Twigman

[quote name='Clarky' timestamp='1334327809' post='1614673'] These are excellent - Minotaur from Greece - about £30-40 and arrived within a few days. Top quality and able to deal with heavy basses (I have a dodgy shoulder and back) [url="http://minotaur.gr/catalog/index.php?cPath=28&osCsid=kea90j8ah0o229867kdh25ar02"]http://minotaur.gr/c...229867kdh25ar02[/url] [/quote] [quote name='discreet' timestamp='1334331634' post='1614761'] Agree with Clarky, another vote for Minotaur here... wide, padded, high-quality leather. Been using the 'used look' vintage-style one for ages and it makes my Precision seem very light indeed. And we regularly play 2 X 1 hour sets. [/quote] they do look nice.....I see 2 length options 145cm and 170cm - how adjustable are they?

[quote name='Ben Jamin' timestamp='1334328222' post='1614685'] Does it have to be leather? These are really good: [url="http://www.monocase.com/mono-gs1-betty.asp"]http://www.monocase....o-gs1-betty.asp[/url] [/quote] That looks comfy...... comfort is my primary concern I suspected leather might be my best option as I've only ever seen really wide straps in leather.

I am looking for a wide ( 3"+) , padded leather strap for my bass (what else would it be for?) There seem to be few out there and what there is is frighteningly expensive ( £80 seems like a lot of dosh).... I normally use a 2" nylon thing but find that after a couple of hours on stage it can cut into my shoulder..... so I thought a wider strap would be a good idea. I am not going to fork out £80 on an unknown quantity. What do you recommend?

[quote name='lowdown' timestamp='1333973972' post='1608911'] You might want to meet my annoying neighbour, who points to our baby grand and always comments bang on cue...... 'What about banging out something on THE big Organ of yours' He laughs his stupid ugly head off, and his lovely charming wife dies of embarrassment. Garry [/quote] You could invite his wife to bang one out on your big organ. I suspect that might shut him up.

[quote name='Coilte' timestamp='1334053456' post='1610064'] I mean as far as fretting a string is concerned. You still have to press down on a string to get a note, no matter if your bass costs 50 or 5000 pounds. [/quote] My rubbish Kay bass took massive effort to get the string to fret. The tension in the string was always high and the action was so high that it was a physical effort to get the strings to fret. My JV has quite a high action but takes little effort to fret. My Warmoth will fret just by looking at it, almost,...it just needs the string to be touched and it frets... Not all basses are the same, believe me.

[quote name='Johnston' timestamp='1334048989' post='1609949'] Happens to us all etc etc. [/quote] Not necessarily....Statistically you are not certain to die, after all, less than 100% of humnas that have ever lived have died.......yet....

I believe that one of the reasons U2 have managed to stay together so long is that everything they do is split equally 4 ways.

This isn't hard for me. unknown year Kay P-bass copy - weighed a ton - gave it away but not until about 1990 1983 Fiesta Red/4ply tort Squier JV 62 Precision bought new - I still have this. 2011 Charger Green/4ply tort Warmoth P-J - I made this in December, Alder body/Birdseye Maple slim taper J neck/Rosewood 20fret board/Fender original P pup/ Allparts J pup - I still have this. I am now GASing for a Warmoth hollow Custom T c/w f hole and front and rear binding with a J width Tele headed neck and a single coil shaped pup but favouring a stacked humbucker......I just loved making my Warmoth

[quote name='Ruiner' timestamp='1333371663' post='1600663'] Is this how most bands operate? [/quote] In my experience yes, mostly. in the bands I've been in whoever brings the initial idea gets the lion's share of the publishing. The bands i've worked with, and there have been a few, generally have a split 40% initial idea, 40% lyrics, 20% balance split equally as 'arrangement' unless it is agreed that one individual has contributed significantly more.

Fender Japan consists of 2 companies: Kanda Shokai:[list] [*]Cho 3-4, Chiyoda-ku, Tokyo Kandakaji 〒 101-0045: Tokyo Sales Division TEL 03-3254-3611 FAX 03-3254-3610 [*]Cho 4-4-3, Chuo-ku, Osaka Kitakyuhoji 〒 541-0057: Osaka sales office TEL 06-6241-1181 FAX 06-6241-1140 [*]Article 5 No. 8 No. 8, 3-chome Nishioka, Toyohira-ku Sapporo 〒 062-0035: Sapporo Sales Office TEL 011-855-2341 FAX 011-855-1102 [*]Toda 3-2-7 Bijogi 〒 335-0031: Distribution Center Toda TEL 048-421-0126 FAX 048-421-0125 [/list] And Yamano Gakki [b]4F guitar head office floor[/b] [b]TEL.03-5250-1063[/b] [url="http://translate.googleusercontent.com/translate_c?hl=en&prev=/search%3Fq%3Dsite:yamano-music.co.jp%2BYamano%2BGakki%26hl%3Den%26client%3Dfirefox-a%26sa%3DX%26rls%3Dorg.mozilla:en-GB:official%26biw%3D2560%26bih%3D1336%26prmd%3Dimvns&rurl=translate.google.co.uk&sl=ja&u=http://www.yamano-music.co.jp/inquiry.do%3FpatternNo%3D3%26selectNo%3D1&usg=ALkJrhioglQiJxjevHOdoBdvJITLwBPuJw"]Inquiry form[/url] [b]GUITAR SPOT[/b] [b]TEL.044-210-1962[/b] [url="http://translate.googleusercontent.com/translate_c?hl=en&prev=/search%3Fq%3Dsite:yamano-music.co.jp%2BYamano%2BGakki%26hl%3Den%26client%3Dfirefox-a%26sa%3DX%26rls%3Dorg.mozilla:en-GB:official%26biw%3D2560%26bih%3D1336%26prmd%3Dimvns&rurl=translate.google.co.uk&sl=ja&u=http://www.yamano-music.co.jp/inquiry.do%3FpatternNo%3D3%26selectNo%3D7&usg=ALkJrhg_pJ4FpXHMP1965rWiVOXioIDcqQ"]Inquiry form[/url] [b]Kichijoji sound crew[/b] [b]TEL.0422-20-3255[/b] [url="http://translate.googleusercontent.com/translate_c?hl=en&prev=/search%3Fq%3Dsite:yamano-music.co.jp%2BYamano%2BGakki%26hl%3Den%26client%3Dfirefox-a%26sa%3DX%26rls%3Dorg.mozilla:en-GB:official%26biw%3D2560%26bih%3D1336%26prmd%3Dimvns&rurl=translate.google.co.uk&sl=ja&u=http://www.yamano-music.co.jp/inquiry.do%3FpatternNo%3D3%26selectNo%3D8&usg=ALkJrhgYB77M1aMf5EpTNYzIq8XzV_gKNA"]Inquiry form[/url] Both these companies commission Japanese factories to make Fender branded products.

Couldt be this? Hard to tell if that's SB or a trick of the light i and this is different: [but not SB]

[quote name='Max Normal' timestamp='1333032093' post='1596502'] Hi, I posted a few weeks back asking if anyone had experience of Warmoths new "Slim Taper" neck option. Nobody did, [/quote] i did

[quote name='brensabre79' timestamp='1332846122' post='1593792'] You do have to be careful which type you order from WD as there are a few versions to match the changes in spec over the years from Fender. And occasionally there is the odd hole missing (As I discovered), but they are pretty helpful if you contact them about it. Don't know if you'll have any better luck buyng a Fender one as its a Warmoth, but as they are licenced they should be a good fit - as long as you match the era... [/quote] i fitted my Warmoth with a genuine Fender '62 RI tort plate [url="http://www.allparts.uk.com/online-shop/guitar-bass-parts/pickguards-scratchplates/pickguards-for-bass/pickguard-62-precision-bass-13-screw-holes-2-p-4663.html"]http://www.allparts....s-2-p-4663.html[/url] It is a perfect fit around the neck pocket and pickup routs and of course the 13holes you drill yourself in your body. Std precision Fender made 13hole mint green here: [url="http://www.allparts.uk.com/online-shop/guitar-bass-parts/pickguards-scratchplates/pickguards-for-bass/pickguard-standard-precision-bass-13-screw-holes-p-4657.html"]http://www.allparts....les-p-4657.html[/url]

My 1983 JV Squier 62 Precision serial number JV80xxx I bought this new in Feb 84 from a shop in Romford for £129 I'll post some better pics later perhaps

Hello I believe I brought you here don't let the GAS take hold

I built a Warmoth in December - I love it. Gonna build another one this year. My import duty/VAT was £135.

Steve Hanley He was a bassline machine.....

Warmoth J-P is like a DAX Cobra [as opposed to the AC 427]

[url="http://www.dv247.com/guitars/emg-emg40p5-black--56125"]http://www.dv247.com/guitars/emg-emg40p5-black--56125[/url] Digital Village

[quote name='mart' timestamp='1331310733' post='1571252'] So how should I say Adidas? In the '70s it was simply ADDY-das, and then sometime (in the '90s? the decades started blurring then) it seemed to become a-DEE-das. And then (in the '00s?) Wikipedia said that it was short for Adi Dasler, so it should be Addy-DAS. Or have I got that all wrong? And, in any case, should I just go and buy Puma instead? [/quote] Adidas stands for All Day I Dream About Sex

I use a stacked pot for volume/volume and an ordinary pot for tone. Effectinely 3 pots on 2 holes.

1983 Squier JV 62 precision - owned from new never to be parted from 2011 Warmoth P-J - built myself, my new favourite

I have a Warmoth slim taper jazz neck on my recently built J-P. I find the neck really fast and easy to play - it's much slimmer than my Squier JV 62 precision. I have no problems with neckdive but overall the bass is a little heavier than the Squier. I too read of neck dive and baseball like necks - but only after I had ordered the thing....I'm glad i didn't read all that before I ordered or I might not have the beautiful neck now. The finish quality is superb - I don't think you'll be disapponted. Bear in mind that std tuner ream on Warmoth necks is 11/16" [17.5mm] BML - not everything fits.

I have a 83 JV '62 P - it was my goto bass for 28years but is now retired for a while while I enjoy my new Warmoth. It's an OK bass but never having owned a 'real' Fender I can't say if it's better or worse

I have a Gotoh201 bridge fitted to my P-J. It's got great fat saddles on it. I have taken some relief out of the neck and shimmed it but even with the saddle on the E string as low as it can go I still feel the action is a little high. So the next step would be to either change the bridge for something lower or replace the saddles on the bridge for some smaller saddles. Any ideas where i can get some smaller saddles that would fit?