@bassfan
Had a bit of time before classes started this morning so was able to knock something up quite quickly. Please excuse the sloppiness! It was quite a quick process.
So, no processing, just as it comes out of the bass - no EQ, just added a smidge of compression to even out my sloppiness! Anyway, I hope it helps...
1 - Neck pup, flat EQ, active mode
2 - Both pups, flat EQ, active mode
3 - Bridge pup, flat EQ, active mode
4 - Both pups, tone on full (more treble) in passive mode
5 - Both pups, tone wound back (dark and woolly) in passive mode
6 - Bridge pup, tone of full (a la Jaco kinda sound) in passive mode
7 - A bot of slap, both pups, flat EQ in active mode.
It has quite a range of tones, obviously I couldn't cover everything in but hopefully it gives you a good idea. The Glock is a lovely transparent sound when flat, really allows the sound of the bass to come out. Being a cut and boost EQ (unlike the Sadowsky you have), it does give it a bit more versatility in my book and I kinda miss that when I play my metro express which has the VTC circuit in it.
Let me know what you think.
Carl.
Bass Sample.mp3