Machines

I would bet they paid over the odds for it in an independent local store and don't want to sell it for much less than they paid..

[quote name='bilbo230763' post='199619' date='May 15 2008, 02:37 PM']So why go out and spend 3 or 4 grand on getting 'Johnny Luthier' to build you a 'special' thing when you could buy a beautiful instrument 'off the peg' for £2k and then buy a top notch amp and still have enough change to buy the entire Miles Davis back catalogue! Twice![/quote] Because not everyone likes 'off the peg' equipment ? Personally I can find everything I want from off the shelf gear - i'm lucky there. But there are a lot of people who want x number of strings, with a y scale made from <insert name> wood - this is because they find it the most comfortable and prefer the sound/appearance. To assume every person can find a non-custom instrument that suits them perfectly is quite silly.

bilbo - it's a bit like buying a new car, it doesn't matter what colour it is or what the seats are made of - it'll still go from A to B. It's all about personal preference. I thought you might understand that given your choice in instruments.

I think it's more a case of because they're in bankruptcy.. I doubt normal sales rules will apply.

Try ringing them ? It's inevitable though..

I always 'push flat' . Except if i'm playing some rock/metal.. in which case it's great if using a pick. It does however give somewhat of a mid lacking sound.. For my funk band it's flat EQ, with a boost on the top 2 sliders and knob.

Yeah it was. I've only used an EB combo with a 15" at a studio and that WAS muddy.

Strange - my 'Asdown' always sounds how I want it to, that being bright and punchy. A few people tried it at the bash and commented that it sounded great, and no - they weren't other Ashdown users .

As a pretty bog standard Squier Jazz bass - in good condition around £100 I guess.

How did you set the EQ ?

From [url="http://en.wikipedia.org/wiki/Squier#Korean_Squiers:"]http://en.wikipedia.org/wiki/Squier#Korean_Squiers:[/url] Korean Squiers CN/VN: C = Cor-Tek (Cort), V = Saehan(Sunghan), S was already taken by Samick so Saehan(Sunghan) used V instead (Saehan(Sunghan) made the Vester guitars), N = Nineties (1990s), the first number following the serial number prefix is the year. For example * "CN5" = made by Cor-Tek (Cort) in 1995. * "VN5" = made by Saehan(Sunghan) in 1995. KC/KV: KC (Korean Cor-Tek (Cort)) and KV (Korean Saehan(Sunghan)), the serial number prefix is followed by a 2 number year. For example * "KC97" = made by Cor-Tek (Cort) in 1997. * "KV97" = made by Saehan(Sunghan) in 1997.

Here is an excellent and somewhat over complex guide - [url="http://www.bassdefret.com/how-to-defret/index.php"]http://www.bassdefret.com/how-to-defret/index.php[/url] .

How about this ? Only lacking a pickguard really.. [url="http://www.soundslive.co.uk/product~name~Fender-Jazz-Bass-24-V-(5-String)~ID~5887.asp"]http://www.soundslive.co.uk/product~name~F...ng)~ID~5887.asp[/url]

The only unhelpful solution I can offer is don't make assumptions .

Ok I had one of these too.. . Sounded good, only things that let it down are it's weight and fairly simple EQ. It has a cab extension socket but when pumping out 100w I don't think there's much point. I've used one of these at a studio to jam with a band and it coped fairly well without me maxing it out. If you want to gig with it then I think you should look at saving a bit more cash and getting either an EB or MAG.

From what he's saying it shouldn't be any different - it just looks different due to the internal parts. In practise I imagine there will be a slight difference, however I wouldn't like to guess how .

Might make a reasonable budget alternative to an SR5 by the looks of it. If they did these with neck pickups too i'd be interested .

"probably" handle a higher wattage .

Yeah - as the strings slowly get dirtier and lose their edge, you don't notice the bass sounding duller. Then all of a sudden you think the bass doesn't sound as good as it used to. Give the strings a boil or buy a new set - it's like a new bass again, nearly.

Other bands being slow or faffing about. That being when sound checking or over playing their slot... I don't like being delayed.

Email Ashdown using this form: [url="http://www.ashdownmusic.com/contact/index.asp"]http://www.ashdownmusic.com/contact/index.asp[/url] Link them to this page if you want - I expect Martin will reply to you pretty quickly.

What do you currently have ? I had an EB-12 which was great, I only upgraded to an ABM from it due to a good deal on the ABM, otherwise it would have done me fine. It gigged a few times with a MAG210 extension cabinet and I never had the volume past half. As for whether the 12 or 15 is better - that's personal preference. It's usually said that a 12 will have better mids than a 15, with the 15 having better lows... but I reckon there isn't a huge difference.

100 quid ?! Bargain !