, I never felt like I was struggling. I came [i]very [/i]close to buying the H115 that JD1 now owns (in fact, I kept borrowing it from him after he bought it!), but for one reason or another I was pretty set on ordering the S212 I now own. Reluctantly, I have to mention 'the elephant in the room' - the TKS looks and feels like a high-end bass cab. It's beautiful (like all Tommy's cabs), and the construction is solid and reassuring in an Audi / BMW / Mercedes kind-of way. And that's all I'll say about that. Hope this helps...

[quote name='Ghost_Bass' timestamp='1413215372' post='2575930'] For me sound and weight are king, i traded looks and price in order to get that. [/quote] They're not mutually exclusive :-)

[quote name='skelf' timestamp='1413215435' post='2575931'] Should be able to make this now. If there is anything in the sale section on my website that anyone particularly wants to try please let me know since I will not be bringing every thing I have avilable. [/quote] That's great news - I'll let the folks on [url="https://www.facebook.com/groups/157319877702238/"]The North East Bass Bin[/url] know too. Looking forward to meeting you!

I imagine Alex takes a lot of it on board as viable feedback - he'll want to remove any barrier to someone buying one of his cabs.

The thing is, as good as the cabs are, the design does put people off. I'm not sure how long the 'it's a fledgling company' justification can last.

My P with flats in action last night... http://www.youtube.com/watch?v=YQ7TXrVwxtM

[quote name='funky8884' timestamp='1413027599' post='2574273'] Why would you need casters ? [/quote] IME. carrying the Walkabout Scout by the handle is a PITA.

I ran mine at 2ohm for ages with no problems. A MESA tech actually popped up on TB a while back to confirm it'll be fine. Also, if you have a hunt around on TB there's a thread which gives a pretty detailed explanation of the EQ. It's a bit whacky.

[quote name='PaulKing' timestamp='1412944336' post='2573521'] No-one ever plays the bass properly, like Willie Dixon did on original Listen to what he plays over the 5... and his 8th notes that drive the pace now and then. And of course the thump of an upright... ;o) That's what makes it NOT a substandard 12bar blues rock song, like what most of us churn out. [/quote] Yep, and listen to the way the drummer swings, too. Sadly overlooked by virtually everyone who covers it. Incidentally, it's a great tune for palm muting. It really drives it.

[quote name='Billy Apple' timestamp='1412932570' post='2573362'] I didn't think any shops sell Barefaced. It's not even in the offing, Alex cuts out the middle man and sells direct, but I think retailers would be singing a different tune if he did. [/quote] http://manchesterbasslounge.com/?p=6327

[url=http://www.bassmatters.nl/nl/vintage-corner/gibson-66-thunderbird-382]Apparently he's just bought this...[/url]

[quote name='dannybuoy' timestamp='1412887200' post='2573096'] I didn't really get on with Chromes or LaBellas - too high in tension and they felt stickly compared to the TIs and Pyramids. [/quote] FWIW. La Bellas are sticky out of the packet. Bear with them and they smooth out wonderfully.

[quote name='Count Bassy' timestamp='1412865728' post='2572805'] Just a shame that so many other chuck Berry songs are pretty well the same tune (though not all by any means). [/quote] Fair point. When he does do something different, he does it in style. This must have sounded like it was from the future listening to it in 1957... http://www.youtube.com/watch?v=RAAT9UfI0rw

[quote name='chris_b' timestamp='1412849583' post='2572603'] Chuck, with the likes of Jimmy Reed, kick started the musical careers of most of the bands that went on to create the British Invasion of the US in the early 60's which in turn gave birth to Rock and everything that came after. [/quote] It could be argued that Lonnie Donegan snuck in before them..

[quote name='Higgie' timestamp='1412819891' post='2572439'] So after watching this video of Pino Palladino with Nine Inch Nails on his Precision with flat wounds: [media]http://www.youtube.com/watch?v=cYzUQdZMkrk[/media] [/quote] That's a great clip - It's a good one to refer the 'all flats can do is thud' crowd to. Well done on your rendition of it too. IME the trickiest part of playing with flats is that most engineers aren't aware of what they're supposed to sound like. They treat 'em like dead flats, and more often than not their magic - that 'woodiness' - is sucked out in the mix.

Horrid. Who are most of these people? *mumbles into ovaltine*