Machines

Adam Black are a relatively new and somewhat unknown manufacturer, they are distributed by Rosetti and they had a modest display at MusicLive. I must admit I didn’t really pay them much attention due to not knowing about them. The B10 is a pretty typical acoustic bass. It has a large and deep body with a standard round sound hole. No revelations in the design at all really - it's looks however aren't to be snubbed. It has a stunning flamed maple sides and back with the smoothest finish i've ever touched. I literally spent a few minutes just rubbing my hand over the back because it felt so nice, it was quite perverse (Note: I'm not in the habit of groping musical instruments). The spruce top is solid and the sound hole detailing very pleasant and well done with mother of pearl. The bridge is made of a rosewood base with what appears to be a synthetic saddle, it's pretty solid and does what it's supposed to. Peering into the soundhole reveals the construction of the instrument, something not so apparent on an electric bass. The body is well braced and has scalloped bracing around its edge, it is very tidy and doesn't look rushed in the slightest. The maple neck features a binded rosewood fretboard and offset position dots, which make a nice little difference from the norm. Fretwork is tidy with no sharp edges - i've found nothing to complain about yet have I ? Hmm, this is strange. Ok - the only thing I could find to add a negative thing to is a little scuffing around the binding near the higher frets, I can forgive that. Time to play it I suppose ! I tuned the bass using the very handy onboard tuner in the Fishman EQ, it's got lots of lights and looks very cool, as well as being very sensitive and accurate. I'm surprised some electric basses don't have such a feature - i'd imagine it's not too hard to implement. First impressions of the sound of this bass are that it sounds absolutely huge. It has the high end articulation and snappiness that you expect of any acoustic instrument, almost sounding guitar like. A quirk I noticed is a hollowness to the tone when playing a C (5th fret G or 10th fret D), this must be down to the resonant frequency of the bass. It's not a bad sound, just slightly different to the rest of the notes. The phosphor bronze strings are extremely bright and rich in their sound, harmonics are bell like and sustain extremely well. I found that for me, this bass responds better tonally to a pick rather than finger playing. Plugged in via the bottom strap button with the EQ flat, it sounds like a louder version of the bass unplugged, result ! The EQ is not colouring the sound at all when flat. There are 5 controls on the EQ, those being Volume, Bass, Mids, Treble and Resonance. They're all well centered and I struggled to make the bass sound bad. I found my favourite setting with a slight bass and treble boost with the resonance on full. [b]Sound sample:[/b] [url="http://www.machinesofhate.pwp.blueyonder.co.uk/AdamBlackB10/AdamBlackB10.mp3"]Adam Black B-10 (Flat)[/url] This is a sub £300 instrument, and is very well made. There are however a fair few similar acoustic basses in this price range, those being: [list] [*]Crafter BA-400EQ Electro Bass [*]Fender BG32 [*]Ibanez EWB20 [*]Takamine EG512 [*]Vintage VCB430 [/list] There's a couple of big names in there - and i'd love to try the Adam Black against them to see which really is deserving of one's attention. The fact is that this bass is fantastic, and there's no reason I can see to not consider it if you're looking for an acoustic bass. It does everything i'd want it to do and surprised me in a few aspects. The best part about this review is that I get to give it away to a lucky chatter afterwards ! Many thanks to Bjorn at Rosetti for being very helpful and for supplying the bass for review and competition. To be in with a chance of winning this bass you need to simply email [[email protected]][email protected] [/email]including your forum username in the email. [s]It would be preferable if the winner collected the bass from me (Birmingham) so as to avoid posting it, I wouldn't want it damaged. If it is not feasible then the winner is to provide postage costs of around £20, but you can't complain at a free bass can you ?![/s] The bass will now couriered to the winner by Rosetti ! Unless of the course the lucky winner wants to meet me anyway . The competition will close on Sunday 9th March 2008 and the winner will be picked at random from a metaphorical hat. Good luck ! [i][b][size=1](Note: the competition is not open to any BassChat moderators or Rosetti staff)[/size][/b][/i]

It'd be better to buy the head seperate and an ABM210 to go with it. No idea how this works out on pricing..

They'll be made in China I expect. If it doesn't advertise that it's UK made then it won't be - I think only the Klystrons are made in the UK,

Try taking the head to a shop and asking to try it through another cab - I think the head might be the problem if you're using the same cab as when you had the EB-180.

A lot of info about Jazzes here: [url="http://en.wikipedia.org/wiki/Fender_Jazz_Bass"]http://en.wikipedia.org/wiki/Fender_Jazz_Bass[/url]

I nearly had to sell mine a couple of weeks ago to help with my wedding in June, thankfully I don't have to do that anymore (sell the bass not get married ).

[quote name='Lfalex v1.1' post='147175' date='Feb 26 2008, 11:19 AM']Aren't the polepieces made of different materials. I don't know when the change took place, but there was a change from Alnico to Ceramic at some point.[/quote] I think that was the SR5. This site has LOADS of info on the differences between all the Stingrays. [url="http://myweb.ecomplanet.com/TOWN8019/"]http://myweb.ecomplanet.com/TOWN8019/[/url]

Great stuff - anyone who's seen the original too will appreciate it even more so.

That website is loaded with porn.... bookmarked !

That's fantastic, cheers dude.

Hmm I never see other bassists in shops ! I'm always the only one there..

For me the wiki is good for a couple of things (such as the amps section) but other than that I don't use it.

I 'push flat' when i'm at home. Haven't had chance to try it live yet so couldn't say if I like it or not. I think it sounds pants on its own but it might be really good in the mix...

[quote name='Merton' post='143883' date='Feb 20 2008, 06:11 PM']Being a pedant, that's not infinite. There are still maximum and minimum positions, therefore a finite number of in between positions, even if you're saying a 1 micron movement means a new position! [/quote] But then you go smaller than a micron .

[quote name='Hit&Run' post='143877' date='Feb 20 2008, 05:58 PM']"The pickup can be 'wiped' through an infinite number of positions.." Hardly infinite! It would be interesting to hear how this bass sounds.[/quote] Strictly speaking it is infinite - there is no limit to the smallest movement possible to attain a new position. Sure it won't be noticeable but it is a fair claim.

That's really... clever. But i'd rather just have a bass with 2 pickups .

I've got a year old set of D'Addario Chromes on my Jazz, they suit it wonderfully and have that lovely thump without being totally devoid of higher frequencies. I tried some Thomastiks on tonyf's fretless Stingray and they were lovely - very flexible and reasonably low tension in comparison to the Chromes.

Welcome back, hope things are going well. Are you still in a position to offer a cheeky discount to BassChatters ? I believe it was 5% ?

I think you're the only person on here with a Klystron... what do you think of it ?