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NJE

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About NJE

  • Birthday 24/07/1983

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  • Location
    Gloucestershire

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  1. I’ve used Moo a lot, good quality print and some nice options.
  2. Growing up in Pembrokeshire West Wales there wasn’t a lot of choice, but my weekend pilgrimage with my best mates was to Creative Electronics in Haverfordwest. It was affectionately known as Charlie’s after the original owner and was the first place I saw a bass. In fact I went in there looking for one and was struck by a real Fender bass (these were not easy to see in real life). It was a yellow/orange mustang with competition stripe and I was told I didn’t want it 🤣. Bought a few guitars from there and still have my Yamaha jumbo acoustic I got from there. Most of the time we just hung out and bought plectrums, I remember it so well.
  3. I lived in Aberdeen for a while and the only thing that got me through my dull as dishwater job was walking up to Bruce Millers, looking at guitars and seeing if the new bass magazine was in.
  4. After years I finally invested in ACS moulded plugs and they are saving my ears and keeping me playing. I have mild tinnitus in my left ear and I can’t risk doing any more damage.
  5. I played a single-cut platinum 5 string at Bass Direct quite a few years ago so my brain is a little fuzzy on the details. However there are a few instruments that leave lasting impressions and that was one. Effortless to play, crazy good construction, resonant, and a modern versatile pair of pickups and preamp. I wish I had bought it, but as comfortable as it was, at the time I wasn’t the biggest fan of single-cut basses. For context I played a Japanese Sadowsky and a secondhand Alleva Coppolo that day and the Elrick was far nice than both of them in my humble uneducated opinion.
  6. There are 7/8 of us, we have a WhatsApp group and if an enquiry comes in it goes straight on the chat to see who is free. It works pretty effectively.
  7. I played what looked like the final production model at the guitar show in Birmingham. Beautifully built, set up perfectly and sounded superb. I tried the 5 string so I’m really keen to give the 4 string a go.
  8. This isn’t exactly what you are asking for, but I just google the lyrics and paste them into Pages on my iPad so I can format them in a way that helps me break them down and read them. When I play live I just convert them into a PDF for quick swiping.
  9. I don’t play 6 strings, but even I was tempted once after playing a John Patitucci JP2. Lovely basses the TRBs
  10. So jealous, I search daily for 1983 Stingrays. Stupidly took my time on one that Bass Bros had a while back and missed out.
  11. I presume they are doing this to help with vocals? Yes you just play everything as you would have but because the guitars (and potentially) bass are dropped it will just lower everything for vocals by a semitone. A few bands use Eb tuning, I used to play a few Stevie Wonder tunes and his bass player Nate Watts used to be in Eb. Playing those lines in standard tuning does make it a lot harder if there are open strings used in the basslines.
  12. I think the comment from matbard was in response to my thoughts on the Epiphone grabber posted earlier. I think he was saying the Epi version is contoured differently? As for the stingray, obviously it really doesn’t matter, it was just an observation. I am a terribly fussy person and like things to line up, look symmetrical etc so anything like this tends to itch my brain a bit. I love MusicMan basses, currently have a lovely Stingray and have been trying to find ways to fund a 77 Stingray this week. I am sure they are phenomenal basses.
  13. Yes that’s exactly what I thought, it just seems too close to the pickguard, not seen any original 70s ones that close.
  14. I was really interested in these until I saw the pickguard…shocking
  15. I don’t know if I am losing the plot and my eyes playing tricks on me, but has anyone else noticed that the control plates on the 76 Ltd edition and 70s Stingrays seem to be weirdly positioned? Most of the current and pre-EB basses I have seen have the control plate following the lower contour quite evenly/equally, I presume the plate was designed to follow the shape. However the new ones seem to tilt up to almost touch the pickguard and seem wonky. I love the spec of both but this just messes with my brain, I can’t un-see it. I know there are a billion more important things to concern myself with but I can’t see why it was done? Black one is a new 70s reissue and the Natural is a pre-EB.
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