Machines

All things you read on the internet are subjective experiences.

I tried the Ashdown Meters and had this issue, totally unusable for playing an instrument for me. I also had the issue wired, which I can only assume is down to processing and applying of an EQ.

For some people they are tools to pay their bills also.

It is sensible nearer the time we make a list of 'stuff we're taking' to try and avoid everyone turning up with P basses. Something you want to try out ? Ask nicely if anyone has something like it. The idea for me in the past was a chance to try rarer equipment in one spot that no shop would give you the opportunity for, as well as talk utter tripe for several hours.

Wow finally one I can make that isn't on my kid weekend !

Impossible to tell which ones he meant. but there is: SUB USA: Mid 2000s, textured finish and metal pickguard, painted necks, go for £500-£700 Sterling SUB / Ray: Far east made, thinner nut profile and 'large' bridge. Sounds close enough but they do feel a lot cheaper. Sterling Ray 34: Far east made but higher quality, full copies of USA instruments If you can get a USA SUB for a good price they are just as good as a 'proper' Stingray.

Big Metallica fan in my teens. It's OK, but not something that sounds like they spent 5+ years on. Exact same rinse and repeat of previous 2 albums.

The value is in the headstock logo, and assurance you won't lose money on it if you get a fair price when you buy. Add in the ubiquitous usage in many people's favourite music, and you have a safe bet for people that may not be wanting something 'risky' or untraditional. Disclaimer: I have a MIM Precision bass that was a gift in 2013, I generally use it as a benchmark for comparing other basses to. It's a decent bass, but it doesn't inspire me to play.

Very nice sir.

I had the EHB1005 standard scale which was nice - but didn't feel like it would hold up well to stiff wind and would quickly look battered with that satin finish and soft top. Also the 1005MS is only 35" on the B which is not a comparable fanned fret to a Dingwall. I did suggest to Sheldon for more flake finishes and he gave me a raised eyebrow, so I think it is not impossible, can't guarantee you purple though sorry.

Yes, very different. The D-Roc is much fatter and has less attack, but don't think that means none. Having both is 100% not overlapping tones too much. I spent a couple of days stalking it before messaging as the missing parts and aftermarket Les Paul knobs were a bit off putting, but I knew I could restore it.

As someone with 2 Dingwalls, I did not need a 3rd (or the 2nd but let's not digress). However thanks @MattParkerBass for pointing this out on Facebook Marketplace. The cons ? Missing the pickguard (apparently it was stolen at a gig ?!), as well as the magnetic battery cover oh and it's a 6 hour round trip. The seller was collection only but was willing to hold it for nearly a week for me, so off I and the wife trekked on Saturday morning to central Cardiff. Picked up the bass and had a nose around the city, and left before the Rugby finished to avoid the chaos that would likely ensue. n.b. to Cardiff city council, you need to sort your bin men contracts out. According to the Dingwall FB Group, this is one of 66 in this finish globally, so that's pretty cool. I had a spare Combustion pickguard knocking about, so routed out the extra pickup gap much better than I expected to. Not sure the white will stay, but it's good for now, as is the pickguard off entirely. Dingwall are sending me a new battery box cover also, result. It's surprisingly different to the NG2 which is a bit lighter (fewer pickups aside) as well as a the NG3 being quite frankly louder with an identical setup. I think this and the D-Roc need to be keepers (please don't laugh @AndyTravis) - as they do everything for me sonically, ergonomically and aesthetically. We're on nearly 8 months for the D-Roc and haven't had the itch yet, so fingers crossed.

I think the theme here is that it's not that you have a bad bass, but if you'd bought the same thing several years ago, it would have been better.

Looks like they have 2, one of which I tried in Birmingham, and yes it was not good.

Not an L-2000, but further fuel to support that G&L Tribute QC has gone down the pan Yes, I thought it was called that too.

Ashdown - RM sized ABM, or at least an RM in ABM colours. Also standard variable fan that's only on when it's getting warm to allow it to be used at home without it sounding like someone is vacuuming in the next room. Yamaha - Something modern that isn't a very slight variation on a previous model. Fanned fret RBX style I would probably go for as long as it isn't in a dull colour. Dingwall - On/off Pickup selector switches rather than a 4 way which doesn't allow every pickup option. Not sure if this is viable wiring wise however.

Not the most glowing of reviews:

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Ironically Birmingham PMT are building extra demo booths and moving stuff about to accommodate Yamaha taking the entire mezzanine floor. It's not done yet but it was looking a bit cramped and it is not a small shop.

Use mine regularly - sometimes alone sometimes with a 210 as well (or vice versa). Not flimsy, sounds good. Easy one handed carry for quite a distance too (about 150m at last gig including stairs). As with any 112, there are limitations for how big a venue it can cope with, 2 however should sort you out until you need PA support. I used the 2 cabs last week in a large conference room without PA support, was fine. n.b. I moved the logo so it would look 'correct' on it's side, there are rubber feet on 2 sides to allow this.

I've had 2 x L-2000s over time (both Tribute). I decided to try one out in GuitarGuitar a few weeks ago to remind myself what they're like, and the quality had massively declined compared to the ones I'd had 5-10 years ago. Setup are personal, but the main issues were quality and finishing QC (bad paint job, loose parts etc). Add that to the price on them going up - I'd be looking 2nd hand if I wanted one currently. Pic 1 - burst has terrible paint spatter, not good enough on a £600 instrument Pic 2 - it appears they moved from ash to poplar bodies also which helps them look like cheap Squiers now

"This jazz bass was owned by Jim Richardson who played it in many of his gigs during his career as a jazz musician." Who ? Sorry Jim if you're reading this.