Skybone

The SVT is on of the 2 in the Expansion Pack, the other being the GK 800, with the Ampeg 8x10 & 4x10 cabs. The only bass amps in the standard HD setup are the Fender Bassman & the Ampeg B15 from what I can see. Saying that, I always used the HiWatt DR103 on my old PODxt kidney bean.

Anyone got any experience of using an HD500(x) with the Bass Expansion Pack? I'm currently running a PODxt Live with the Bass Expansion Pack, it sounds great IMO, but the effects are kind of limited. I've been looking at the HD500 & HD500x with growing GAS, as they have the M series effects loaded. The Bass Expansion Pack doesn't seem that expansive (2 different amp models, 2 different cabs), do they sound any good? Do the effects sound any good? I know all the opinions on the various websites & forums say that the HD series sound so much better that the XT series, but in reality, are they worth the extra expense for someone who isn't gigging/recording regularly?

Seriously GAS-ing an HD500x after reading all this lot. Can't afford or justify a Helix, but the 500 sounds like it's a step in the right direction.

Some/all other members of the band being massive bell-ends, messing about and not getting anything done.

[quote name='BottomE' timestamp='1461912791' post='3038610'] Is it green? [/quote] It's not (say it quickly ) It's a "tobacco burst", but just can't seem to shift it.

I would have said that my old 4003 was the one that I'd keep, but I ended up having to sell it. I now have 2 RikenFaker's that are more than ample replacements for it. But I get the feeling that my "keeper" is the G&L L2000 Tribute I've been trying to sell for the last year or so.

Warwick Star Bass?

My first bass was a sunburst Kay P-bass copy, it weighed a ton and had a ridiculously high action, but it was mine. 30-odd years later, I'm still playing, so it must have done it's job at the time. I remember it came with cable-like flat wounds on. Managed to sell it to someone at school, then went out and bought a Westone Raider 1 in red/graphite. That one wasn't great, but it was far superior to the Kay! Bought an Aria Pro II SB Special after the Westone, now that one was really good.

Try them in any order you fancy until you find something that sounds good to you.

[quote name='blue' timestamp='1460957101' post='3030047']You really have to put a lot of thought into what your looking for in a band. Weren't there any "red flags " that indicated these guys we're not going to work out for you? Blue[/quote] What I look for in a band is other people who aren't bell-ends. The whole ethos of this band was to gather together a group of people of a certain vintage (most of us were over 40, parents and with responsible jobs), write a bunch of songs and hopefully get some local gigs. We said we didn't want to do covers, or blues, just play some rocking songs. No ego's, no "chasing the big time" or record deals. Just creating interesting music, having some fun, and being "yourself" for a few hours, instead of husband/dad/employee/responsible bloke etc. Don't know about you guys, but I've been in quite a few bands over the years, a number of which didn't go anywhere because there were bell-ends involved who just wasted time. Time is a precious commodity when you're older, more people want more of your time, so time where you can do something you want to do is quite precious. Not wasting an evening surrounded by bell-ends who want to dick about playing Pink Floyd badly. So yes, I have put some thought into what I'm looking for in a band. And your term "business" is very appropriate, I liken a band to a football team, you all have the same aim, and you need to work as a team not as a bunch of individuals.

Classic brown tortoiseshell

After another awful rehearsal, where the other guitarist kept on dicking about, the singer got pissed, the drummer was pissed, myself and the guitarist called it all off. we were going nowhere. After a handful of successful jams, where we actually played a number of original songs, and played around with ideas with a view to writing songs, it's descended into covers and arsing about, despite our efforts to keep it on track and write and play songs. Last night was the straw that broke the camel's back, the first hour was mildly amusing, though not very productive, and then it descended into farce. The guitarist and I just kept going until it got to the point about half an hour before the end of the session, when I just started to pack my gear away. Oh well, back to the drawing board.

Quite fancying a POD HD500 too

Never done a "Battle of the Bands" affair (dislike the concept intensely), but I have played quite a few all-dayers, which is basically a similar format but without the "competition" element. Turn up early, find out where on the bill you're playing and how long the set is (and the "turn-around" time), watch sound check, watch preceeding bands, play set (30-45 mins), watch the rest of the bands, get food, catch up with old friends, talk to other bands & audience members, sell some merchandise (CD's/shirts/etc), etc.

Used to use Stringbusters a lot, until I worked out that, even with the additional postage costs, it was cheaper to buy from Thomann.

Alesis

I want a Rickenbacker. Can't afford one, can't justify one, certainly don't need one. I just want one. I want a new motorbike too, and there's even less chance of that happening.

Is it for the effects or is it for amp modelling and effects?

For me, I voted sound over playability. Playability can be tweaked until it's right at no extra cost. Making something sound right can cost a lot of time & money, and you're not always guaranteed the "right" results. I've owned guitars and basses that have been superb instruments to play, but no matter how much I tweaked them or spent on them (new pickups/pot's/capacitors/etc.), they still didn't sound right. I've owned guitars and basses that haven't been great players, but they sounded great, so I invested a bit of care & time into them (setups etc.) and they became fine players (and I got used to how they played). With hindsight (and after spending a small fortune on equipment), playability comes after sound in my book (but they still have to look good too!).

Musically unfulfilled? Yup. They're going in a completely different direction, and I'm just not enjoying rehearsals anymore. I'll give it a few more rehearsals before deciding, but at the moment, it's a "meh" from me.

I found that both the BB & SansAmp drives were quite smooth

The Helix looks excellent, but way too rich for me. Looked at the HD500, but again, quite an expensive piece of kit for me. You'll have to give us all a review of it when it arrives Fret.

Try: [url]http://www.matsumoku.org/[/url]

Sweet. Welcome to the club!