RhysP

[quote name='Dave Vader' timestamp='1372866486' post='2130925'] And that's it really. [/quote] Pretty much, though don't forget the Trace Elliott & Jaydee or Status combo for those who loved the 80s so much they decided to stay there.

Allow me to be the first of many that says Ampeg SVT & Fender Precision.

[quote name='KevB' timestamp='1372861130' post='2130831'] I'm sorry this just isn't a very scientific point of view. We really need the control data and to have a time machine to send Nige back to have lessons from Jake years ago and [i]then [/i]check to see if he wouldn't have just ended up talking bollocks anyway. [/quote] I don't think we need to go to that much trouble for the answer to that question, do we? It would just be evangelical pro-theory bollocks instead.

Squirt?

I recently found myself in a very similar position. Like you I've played active basses exclusively for 25+ years (currently using a Spector Euro 5LX) but have been finding myself missing the sound you get from rolling off a passive tone control. I recently bought a used markbass combo off a Basschat member & the VLE control does a good job of approximating the "rolled off tone control" sound when using an active bass but it's not quite the same. I was doing some recording for a friend a few months ago & just used a bass that was hanging around at the studio, a mexican Fender Precision. I really liked how it sounded on tape & through the desk, so much so that I've just bought myself a used MIJ Precision. Is it not worth looking for a cheaper alternative to the Jazz Bass you liked so much? The quality of the Mexican Fenders & the Squier classic vibe models is generally well regarded on here & they can be picked up secondhand for very good prices.

I've been like this for years. I've tried loads of things to rekindle my interest but they never last very long. My disinterest in playing has become so extreme now that I've actually just bought a Fender Precision. I've done the whole band/gigging thing - grew to hate it, never want to do it again. It's not just bass - I play guitar & keyboards as well & I've got little interest in them either. I enjoy noodling about on them occasionally but the passion I used to have for playing has gone. I've got a lot of unavoidable long term negative sh*t in my life that isn't going to go away anytime soon & I think that's just drained all my energy & enthusiasm.

[quote name='flyfisher' timestamp='1372704622' post='2128882'] That sounds plain daft to me. if you're prepared to spend your working life doing an unbelievably sh*t menial job with bad pay, surely it would be better to do a highly paid job playing unbelievably sh*t music? After all, you could still play the music you DO like during your spare time - of which you'd probably have a lot more if you were in M&S. [/quote] Of course, I am totally wrong and you are right as always. Thank you for knowing my own mind better than I do & pointing out the error of my ways.

[quote name='steve-bbb' timestamp='1372747356' post='2129314'] Good weather beer and disco biscuits plus the expectation and peer pressure that you must be having 'an awesome time' because youve just remortgaged the grandparents to be able to afford the tickets probably helps a wee bit too </cynic> [/quote] This. You could put a clockwork drumming monkey on stage at Glastonbury & 80,000 people would go crazy for it & then drone on for years about how f***ing amazing it was.

These days I'd rather hear a really good lyric over a simple musical structure than sh*t lyrics over a load of virtuoso playing - that's why I can't listen to Yes anymore.

[quote name='mike257' timestamp='1372690873' post='2128631'] I think if we were all given the choice between day job drudgery (or function band obscurity like I'm languishing in!) and taking the bass chair for [b]any[/b] band with that level of success, we'd only be lying if we said no. [/quote] You speak for yourself. I've got a unbelievably sh*t badly paid menial job but I'd genuinely rather do that than play music I absolutely detest. I'd feel the same about playing in a covers or function band too - playing just isn't that important to me that I'd do it whatever the gig. I can't think of anything more soul destroying.

Another option you could maybe consider is to pick up a cheap neck for the Tanglewood on Ebay.

Lovely colour! I've only played a couple of Carvins (a friend of mine has a 6 string bass) but they've all been top notch quality-wise, as good as anything I've played.

It's no uglier than any other Warwick IMO.

[quote name='bassace' timestamp='1372661854' post='2128140'] And don't get me started on bloody Bellowhead! [/quote] Mumford & Sons shouldn't even be mentioned in the same breath as Bellowhead. Bellowhead are a fantastic live act and are very much the "real deal" folk music wise- they are very highly regarded & well respected musicians in the folk world, and many of the members have spent years playing small folk clubs up & down the country as solo performers too. They are the polar opposite of the plastic faux folk crap peddled by Mumford & Sons.

Basschat & Ebay - haven't bought new gear for donkeys years & have absolutely no intention of ever doing so again.

It has to be State of the Unions "Snake Oil" for me, because not only is it a great album it's the only new music I've bought this year.

[quote name='Dingus' timestamp='1372424851' post='2125600'] Maybe this Italian chap's singing is actually a lot more faithful to the original than we are giving him credit for : [media]http://www.youtube.com/watch?v=_LxGsmjPTRY[/media] [/quote] Poor old Simon - imagine your pitch going that haywire in front of an audience of approx. 1.9 billion viewers....

I played a five string Overwater (it was either a Progress or Perception model) recently when I bought my Markbass combo as the guy selling it had one. Very high quality build and an incredibly low (too low for me) buzz free action (it was tuned down a semitone too!). I found the neck to be very slim from front to back but pretty wide across the fingerboard, the exact opposite of my Spector Euro 5 LX. Played a few other Overwaters over the years & they've all been quality instruments.

I love The Köln Concert album, but to be honest I've not heard much else by him.

Way overpriced, but secondhand stuff in music shops nearly always is.

Something I've heard of some people doing which might be worth thinking about if you're concerned is wrapping the case in one of those silver reflective blanket things (like they give out at the end of marathons) to help keep the temperature in the case stable. I've also seen them used to cover gear when set up on outside stages.

Full size? That's a lot of cake! Always seems a shame to eat them when so much work has gone into them but, hey, it's cake!

[quote name='AndyBob09' timestamp='1372336247' post='2124438'] You're right. People do visit forums for different reasons, but many people don't lurk in the recording forum too often so wouldn't know of the composition competition and [b][i]this thread is simply letting people know it's there, should they want to check it out. If not, simply move on.[/i][/b] [/quote] It's not though is it? Clarkys first post in particular is belittling people for talking about bass stuff on a bass forum which seems a bit daft & counterproductive to me. I come on this forum because I play a bit of bass; I don't have any interest in making my own recordings at home & even though I do occasionally write stuff I do that for my own amusement. I have no desire whatsoever for anybody else hear what I do. I occasionally listen to stuff that people post but 95% of the time it's just not music that appeals to me. What I see happening on the recording forum is just a lot of backslapping; it's little more than a mutual appreciation society IMO. On the odd occasion somebody does say something less than positive they are invariably greeted with a sneery "well let's hear some of your stuff" response, as if the only way you can possibly have an opinion about anything posted is if you write & record stuff yourself. There are people on the forum who obviously love writing, recording, collaborating & sharing their stuff with people who are interested, and that's great. To start having a go at the members who aren't interested & are happy just to play a bit of bass & talk about their gear, favourite players etc. seems a little unfair to me and is an attitude unlikely to attract many "casual observers" into the recording section IMO.