Cosmo Valdemar

Geezer Butler, Rex Brown, Dimebag. Oh, and I was once given a tin at the LBGS full of picks with Ernie Ball's name on them 😆

It's wonderful to hear a Status played pickstyle! Thank you.

Hey Johnny Park! - Foos

Excellent! Very John Wetton.

I love Badfinger so much. It's very hard to listen to them without thinking of the tragedies they went through, making some already moving songs deeply emotional. There's a fragility to them. Without meaning to criticise their musicianship, Badfinger always felt like they were purely about the song, with little time for flash or ego. Considering what an absolute state the band was in, their album Wish You Were Here is a masterpiece.

My Desire In Chains - Roy Stone

Ghost of Love - Treeman

I've never had a problem with a song taking a sudden change of course midway through. In the case of Baba O'Riley, Layla and The Chain, these changes lift the songs to the sublime IMHO. There's no reason why a song should remain constant in tempo, key or anything. Grafting two songs together to make a new one is a perfectly valid approach to composition. It's picking the right two song's that's important 😁

Jesus - Queen

Sister Disco - The 'oo

Return of The Fly - Misfits

Last time I went to the LBGS the Corts were my favourite basses to play. The Rithmic was clearly a wonderful bass but the neck was a bit slim for me.

Scream - Misfits

Mad Dog - John Entwistle

That is really something!

Stupid Girl - Garbage

Don't get me started on them... 😡

Right Here, Right Now - a DJ

No Limits - 2 Unlimited

Running Hard - Renaissance

Why Don't We Do It In The Road? - Los Paranoias

Ashes To Ashes Faith No More

Over and Over - Space Opera @Maude!

My Rose Has Left Me - Mulligan and O'Hare

Walk On Water - Wishbone Ash