
Pete Academy
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Used to do 'Morning Dance' in a covers band many moons ago.
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Where Have All The Beer Crates Gone?
Pete Academy replied to Pete Academy's topic in General Discussion
[quote name='thisnameistaken' post='774467' date='Mar 14 2010, 05:26 PM']So sell it and buy something taller. Job done. [/quote] Why didn't I think of that...d'oh! -
Where Have All The Beer Crates Gone?
Pete Academy replied to Pete Academy's topic in General Discussion
[quote name='BigRedX' post='774457' date='Mar 14 2010, 05:18 PM']It'll only devalue the cab if you're expecting to sell it, and if that's the case then obviously it still isn't the right cab for you.[/quote] Maybe so, but these are the right cabs. I should also mention it was quite a big job getting it done and also the new cabs aren't as tall, and so would hinder the correct height of the legs. Or something like that... -
help an idiot who has no idea how to set his controls
Pete Academy replied to daz's topic in Amps and Cabs
It looks like an Ashdown rif-off, especially with the Ultrabass control and VU meter. A good starting point is with the tone controls at 12 o'clock, as this is usually a 'flat' setting. Anti-clockwise should cut the tone and clockwise should boost. Might be helpful if you specifiy what music you play and what sound you like. -
Where Have All The Beer Crates Gone?
Pete Academy replied to Pete Academy's topic in General Discussion
[quote name='essexbasscat' post='774421' date='Mar 14 2010, 04:33 PM']I was pondering this very topic this morning following the first outing of a new rig with two GS112's on Friday. I thought the extra height would help the whole band to hear the bass guitar a little clearer in the on stage setting, without increasing the overall volume. The choices at this point were - To stack the GS112's on their sides to gain the height for the top cab. Not sure how this would affect the performance of the speaker cones themselves however. - To carry some kind of purpose built stand. The least preferable option as it would involve more carrying. Perhaps there are other solutions ? T[/quote] A couple of years ago I posed the problem to my girlfriend's uncle, who is an engineer. I was then using an Ashdown Mini115 and 408 rig. He built retractable legs into the bottom of the 115 cab. You pulled each leg out and tightened them with a built-in thread. It was quite ingenious and although the legs were a tad wobbly, it served the purpose. I got some ribbing about it, though, from other band members. I'm tempted to have him do this again on the New Yorker 604, but I think it would devalue the cab. So any other solutions would be appreciated. -
Where Have All The Beer Crates Gone?
Pete Academy replied to Pete Academy's topic in General Discussion
[quote name='thisnameistaken' post='774398' date='Mar 14 2010, 04:03 PM']I don't use any top end so it's not an issue. Maybe taking something to tilt your cab back on to would be more convenient? I think Markbass do some folding wedge thing.[/quote] I thought about the tilt-back but I feel more comfortable with the cabs raised. -
Where Have All The Beer Crates Gone?
Pete Academy replied to Pete Academy's topic in General Discussion
Been thinking about the in-ear monitor route. Mmmm.... -
[quote name='dave_bass5' post='774377' date='Mar 14 2010, 03:47 PM']I will indeed. How's the G string? I only ask as I've had to knock the pole pices down on my sub to get a better signal from the G.[/quote] I haven't noticed a problem, but I haven't played it much. I'll check it out again but I think it's OK. I hope to sell it before, but if not, I see you're in London and I'm playing The Pigalle there in May if you want a peek at it. <shameless gig plug over>
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Due to my hearing impairment from years of gigging, I need to have my cabs at ear height or I just can't hear any top end. I find that virtually all the venues we play at don't have beer crates any more. I struggle to find something suitable. Someone lent me a portable lightweight camping table to try. It was spot on height-wise, but a little too flimsy, even for my ultra-light Markbass rig. Anyone else have this problem and has managed to solve it?
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[quote name='dave_bass5' post='774268' date='Mar 14 2010, 01:16 PM']And me. If I sell the DD it will be about £700 ish but I've not really thought about it yet. I've had a few PMs from people but ive not decieded yet. I recently got a fralin for it so that was another £140. I'm not really sure if a SR would work instead of my DD yet. I've done a couple of gigs with the sub and it's working well but I think I should do a few more before I make a decision. Its not so much the tone, its the neck im worried about. I find the Sub neck to be ok but the DD neck is fantastic.[/quote] No probs. Give it some thought.
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[quote name='dave_bass5' post='774224' date='Mar 14 2010, 12:14 PM']Well she is vintage and very road worn ;-) Im almost tempted to sell my Duck Dunn for this. I dont think it will hang around long enough for me to get my lazy ass in gear though. Good luck with it[/quote] She sounds like me How much are you looking for the Duck Dunn?
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Great player, always liked him...although I reckon quite a few people will draw comparisons with VW for his slap style.
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I have acquired this lovely Stingray 4, dark blue metallic finish, 2-band EQ, rosewood fingerboard. It's immaculate, with a little wear on the scratchplate where the thumb would rest. The body and neck are completely unmarked. Original hard case has a little bit of scuffing. I would keep it, but I've just bought the Fender Jazz. I'm looking £750, no offers. This is a good price for its condition. I can arrange delivery via Interlink, if needed. [attachment=44764:stingray_5.jpg] [attachment=44765:stingray_1.jpg] [attachment=44766:stingray_2.jpg] [attachment=44767:stingray_3.jpg] [attachment=44768:stingray_4.jpg]
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'I've Been Waiting' is amazing.
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New Tune - first with MIDI bass playing on... opinions please
Pete Academy replied to urb's topic in Recording
Just realised who you are, Mike. Hope you value my opinion. -
New Tune - first with MIDI bass playing on... opinions please
Pete Academy replied to urb's topic in Recording
Honest opinion? Amazing technique and very clever - I couldn't even come close to it - but tedious after the first few bars. Just my opinion, folks. I like a groove. Careful how you throw those eggs. -
[quote name='thegreenman555' post='773082' date='Mar 12 2010, 07:30 PM']one of these was up for sale on here recently. It went. Same to see it go to a charity shop! I've got a S D Curlee licensed by Hondo - nice little bass. not worth much, but I'd never part with it. Ever. Had it professionally set up a little while ago & was thinking about changing the p/ups. The luthier said dont, they're pretty good.. So it is as it is![/quote] SD Curlee, as does Hondo, brings back fond memories - along with Columbus (my first 'proper' bass, a Jazz copy), Antoria, Jedson, Gherson, and many more. And if I'm not mistaken, did Woolworths have a brand called Winfield? Pass me that Werthers, dear.
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I thought those old motorcycles were collectable.
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The bass part is simple but effective. I've heard many a bassist overplay on that song. Just doesn't need it.
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[quote name='skankdelvar' post='772764' date='Mar 12 2010, 01:41 PM']Your ears do not deceive you. Sparko (Dr Feelgood) played almost exclusively with a pick, as did many of the blues rockers of the time.[/quote] Thank you, Mr Delvar.
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[quote name='JTUK' post='772706' date='Mar 12 2010, 01:00 PM']Doing a blues gig with a pick...?????? nope couldn't go that far? or even do it anyway.. might be an exercise in double thumping but even then...?? [/quote] When I was listening to the songs, most of them sounded like they were played with a pick. I haven't used one for over 30 years. About 3 songs in, my hand became really painful, so I had to ditch it. Pity, as the sound was spot on.