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wateroftyne

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Everything posted by wateroftyne

  1. Ah.. sorry, yes. I didn't actually know there was an Elements version!
  2. No cutting necessary - it’ll just sync ‘em all up on your timeline and you can trim from there.
  3. Is there any ambient audio on the video clip? If so: highlight the video and audio > right-click > synchronise.
  4. Don't get me wrong, I adore Ella. I'm just less keen on people playing bass over Ella.
  5. Well, I guess people had to find something to do during lockdown...
  6. There's no magic combination - any P will growl differently (or maybe not at all) to another...
  7. Keep looking - you'll find one eventually...
  8. IMO instead of desperately announcing big product launches for a redesigned pickup, Fender should just keep it simple. The line should consist of a 60s P, 70s P and a Modern P, in a big variety of colours, with special editions every now and then. Bob's your uncle.
  9. Assuming you're talking about classic 60/70s Fender tort... you're out of luck. Spitfire do the closest repros I've seen, and the most expensive, but (IMO) they're not quite there.
  10. Yeah, inspired by what was going on in Vietnam.
  11. Don't think of them as words. They're just a flow of consciousness. Or something.
  12. A Curious Feeling is a lovely album, let down a little by the production.
  13. Yeah... maybe save that one until February 31st.
  14. Yep, loads of Yes songs are like that. Long Distance Runaround always sounded a bit twee to me, for example... but when the penny drops... Give South Side of the Sky a bit of time - it's worth the effort. Excellent progress. Close to the Edge, Awaken, And You & I and The Gates of Delirium lie in wait... 🙂
  15. Topographic Oceans as mentioned (burn sides 2&3), but also: Genesis - We Can’t Dance Eagles - Long Road out of Eden That said, they wouldn’t be great single albums either.
  16. ...and, back on-topic, I've just finished this DVD which I bought for a couple of quid off eBay. I've read all the Yes books and that, but it adds a lot more and is surprisingly frank. Worth picking up.
  17. One for the Vine is marvellous. While we're OT, have we done this one yet? One of Rutherford's finest bass moments, I reckon. (note: It's not Many too Many)
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