ern500evo

Pretty much as all the above for me. Playlist on ipod, 9 hour nightshift, headphones on, hit shuffle, jobs a good 'un! Once you get the structure of the song in your head it becomes way easier to blag it.

[quote name='goblin' timestamp='1420249755' post='2647275'] It sure is Used to belong to Kev. Absolutely amazing bass, and it no longer bothers my shoulder All it needs is a Hipshot on the E (apparently it's a tricky fit so I'll have to do some tweaks!), and it'll be the perfect bass It turns heads everywhere I take it... very much like the Wal it replaced! [/quote] Congrats man, it is absolutely beautiful! I know Warwick get some grief on here for their pricing etc but to me that is as nice as any boutique bass I've seen, and if the build quality, fit and finish of other German Warwick's I've played are anything to go by then it will no doubt be a superb instrument.

I recently came across these whilst looking for something else, they are great to practice with. I'm finding them useful as I've recently got involved in a 3 piece originals project and these jam tracks are great for getting your creative side going and getting into the habit of building bass lines from scratch.

[quote name='Sibob' timestamp='1420124749' post='2645820'] The Precision may not be the right bass, but it sounds like your guitarists don't really know what they're doing. Their combined tones sound like a nightmare lol Si [/quote] Don't get me started about those two Si! 😡

[quote name='Mornats' timestamp='1420114571' post='2645660'] Ern, you could always chuck an Entwistle P pickup into your Squire. I did that with my jazz and it sounds awesome now. I haven't gigged it yet so can't say if it'll cut through more. By the way, a Bongo HS Stealth is pretty much my droooooooool bass [/quote] I did think about the possibility of a pup change. I do think the tone and looks of a P bass would sit well in my new project so I haven't written it off completely just yet. The Bongo is a beast, 18v pre with 4 band eq, Neo pickups, typical MM build quality, the looks might not be to some peoples taste but as an instrument they are incredible!

[quote name='goblin' timestamp='1419126933' post='2636891'] Nothing new really, but gave the SSI a fretpolish, oiled the 'board and gave the body a quick clean / polish. Looks good! [URL=http://s88.photobucket.com/user/goblin92/media/2F535714-C8C1-4F67-8B4A-2EF25201C7B2_zpsj8paxmjl.jpg.html][IMG]http://i88.photobucket.com/albums/k195/goblin92/2F535714-C8C1-4F67-8B4A-2EF25201C7B2_zpsj8paxmjl.jpg[/IMG][/URL] [URL=http://s88.photobucket.com/user/goblin92/media/905A5E8F-2865-415C-BFC6-39F7051C28C7_zpsvi8jiqix.jpg.html][IMG]http://i88.photobucket.com/albums/k195/goblin92/905A5E8F-2865-415C-BFC6-39F7051C28C7_zpsvi8jiqix.jpg[/IMG][/URL] [/quote] Is that the one that was in the FS section here? It is quite possibly the best looking Streamer I've ever seen, absolutely stunning!

I'm on the other side of the fence, I used to own a USA P bass and recently bought a VM P as I was getting P bass GAS again. I took it to one rehearsal and it's been in its case ever since! I don't know what it is, I just couldn't get on with it. It may well have been the two guitards and their Marshalls, one has a mid heavy sound, the other quite scooped and bassy so finding sonic space can be a pain, hence reverting back to my Bongo mid way through the rehearsal. I'm working with a 3 piece originals project doing funky blues/rock now so may give it another whirl with that. Also to add that I always used my USA with a drive pedal which seemed to really bring it alive so in the interest of fairness I'll give the Squier a crack through a drive pedal at next rehearsal!

My previous two cab set ups have been an 8x10 and then a 1x15 paired with either a 4x10 or 2x10, haven't used a 2x15 since my old Peavey rig about 25 years ago. I now use a Barefaced Big Twin 2 paired with either a Genz Benz Shuttle 9.2 or a TC RH750 and certainly don't miss any of my old big rigs. Don't get me wrong, if I had a roadie and someone else transporting stuff for me, I'd happily have a row of SVT 8x10's or Mesa Powerhouse cabs behind me but I don't have that luxury! I love the sound of the Barefaced, I think I'm one of the few who like the look of it, and when I'm loading into my house at 2am and not scraping my knuckles on the door frame its a godsend! There's some great 2x12's out there now, best thing is to try some out. The TKS's are getting a lot of love at the moment, and if the Berg NV I once had a play through was anything to go by the CN cabs will be beautifully made.

Our covers band got offered a pub gig at a fairly local place where we've done a couple of good gigs. Wasn't a great payer so drummer and guitarist decided it wasn't enough to sweeten up their respective partners and declined it. I would've done it, it was about 75% on top of what they'd normally pay us and more than I'm gonna earn sat at home with the in laws and my sister in law and her bloke! I can understand band members wanting to do the family thing on NYE but what I struggle with is the whole "my missus will go mad unless it's worth £X amount", my wife would rather I was home with her but she'd never stop me doing a gig, even if it wasn't a great earner.

Out: TC RH450 Sansamp PBDDI In: TC RH750 Genz Benz Shuttle 9.2 MusicMan Stingray 2eq Squier VMP What I've learnt: That my patience is almost at breaking point with the 2 guitarists in my rock covers band. That buying a Squier VM P bass was never going to quell the GAS, having owned a USA P previously ( The VM has been used once and been in its case ever since!) That doing originals can be fun and doesn't have to be the endless slog I remember. That doing originals is much better for my playing and means I have to get creative instead of just learning somebody else's lines. That after years of saying I don't like beer, only lager and cider, that beers such as Bath brewery Gem and Bristol Brewing Co Seven are actually fantastic and I should've tried them sooner!

Got involved in a 3 piece project with our drummer and his son's guitar teacher recently, doing originals for the first time in about 15 years so will be putting a lot of effort into that. The three of us, along with a keys player and a female vocalist we know, are also gonna form the basis of a new function/party type band, which will hopefully get some better paying gigs, not that I'm money driven but it would be nice to recoup some of the GAS outlay! The guitarist is very driven/focused, a bit of a taskmaster and tbh I think I need to work with someone like that at the moment, I've become a bit lazy with the getting gigs and getting out there recently, which probably stems from the pub rock covers band the drummer and myself are in. The 2 guitarists are quite limited ability wise but neither seems to want to improve themselves, which eventually gets you into the "what's the point" way of thinking. So having these other projects to focus on has come at the perfect time for me!

AFAIK Hugh Macdonald would have played on the recording, if that's any help! Most pics you see of Hugh nowadays he's playing Sadowsky's but as for what he was using back then I'm not sure, so not any help at all really! 😄

Or just get a HS configured Bongo with a 4 band eq on-board! 😄

[quote name='EBS_freak' timestamp='1418750630' post='2632960'] I certainly wouldn't limit it to those two line ups. There are some scarily good bands on the function scene... Especially when you get into London. [/quote] Your own band are none too shabby either!! Jo's playing in that clip is excellent, great tone too. Isn't The White Keys bassist a member here too, Huw Foster? Another great player.

Congratulations, absolutely cracking basses. I bought an amp a few years back and used the guy's 1205 to try the amp out and it was fantastic to play.

These look pretty good, cheap as chips too. especially as a set of 12 side led's from Sims is approx £450!

Another OBBM user here, instrument cables, speaker cables, bought a better quality cable for my wireless transmitter from Dave too. Top quality goods, excellent prices and first rate service!

[quote name='machinehead' timestamp='1417263807' post='2618658'] Good post and very true. I have a few basses, all great in their own way, and I rotate them over months or even years and digging out a bass you haven't used for a while, it's like getting a new instrument. You really do appreciate why you bought it originally. Frank. [/quote] I've been using my Bongo with the covers band and my 'Ray with the originals band so the Streamer has been redundant for a while, so yes it is like getting a new bass, a very nice one too! 😄

Came across a set of Ernie Ball coated strings whilst having a clear out earlier, bought them for my Bongo but never fitted them as I decided that the original nickel slinky's suit that bass better. So, I thought I'd drag the Warwick Streamer LX out and put them on that, it was strung with a set of Elixir's which had been on there a while and to be honest I never really liked them on that particular bass anyway. Re-strung it and plugged it into the Shuttle 9.2, which I haven't really played it through, and wow! I'd forgotten what a great bass this is, it's a 2009 and the neck is the smallest, easiest neck I've ever played. Loads of bite and growl, I sat there thinking I could easily go back to owning just this bass and use it for everything. Strange how a bass I haven't played in months has now got me thinking what a fantastic instrument it is. Perhaps we sometimes forget there was a reason we bought stuff in the first place!