I have just tried the new Ashdown ABM1000. Devastating power with tons of headroom. The new digital power amp has reduced the weight, but it doesn't sound like it's a digital amp. Loads of bottom end. To me, the amp sounds more punchy and responsive than a current ABM. Sounded great with an active Yamaha and a Fender Jazz.
I can't believe there's a 2000w version!
Well worth trying out.
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do your lot ever play "Midnight Cruiser" live? I'd turn up to a gig just to hear it..lol. Has a lot of meaning to me and one of my oldest friends... oh the memories.
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Used to do it, but it's not in the set at present.
I love their take on the pop tunes they cover. I recommended our keyboard player have a listen to their reworked tracks. He was totally unimpressed. I think they are am acquired taste , but despite being a big fan, I'd like to hear something different.
Again an amazing take on a pop cover. The bassist is fast becoming a new bass hero...amazing technique, feel and tone. The overall playing is impeccable. However, I have to agree it's all sounding the same.
There used to be a three-piece band in stoke called fatal attraction. They were so bad it was funny. The audience loved them because the songs sounded a little like the original songs.
Cheers Bryan. Great to see you and Alice again. We loved the gig...great vibe, lovely people. Sell your soul and get a roscoe, Bryan. You won't regret it. Oran mor in Glasgow tonight, if anyones interested.
I had a 20th anniversary model. A beautiful instrument, but it had faulty pickups. Took me over a year to sort out, as Alembic's customer service was abysmal. The sound is an acquired taste, extremely hi-fi, with no warmth whatsoever.
Does anyone know how this amazing (IMO) bass sound might have been achieved in the studio? The player is Mark Adams of Slave. I'm pretty sure he was using an Alembic at this time.
[media]http://www.youtube.com/watch?v=E3p5QRCks4E[/media]