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Cosmo Valdemar

⭐Supporting Member⭐
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Everything posted by Cosmo Valdemar

  1. [quote name='essexbasscat' timestamp='1460737365' post='3028363'] The Joyo AC30 emulator is pretty good too [/quote] I've got one of these and it's wonderful. I'm surprised Joyo don't do a copy of the Tech 21 Leeds, they seem to do all the others!
  2. I'm in a similar boat to you Mel, although I've actually taken the plunge a couple of times and actually bought a guitar! However on both occassions I quickly became frustrated with the tiny strings and my ham-fisted attempts to play 'real' chords, and realised I could be buying bass goodies with the money so quickly sold them. Of course, I regret it each time! Like Schnozzalee I don't really get much out of playing bass at home on my own anymore*, and the days of cranking the stereo and blasting along to Live At Leeds are sadly passed. Despite not being a guitar player, I can find my way around crudely but would love to learn properly - Steve Howe being a particular inspiration. Nice and easy to aim for eh My problem is always deciding which guitar to go for. I adore hollowbodies like the Gretsch Electromatics and Epiphones, and they sound glorious, but there's another side of me that wants to play extreme metal on something sharp and heavily drop-tuned. *I remain, however, a bass player, and no amount of dabbling elsewhere will change this.
  3. [quote name='Evil Undead' timestamp='1462220257' post='3041274'] The pole were only 2mm under the strings on the bridge pickup so I've lowered them to 4mm under and it's definitely helped a little. But lowering them further doesn't seem to help so I've left them at 4mm. I like a nice meaty bridge tone, that might be a bit low for me but there's always the volume knob [/quote] That sounds alarmingly close! Even 4mm! My guess would be the pickup magnets being too close to the strings and pulling them out of tune.
  4. Probably not much help but the sweetest Jazz pickups I've ever heard were the ones in the Roadworn.
  5. [quote name='King Tut' timestamp='1461166686' post='3032094'] Is the tap feature user friendly? [/quote] Never had a need to use it personally. It looked straightforward enough when the chap I bought it from demo'd it for me.
  6. Mine was a copy of a Gibson EB3, courtesy of Eros, in natural finish. Cost me £20 in 1995 from a friend of my parents who was moving away. As lovely as it was I soon felt the need to 'upgrade' and a few months later was he proud owner of a limited edition Encore P bass copy - natural, unfinished body, tort scratchplate and gold hardware. My pride and joy, at the time! Alas both basses came to undignified ends. The Eros ended up as part of an art college project - I planned to strip the varnish off and re-paint a la Clapton's SG. Sadly the stripping didn't quite work and the poor thing ended up looking like it had scabies. The Encore was dismantled in an attempt to see how it all worked. It eventually got put back together but I then attempted to de-fret it - we won't go into that...
  7. [quote name='blue' timestamp='1460954001' post='3030033'] I would argue the only person that will get Duff's sound from his signature model is Duff. Blue [/quote]
  8. [quote name='Lozz196' timestamp='1460853069' post='3029379'] The Duff McKagan is a good example of how a sig instrument should be. The bass it`s modeled on is no longer in production, and many people like Duffs sound, so to me this one makes sense. [/quote] That's an example that always seems a bit daft to me - why not just reissue the bass if there's a demand for it? Duff's was always just a stock bass after all. I've always felt the signature bass should in some way be unique to the player.
  9. [quote name='Paul S' timestamp='1460619668' post='3027232'] My immediate thought was to wonder what they bring to the party that a Danelectro doesn't. But I am still curious [/quote] What's the connection between Danelectro and Eastwood? Very different instruments.
  10. Wow, never seen that Surfcaster before! Very nice indeed! I love the Mosrite lookalike as well, and for once the Youtube demos make them sound really good! I would love one but they are priced just a bit the wrong side of affordable for me at the moment.
  11. Excellent condition, with original box. Bought to use on old Pink Floyd stuff and Brian May/Brighton Rock moments - which it does brilliantly - but there are loads if different settings, some quite loopy, but very versatile. Here's the official blurb: [b][i]With up to 4 seconds of delay, which is more than most studio processors, your creativeness will have no limits! The DigiDelay pedal gives you 7 different types of delay to choose from which include tape, modulated, reverse, and a looper that will allow for an infinite amount of 4 second layers. Don't settle for sub-par craftsmanship or limited options in a pedal. Go for quality and go with DigiTech. This rugged metal chassis will stand the test of time and offers further options like dual mono and stereo outputs as well as switchable cabinet modeling. Features •Up to 4 seconds of delay •7 different delay types plus Tap Temp •Stereo outputs with switchable CIT™ Cabinet Modeling[/i][/b] For sale only. £35 and I 'll throw in UK postage too. Pics to follow...
  12. [quote name='horrorshowbass' timestamp='1460032551' post='3021929'] Hi guys, another quick demo https://www.youtube.com/watch?v=Zs7SCF9bHtA&feature=youtu.be this is a very gainy pedal, hard to tame but some nice sounds to it. I think its a clone of the OCD by Fulltone so can get the Brian Cook "Russian Circles" sort of sound. Not really that super usable for me on a gig except maybe for an Overdrive for The Who songs:) enjoy Michael [/quote] Nice demo - it certainly works well with that bass. It would be nice to hear a few different settings though. How's it like with the low end?
  13. [quote name='Happy Jack' timestamp='1460096417' post='3022455'] Apropos of nothing at all, one of my favourite reads is Mo Foster's book "17 Watts?". If you've not read it, just go find a copy. Superb. The title comes from the moment when his first band upgraded their one, shared combo to a WEM Dominator, rated at 17 watts. They weren't sure what they were going to do with all that power ... [/quote] Excellent book! A must-read. Now available in expanded form but with a very drab new cover and title: [url="http://www.amazon.co.uk/British-Rock-Guitar-Musicians-Stories/dp/0857160001"]http://www.amazon.co.uk/British-Rock-Guitar-Musicians-Stories/dp/0857160001[/url]
  14. Could that pickup be any closer to the bridge?! No, no it couldn't.
  15. Buddy Holly - first single I ever bought. On cassette, no less! Played it to death. Never really followed their career since as I soon went fully metal and anything with pop sensibilities had to be abandoned.
  16. [quote name='The Jaywalker' timestamp='1459825368' post='3020033'] Anyone who finds what I've just said controversial or offensive - or indeed, has taken offence at anything Blue has said - simply needs to grow the fk up; musically and otherwise. [/quote] Wow.
  17. I use the Joyo Classic Flanger - the white one with the Harrier Jump Jet on the front. Very cheap but excellent sound, and no low end loss. I sold mine but bought it back soon after as it's such a great thing to have on the board.
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