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LeftyJ

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LeftyJ last won the day on June 11

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About LeftyJ

  • Birthday 21/11/1983

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    The Netherlands

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  1. LeftyJ
    Worse! Metal!
  2. LeftyJ
    I don't really see myself playing my air phallus behind my back, and especially not with my teeth, sorry.
  3. LeftyJ
    When I bought my (nowformer) Stingray 5 in an eBay auction, the seller (the bass player of IONA) let me know his band would be coming to a venue near me in a few weeks time. Rather than shipping the bass to me, he suggested he'd put me on the guest list so he could hand it to me personally. I gladly accepted! To add to that, I was allowed to bring a friend, and he suggested I pay him my winning bid in Euros rather than Pounds (saved me about €100), plus I got a live DVD from their merch shop with the bass in action. The bass came in a well-traveled aluminium Stagg case with many airline stickers which I still have (I later bought a real Music Man case for it because the Stagg would leave sticky residue on the bass every time I used it). Very cool experience! The band played folky prog rock and I greatly enjoyed the evening, even if the band were very vocally christian and I'm usually not into religiously themed music. It was a wonderful bass too, that I kinda wish I still had. I traded it for a Status S2 Classic 5-string that is my current number one, so I guess it was a happy farewell!
  4. LeftyJ
    I have no basses or guitars with roasted necks, but I do have 2 cents about Music Man necks moving: I had a Stingray 5 which was very susceptible to changes in humidity, and would move quite a bit with the change of the seasons, but it got a LOT more stable when I had the neck re-waxed by my favourite luthier. The Music Man necks are oiled / waxed rather than lacquered, which should seal the wood just the same against humidity, but unlike lacquer an oiled / waxed neck does require regular maintenance.
  5. LeftyJ
    Caramelisation is also a thermal treatment, and should not just a layer of caramel-coloured lacquer. That would be rather deceiving. I see the words roasted, baked, caramelized and torrefied used depending on the manufacturer, and usually they all indicate the wood has been heated / thermally treated.
  6. LeftyJ
    There's a lefty version too, and I've contemplated getting it but they only offer it in black I would get the shell pink version in a heartbeat if they announced a lefty. They're rather lovely, and the current (second) iteration had a nice hardware upgrade, now sports a pickup selector (the first version only had volume and tone, and both pickups were fully on at all times) and a bound roasted maple neck that looks lush.
  7. LeftyJ
    I was caught by my girlfriend while practicing these moves with my headless bass, and was met with a sarcastic "What are you going to do with that short little thing?" Of course the last thing I want is to be made fun of because of the size of my instrument, so I immediately took out my extra longscale headed bass. But then it struck me I can't have people thinking I have something to compensate for... So instead I have just ordered a Kala U-bass. Stay tuned.
  8. LeftyJ
    Mine is passive too, and with the much heavier ash body. I do feel the pickup in mine sounds fairly modern and powerful. In fact, the previous owner sold the bass for sounding too modern. He tried a different pickup in it (Fender Custom Shop '62 P reissue) but that didn't give him the desired results either. The ash body is very dense and incredibly heavy, even when compared to some of my longscale basses with fullsize bodies. When I bought the bass there was a set of flatwounds on it that I didn't like at all - they were very boomy, and very unbalanced (the E was overly loud and thuddy even after adjusting pickup height, the rest was more or less OK). I played it with Ernie Ball shortscale Slinkies for a while, and currently have LaBella 043-104 on it which are perfect. I think the E and A sounding bigger than the D and G might be due to it being a shortscale: since the pickup is the same size as on a longscale bass, the treble coil is closer to the bridge relative to the scale length than it would be on a longscale. With the LaBella's it's not an issue for me.
  9. LeftyJ
  10. LeftyJ
    There's this famous photo of some really rare instruments (especially the lefties!) all together on one wall: Just incredible! I'd love me that lefty Coronado and that Precision, but it's especially the Telecaster Deluxe and the Mustang Bass that have me hankering.
  11. LeftyJ
    Those are little beasts! It was the predecessor to the Baby Z-4J, and it's specced very similarly but minus the neckdive and I believe with an EQ that's boost/cut instead of the boost-only job in the Baby Z. They're amazing little basses, and sound very modern and punchy. The 17 mm string spacing will not be for everyone.
  12. LeftyJ
    Aye, the Narrow Tall frets are my one gripe with the Am Pro II Jazzmaster I own. They required some getting used to for sure. I've had many guitars with regular jumbo frets, and a Fender with medium jumbo frets, and I wasn't a fan of those either but these narrow talls are somehow even less comfortable to me. I'll take a medium or vintage fretwire over these any day!
  13. LeftyJ
    If that was just defretted it would have had to have the entire fingerboard replaced, because there's no hiding the original fingerboard dots unless you shave off a few millimeters! Either way, cool score. It looks great!
  14. LeftyJ
    @uk_lefty is looking for an '80s style bass. I'd say it doesn't get more '80s than this! Seriously though: It looks like it was kept in a rather damp environment, judging from those screws, the separated fingerboard binding and the peeling finish. It needs some work, and the right loving home because this is definitely niche! It's also really cool though, and USA-made Jacksons have always been built to a very high standard so I'm sure it's lovely. It looks like it's mostly the clearcoat that's flaking, and most of the graphic is still in place? I don't think Sims do finish work anymore, but only pickups and LEDs these days? That's a shame, I couldn't think of a better man for the job.
  15. LeftyJ
    The JTKB200 with the two chrome-covered singlecoils should be neck volume - bridge volume - master tone, but the Ibanez Wiki says master volume - pickup balance - master tone. Conflicting indeed! The 2009 catalog confirms VVT though. The JTKB300 with the three J-style pickups has 3 on/off-switches and just master volume and tone.
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