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Everything posted by LeftyJ
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Same! The founder of Rickenbacker was mr Adolph Rickenbacker 😛 And to be really specific, the 4000 series basses were developed after Adolph sold his brand to mr Francis C. Hall (current owner John Hall's father I suppose).
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Same here, I couldn't be happier! I currently own: 1. Status Graphite S2 Classic bolt-on 5-string headless; 2. Status Graphite S2 Classic bolt-on 4-string headless; 3. Warwick Streamer LX5; 4. Ellio Martina Forza 5-string; 5. Fender MIJ 1975 Jazz Bass reissue with some killer mods; 6. Ibanez MC924 (1981); 7. Ibanez MC924 (1983, my YOB bass!); 8. Ibanez RS924; 9. Ibanez ATK305. And then there's a weird 2-string fretless Longbow and an acoustic fretless Cort NTL-B, but together with the ATK these don't get any use at all. The two Statii are the ones I play most frequently, though the Martina is the One Bass that I will never sell.
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The change went into effect on November 26, so prior to that date it still needed a certificate.
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Fender made a lefty Hot Rodded American Standard Precision around 1999-2001 with PJ pickups, all passive.
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Wouldn't an LX have a flamed maple body? My 5-string does.
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Small valve amps. Caution; guitar related content
LeftyJ replied to leftybassman392's topic in General Discussion
I can highly recommend the Koch Classic SE. There's a 6 watt version and a slightly larger 12 watt version, with the same circuitry but different power tube. I have the 6, and I love it. It's a no-frills design, single channel, no reverb, and just a tone control rather than a 3-band EQ, but the range of tones is huge and it sounds brilliant and responsive. I love mine. -
A couple of hours 180 years' worth of Precisions
LeftyJ replied to wateroftyne's topic in Bass Guitars
And now it's probably wickedly expensive rubbish and still out there 😅 -
Pretty cool! Somewhere between a Wal and a Gibson.
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Yes, with a headstock like that, it has to be one of those two.
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Just get an EBS amp with phantom power 😛 Both the input jack and the FX return are 9V powered, and will power your bass or the last pedal in your chain through a stereo jack cable.
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I played a lefty Thumb doubleneck once, and I've never laid hands on any instrument heavier than that. Just crazy! Really cool though. It had a fretted 6-string neck and a fretless 5-string neck, both strung reverse. http://www.leftybass.com/h_h_thumb.jpg
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Great price! And an old one (1996 according to the serial) with a wenge neck. Nice!
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I have an Ampeg SVP-PRO, SVP-CL, SWR Grand Prix and an EBS Microbass II. The SVP-PRO is my favourite, with a host of classic Ampeg tube tones, a versatile EQ and plenty of drive at the turn of a knob if I want it. It's basically the preamp section of the SVT2PRO in a single rack space. The SVP-CL is the preamp section of the SVT Classic and maybe even better than the PRO, with less bells and whistles and the ability to produce a fairly flat and uncoloured tone too, but I just really enjoy the drive of the SVP-PRO.
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The lighting was poor, but here's a try. There's a LOT going on in there, so I hope this helps. Mine's a lefty, so everything is backwards but the soldering shouldn't be. If you need to see anything in more detail, drop me a PM. Most of the wiring from the active/passive switch is heading to the narrowest of the two connectors and to the output jack, but it's difficult to see.
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OK, I'll take a look at mine!
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Supercool! That fingerboard hasn't seen oil for quite some time it seems. Could probably use some TLC 🙂
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Edited after I got home and checked my other MIJ Strat. Strangely, one does have the shim and the other doesn't. Not very helpful then 😅
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Could the battery be dead, so you're actually killing the sound when switching to active? If not, what model 940 do you have? The 79-82 model with the brown soapbar pickups, or the 83-up model with beveled edges and PJ pickups? I could take a picture of the guts of one of my 924's to verify. They have the same electronics as the 940.
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My E-serial (1984-1987) Strat does, my K-serial (1990-1991) Silver Series Strat does not.
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I've owned an ABM300 Evo II 2x10 combo with an ABM115 Compact cabinet, and I liked it as long as I kept the bass knob at 9 o clock. Otherwise it would just drown in any mix. It was just all subs, taking up all of those 300 watts. I never really liked it, and sold it around 10 years ago. I once damaged a knob during transport, and Ashdown sent me a new knob free of charge.
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I started out on guitar, on a then made in China Squier Affinity Strat through a small 15 watt amp I can't remember. After two more guitars and a huge amplifier upgrade I got my first bass. That bass was a 1970s Japanese-made plywood Condor Jazz Bass that was surprisingly good! It was heavy, but it played fine and sounded like a proper Jazz Bass. The neck was all-maple with white bindings and pearloid block inlays, and the body was 3-tone sunburst with a tort pickguard. The amplifier I got with it when I bought it somewhere in the early 00's was a The Animal practice amp that I quickly blew up when I got my first active 5-string (Yamaha TRB5II). I then got my first proper bass amp, a used EBS Gorm 300 2x10, that I absolutely loved. My love for EBS gear has never faded since, and I still have a lot of EBS gear including a NeoDrome 12, HD350 and ProLine 410, MicroBass II and several pedals.
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There's not much out there in terms of semi hollowbody bass guitars available left-handed. Ibanez comes to mind, and I once owned an Italia Torino that was shortscale but big-bodied and with a solid maple center block that was much heavier than it looked.
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No, then it would have a serial number starting with JV.