LeftyJ

[url="http://cgi.ebay.co.uk/yamaha-bb400s-bass-guitar-headstock-early-80s_W0QQitemZ330368357963QQcmdZViewItemQQptZUK_Musical_Instruments_Guitars_CV?hash=item4ceb7d164b&_trksid=p3286.c0.m14"]http://cgi.ebay.co.uk/yamaha-bb400s-bass-g...id=p3286.c0.m14[/url] What did it do to deserve this?

That Anniversary looks pretty convincing. The bridge kinda makes me think of the Hipshot replacement bridge for Rics. The bridge pickup cover looks tinny and fragile though, like it will bend as soon as you rest your wrist on it for pick playing.

Thanks! Me too I've played the Italia exclusively during the last The Bullfight-gig and it rumbles like no other through my Ashdown. I had my Rickenbacker (which costs more than four times as much) with me as well but in the end I just kept it as a backup and didn't play it.

[quote name='steve-soar' post='514573' date='Jun 15 2009, 07:36 PM']Some great basses there my friend. Love the Ibanez Musician.[/quote] I currently have two at home I got a second one today, a 1983 MC924L, the second model with bevelled body edges and PJ-configuration and different control layout. It also has the bridge placed further back towards the edge of the body so the neckjoint is at the 17th fret instead of the 18th, and the headstock is slightly smaller. It has more battle scars than the average Vietnam veteran and the active electronics and the bridge pickup do not work at the moment, but even with just the massive splitcoil played passive it sounds amazing and big! I'm having my luthier look at the electronics but I'm leaving the damaged finish the way it is. Sorry for the poor pic, it was getting dark already so I had to use flash. To the left is my 1981 MC924 that I already had, to the right is the 1983 MC924.

Gigbag like no other, more case than bag but still very lightweight and comfortable. Expensive too, but really a great bag.

[quote name='RAY AGAINST THE MACHINE' post='620997' date='Oct 8 2009, 10:04 PM']Also liking green[/quote] Me too, but more like this MM Sterling HH Dargie Delight:

I have a broad taste. For Fender- or MM-style instruments, I love black with a black 3-ply pickguard and maple board or white with a black 3-ply pickguard. I think white also looks great with dark-stained fingerboards like rosewood or ebony. I love a nice transparent finish too though. Up until two years ago, I would have preferred transparent finishes anytime but my taste has shifted On basses without pickguards, I usually prefer a transparent finish (preferably natural) so the wood really shines.

[quote name='kingofthestuntmen' post='614770' date='Oct 2 2009, 02:29 PM']Fnaar, fnaar etc... Koch Amps website here - [url="http://www.koch-amps.com/"]http://www.koch-amps.com/[/url][/quote] Hey, that's my amp. Used to have a head & 2x12 of the Studiotone model, now I have the combo because it rarely leaves the house so I could do with something smaller. How about Mike Lull basses? Here in the Netherlands a 'lul' is a c*ck

Seems to me you'd be better off buying a used California PM. All in all, this project could turn out pretty expensive.

Looks cool! I love the idea of sticking a maple Jazz neck to a dreadnought body too, though I feel the blocks and bindings are a little posh for an acoustic.

Hope I didn't miss anything. Everything typed in bold is still in my possession: - 1990's Big Kydd EUB; - 1970's Condor Jazz Bass copy; - 1970's Condor Jazz Bass copy; [b]- 2006 Cort NTL-B fretless;[/b] [b]- 2001 Ellio Martina Forza 5 (custom);[/b] [b]- 2003 Ernie Ball StingRay 5;[/b] [b]- 2004 Fender MIJ JB75-US '75 Jazz Bass reissue;[/b] - 1990's G&L SB-2; [b]- 1981 Ibanez MC924;[/b] - 1987 Ibanez SR800LE; [b]- 1996 Ibanez ATK300;[/b] [b]- 1997 Ibanez ATK300;[/b] [b]- 1998 Ibanez ATK305;[/b] [b]- 2008 Italia Torino Bass;[/b] - 1990's Jan Bak custom Precision; - 2003 Longbow American Classic 30" scale; [b]- 2009 Longbow American Classic 32" scale;[/b] - 1990's MrBassman NoSweat custom by Human Base; [b]- 2008 Rickenbacker 4003;[/b] [b]- 1990's Sandberg Bullet 5 fretless;[/b] - 2003 Yamaha TRB5II; [b]- Ashdown ABM300 C210T EVO II;[/b] [b]- Ashdown ABM115 Compact;[/b] [b]- EBS MicroBass II;[/b] [b]- EBS HD350;[/b] [b]- EBS Proline 410;[/b] - EBS Gorm 300 2x10; [b]- Line 6 Lowdown Studio 110;[/b] [b]- Line 6 BassPOD xt;[/b] - Animal 15 watt practice amp (blew it up with the TRB5II ); [b]- Ashdown James Lomenzo Hyperdrive; - Boss SYB3 synth; - EBS Red Twister chorus; - EBS MultiComp compressor; - EBS BassIQ envelope filter; - EBS OctaBass octaver; - Ernie Ball 6181 VP Junior volume pedal; - Fulltone Bassdrive; - Korg DT-10 pedal tuner; - Korg DTR-1000 rack tuner; - Maxon AF-9 envelope filter; - MXR M108 10-band EQ; - MXR DC-Brick powersupply.[/b] And some 20 guitars, 10 guitar amps and a dozen of guitar effects and multi-effects. And all that in a period of approximately 8 years And they say lefties have a hard time finding what they like

I never drink more than two beers before a gig, and I'm usually driving as I'm one of two bandmembers with a stationwagon, so I'd rather not take the risk. But keep your stories coming, I love 'em

[quote name='jchel' post='608276' date='Sep 25 2009, 04:43 AM']Otherwise the sad nellies who moderate this forum will stop possing in front of the mirror with their bass guitars and ban me.[/quote] Yeah, as if [i]this[/i] won't trigger a reaction.

I like the vintage details - slab body, old bridge style with mutes and strings through body, classic logo. I read they're even considering going back to a metal battery cover on these. Nice touches. I absolutely love the Sea Foam Green too. I don't think I would buy one though, even if they came in a lefty version. I like the regular Stingray 4. If that will come in Sea Foam Green too, I'm sure it will sell better than this one.

Cool! But whenever I see or hear the word [quote name='Xzantes' post='607309' date='Sep 24 2009, 02:02 AM']Sanctorum[/quote] I can't help but think of [url="http://en.wikipedia.org/wiki/Santorum_(sexual_neologism)"]this[/url]

[quote name='ezbass' post='606732' date='Sep 23 2009, 04:26 PM']Haven't had one, but given that the Tokais are proper T Bird construction, and that they build good guitars generally, I reckon the Tokai T'Bird would be best IMO.[/quote] The current TB48's don't have the proper T Bird-construction. They have an alder body and a one piece maple set neck instead of the 9-piece laminated mahogany and walnut neck. But they're nice basses and they definitely have the looks and sound cool.

Here ya go: [url="http://www.schoots.shops-24.com/schoots/shop/USER_ARTIKEL_HANDLING_AUFRUF.php?javascript_enabled=true&lang=en&darstellen=1&Kategorie_ID=31&Ziel_ID=111&anzeigen_ab=0&PEPPERSESS=ec12a65311016d39efa1e78c585d5bc9"]click[/url]

[quote name='dub_junkie' post='606036' date='Sep 22 2009, 09:03 PM']that autumn redburst SR5 two posts up must be fairly rare. beautiful! :wub:[/quote] So that's what it's called! The seller advertised it as Orange Sparkle Burst, but I couldn't find that colour anywhere. Thanks!

I'm picking this one up at the end of October, when the seller has a gig in the Netherlands, only 10 km away:

Wow, that last one is very pretty indeed. I used to own an SB-2 for a while and loved it too. Didn't play it in my bands though, so I sold it. But it was one hell of a bass! I mostly play my ATK's in my metalband (and soon a Stingray 5) and my Rickenbacker and Italia hollowbody in my folkrockband though, and occasionally my Jazz. But it definitely was a great bass. I usually had the splitcoil turned all the way up, and used the bridge pickup to add some punch and brightness to my need. Some people complain about the lack of a tone control, but to me that bridge pickup was the best tone control I could ask for on that bass. And with both pickups turned up full the bass had an amazing slap tone. It was beautiful to look at too!