Cosmo Valdemar

They all do... just a less chunky one. Looks more like a BBOT with big saddles.

Long, Long, Long - Beatles

Miss Europa Disco Dancer - Manic Street Preachers

1916 - Motorhead

Stroll The Bones - Rush

Floaty - Foo Fighters

There were two Blockheads concerts on telly Friday night, Norman wasn't playing an Alembic in either!

Well, my replacement arrived and it was exactly the same as the first pedal. So either I was tremendously unlucky to get two broken ones or it's just a very dodgy pedal.

Mongrel - Therapy

Die You Bastard! - Motorhead

Hope - Life Of Agony

I'm So Tired - Beatles

Ancient Dreams in a Modern Land - MARINA

Rosetta - Alan Price and Georgie Fame

Sexual Ealing - Marvin Gaye

It sounds the same to me.

Diamonds - Jet Harris

Them's were the rules, yes... they weren't strictly followed though 😆

Start! - The Jam

Sounds like typical TOTP, live vocal over the studio recording.

I Stole Your Love - KISS

He might not have sounded like that on the night - sounds daft but often mobile phone recordings make the bass sound better than it it actually did. I'm guessing they don't pick up all the subs? Also in a live venue our ears are being thoroughly battered which can make it hard to clearly pick out what all the instruments are doing. I don't record gigs myself but my brother always insists on filming a few songs. A couple of years ago we saw Steve Hackett at Hammersmith and the sound was overall pretty good but the bass was the expected gut-churning rumble. Very little definition. On the mobile phone footage, crystal clear Rickenbacker goodness.

No More Tears - Ozzy

Dead - Napalm Death

My first Spector was the NS2000, essentially the neck through version of yours. It had the curved body too. I adored it but eventually the slim neck became a bit uncomfortable for me. They're definitely a gateway drug though - I've now owned 12 of them. Not quite at @cetera's level yet though 😆