greghagger
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Andy Fraser's bass lines always impress me when I study them in details, particularly when I remember that he was very young when he recorded the Free material. Recently I had a recommendation to look at Andy Fraser's bass line from the live version of the free song, 'I'm A Mover', and what a groove! The bass tone is magnificent with superb 'in-the-pocket' playing throughout. This bass line really epitomises how I think the bass player can both lead, and support the band at the same time. You can check out this bass line in my latest video lesson and download a free copy of my transcription in the description underneath the video. I hope that you enjoy this awesome bass groove!
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If you've heard the words, 'chord tones' and wondered what they are, why they are important, or even how to use them, then read on... Chord tones are very important to us bass players as they are the essential notes of the chord, that we can use to outline and establish the harmony for the rest of the band. These are our building blocks, and you need to know what they are, and how to use them if you want to start creating and improvising your own bass lines. Chord tones really are very simple to use, once you know how, of course! So I've put together a short lesson explaining chord tones in a way that is very easy to understand. I’ve put the link to a handy free PDF under the video and this containing the fret diagrams from the lesson and a bass cheatsheet.
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If you're a fan of Chas Chandler and The Animals, then you'll bound to know 'It's My Life'. If not, then check this song out as it has a really great little bass line that drive the song from start to finish. Chas Chandler was such a solid bass player and his sense of groove is excellent. This bass line isn't too technical but it good for practicing groove, and it's also a fun one to play. You can check out the bass line in my latest video lesson by clicking the link below. Full transcription in notation and Tab under the video. Enjoy!
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If you're familiar with my teaching style, you'll know that I'm not one for promoting the playing of mindless exercises for hours on end. I believe that It's much more constructive and effective to spend the majority of your practice time working on bass lines. But technical exercises do have their place, especially for helping to develop certain aspects of playing technique and for fixing any annoying flaws that we might have. There's one single exercise that has had the most impact on my playing, because it helped me to develop a good fretting hand technique, including sorting out my 'flying pinky' finger! I've lost count of the times that I've recommended this exercise to my one-to-one pupils, so I thought it was high time to set it down in stone in a YouTube lesson, so that you can access it to help with your own playing. It's simple to grasp the concept of this exercise, but I bet that you'll find it harder to play this exercise perfectly! This is the sort of exercise that you can also use to slowly warm up before each practice session. Check out the exercise in my latest YouTube video by clicking below. You can download the exercise on a free PDF under the video. Enjoy!
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You may have noticed that chord progressions seem to follow similar patterns and that certain chords will be major, and others minor. Well, there's actually a formula that dictates the chord type of every chord in a particular key. Knowing this formula is extremely useful when creating or learning chord progressions. But there's also a very logical way of working out these chord types, and that is by building triads off every degree (note) of the major scale. Now, if this sounds daunting or the theory is going over your head, don't worry as I've made a YouTube lesson on this topic, that's very easy to follow! This area of music is very important, and shouldn't be missed out, so check this lesson out and learn it once and for all! #gregsbassshed #fretboardshapes #triads
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A long while ago I made a video on the five major pentatonic bass shapes. It's taken a while and a few friendly prompts, but I've finally got round to making a video on the five minor shapes. This lesson is sort of off the back of my video No.275 that I made a few weeks ago on the minor pentatonic scale. These minor pentatonic shapes are so useful to us bass players, and if you're struggling with knowing notes options for creating your own riffs, licks and fills, then this video is for you. It will help you to understand a framework across the whole fretboard to help with improvising. In the lesson, I guide you through the scale shapes and explain why they are so useful. This is an easy lesson to understand but an important one, so you don't want to miss it!
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There's a really great Blues bass player who was on the scene in Chicago in the 1960s, playing with the likes of Junior Wells and Buddy Guy. His name is Jack Myers and he's often overlooked, maybe because he left the music business in the early 70s. Jack Myers was one of the first to play electric Fender bass, and apparently Buddy Guy acquired his first electric bass for him from Willie Dixon, via a pawn shop! His playing style is very interesting, he lays down a very solid bass line but he’s also very inventive, often including interesting rhythmic ideas and note choices. In my latest YouTube lesson I break down Jack Myers' bass line from the Buddy Guy version of 'Sweet Little Angel'. This is a slow Blues in 12/8 time and a fun one to play. As always when studying the greats, try to pick up some of their ideas to use when playing your own Blues lines. You can get a free copy of my bass line transcription in notation and Tab by clicking the link below the video.
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Herbie Flower’s Inventive Bass Line From ‘Country Comfort’
greghagger replied to greghagger's topic in Rock
Thanks, that’s really nice of you and I’m genuinely happy that the lessons are being watched. This was a pretty special video for me and one that I really enjoyed making. I’ve got a more general Herbie Flowers Tribute video coming out on Tuesday that you might enjoy.- 4 replies
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Herbie Flower’s Inventive Bass Line From ‘Country Comfort’
greghagger replied to greghagger's topic in Rock
No problem. Glad you liked it. -
A really great British session bass player passed away last week, the brilliant, 'Herbie Flowers'. Herbie played on so many session that even he couldn't remember them all! The bass lines that he's best known for are from 'Take A Walk On The Wild Side' and 'Space Oddity.’ Like lots of session players, Herbie Flowers wasn't really in the limelight, but he played right up to his death and was also heavily involved with education, helping to set up the music college, BIMM in Brighton, England. One of the albums that Herbie played on was, 'Tumbleweed Connection', a country album by Elton John that was released in 1970. His bass line from the song, 'Country Connection' is really great. It's so inventive and shows some of Herbie's Jazz influences in it. I set myself the task of transcribing and recording it in one day, which was a challenge. It's the type of bass line that I could really do with practicing for a few days to really nail the high melodic licks perfectly. So, here's my play-through video, warts and all. It's my tribute to Herbie Flowers. There’s a link under the video to my full transcription in notation and Tab. Enjoy!
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There's one scale that beats all others for usefulness in creating bass riffs, lines, and fills. This scale can also be played over major and minor chords. You might already know what this scale is because I'm always banging on about it! The shape of this scale should be one that you have under your fingers because, as well as its usefulness for creating, knowing it also helps when learning bass lines. I'm not going to say anymore, as that would be telling, but you can find out all about this scale in my latest YouTube video by clicking the link below. You can also download a free copy of the lesson PDF with fret diagrams, notation and Tab by clicking the link under the video. Enjoy!
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There's a song from Black Sabbath's, 'Master Of Reality' album that really blew me away, because it's so different to their usual style. I'm not hugely familiar with Black Sabbath and only really know their big hits, but I certainly know that this song is not that recognisable as Sabbath. The bass line is very simple and not like the bassist, 'Geezer Butler's' normal playing style. I had to check that it was even Ozzy Osbourne singing, which it is! Apart from this being a great song, it's perfect if you are looking for a simple bass line to practice. It's pretty accessible and repetitive, but it's great to work on maintaining timing and groove. In the video I also discuss how I picked my bass and effects to suit this style of song. There’s a link to my full transcription in standard notation and Tab under the video. Enjoy!
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Recently, I had a call with a bass student who wanted to know if they should move on from 'playing by shapes', as they felt like a bit of a fraud and didn't feel like a real bass player. This was an interesting question that lead me to think deeply about the mental process of playing bass. There are many parts to becoming a good musician and I certainly use shapes to help me to remember series of notes or particular scales and arpeggios. But this is only part of the puzzle. So, I decided to make a YouTube lesson on this topic, where I discuss my process for learning and remembering bass lines, and also outline other methods for improving on the bass guitar. You can check out this video by clicking the link below. There’s a link to a free bass cheatsheet under the video.
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A few videos ago, I used the main bass groove from 'I'll Take You There' by the Staple Singers to illustrate a point about rests. This riff is a really cool one to get down as it forms most of the bass line. I've also had quite a few requests for me to look at that great David Hood bass feature that appears later on in the song. So, I've made a video lesson on this bass line. which you can check out by clicking the link below. You’ll also find a link to the full transcription of the bass line in standard notation and Tab under the video lesson. Enjoy!
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A few videos ago, I compared Tommy Shannon's original bass line from the SRV classic, 'Pride & Joy' with Gus Thornton's bass line from the live Albert King and Stevie Ray, ‘In Session’ version. This week, I've done the same with another SRV classic, 'Texas Flood'. It's really interesting to see how these two Blues bass legends vary their approaches to this song and come up with different bass lines. Both of their bass lines contains classic Blues riffs and turnarounds that you can learn and use when creating your own Blues bass lines. You can check all this out in my latest YouTube video. The bass line transcriptions are available in standard notation and Tab in the description under the video. Enjoy!
