Machines

Hey, welcome to the forum . I know how you feel, I've had emails from bands asking me to jam but when I reply they aren't able to give useful information. Some seem to expect me to be crawling over broken glass to join them and quit my job to tour the world or something. Most I weed out very easily by asking lots of questions, doesn't take long to see if they're organised. 95% of my playing time is alone nowadays.

Whilst the Ashdown is 180w - only if you plug in an extension cab (on it's own it'll be around 100w). Does your Carlsbro have the facility to plug in another cab ? If not then it'll be the full 90w into one speaker, making it roughly equal to the Ashdown. I would make a bigger leap to 300w - it'll be better in the long run .

Skyline 55-02 now owned by wildman . [url="http://img22.imageshack.us/my.php?image=dscf1435j.jpg"][/url] [url="http://img78.imageshack.us/my.php?image=dscf1444.jpg"][/url]

Swapped my Lakland Skyline 55-02 for wildman's Corvette $$. Great meeting up and having quick chinwag. Top bloke and very honest .

I think that UMBO is hideous. Reminds me of the Vintage Advance Series Jazzes.. Other Sandbergs - meh. I like the Basics/KTs but the Californias are all wrong for me.

£1400 for 2nd hand is a joke. You should be able to buy a new one for a bit less than that. £730 is more realistic, althought I know some have gone for less without the piezo option.

Nice one - I got a bass room too ! It's great to have a proper space to make a mess in .

Had this Corvette $$ barely 36 hours now. It has loads of warmth, it isn't as hifi as the Lakland 5502 was - but that's why I wanted to change ! It can be seriously snarling and evil, I've found you have to really dig in to get the most out of it. Yet on the neck pickup, cutting the highs and boosting the lows it can do a seriously brilliant reggae/dub sound. It seems to lack a little top end (acoustically too) so it might be the strings need changing, will see how it goes .

Checked out both of those vids, I honestly couldn't tell the difference unless I looked at the screen. Sell the TF and keep the 71 .

[url="http://wiki.basschat.co.uk/info:amps:impedance_and_wattage"]http://wiki.basschat.co.uk/info:amps:impedance_and_wattage[/url]

I get away with it here. In fact thinking about it for such a large organisation hardly anything is blocked, only objectionable material really. I usually come on here using the [url="http://basschat.co.uk/lofiversion/index.php/"]lofi version[/url] which looks less conspicuous. Even if it does get blocked i'm a domain admin and will sort it out

I have 2 x 4's and 2 x 5's. I prefer the extra notes I get on the 5 string when I [i]want[/i] to use them (rarely do I need them as such). I do however generally play more consistently on a 4 string. Had a 6 string once but that was definitely overkill for me - I was extremely ropey with it and the high C just got in my way without me utilising it at all.

I had a V940FL. I personally feel they should be avoided as they can have poor electronics (bad wiring etc). There are other options available around the same price range - I just can't think of any right now ! I'm sure people will chip in .

If I had to have just the one then a Jazz, both would be ideal though. Oh wait.. I have both yay !

I think they're a pile them high and sell them low type of company - customer service is probably not their forté. Got my Yamaha RBX775 from them in 2004, was fine but that was 5 years ago..

I think G&L's don't get the credit they deserve and seem to lack a bit of kudos. It's a great shame as I feel it was one of Fender's ultimate tone machines (above the Jazz and Precision). Bargain ? Oh yes. I'd have snapped it up too.

Could the microswitch could just be 180° from what it's supposed to be ?! Easily rectified i'd have thought.

I'll likely continue to buy BGM regardless of it's content. If only to flick through and dismiss it in 10 mins (like the latest issue). Previous issues have been reasonable, some even decent, but most for me have missed and alienated the majority of bassists. There are too many reviews of custom basses, generally 2-3 per issue (at a guess). There should be 2-3 a year for me. The aforementioned majority don't and won't buy custom basses, they want to know about popular brands and instruments, not something that costs 10x as much and looks like a coffee table (this is quoting other people !) I think it might be interesting to review OLD gear, not brand new top of the range stuff all the time, especially since the 2nd hand market is so hot at the moment (compared to new).