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MoJoKe

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Everything posted by MoJoKe

  1. Ditto, would love to give the J-tone a try though! Anyone out there got one?
  2. I had a bookmatched fretted/fretless pair of Olive Ash Mach1s made for me in the mid 80s, sold both a while back when desperately in need of money, and now probably irreplaceable. TheGreek probably saw one of mine, as yes, quite rare, distinctive and gorgeous tone! Good luck with your sale, the buyer will be a lucky guy/gal!!
  3. I think this is why he developed the J-Tone... It is less "preamp-y" and more like the bass it is fitted to. I don't know this for sure as I have never used one, but found this video and would definitely love to try one myself!
  4. With the J-retro I have never experienced issues with either of the above with any of the basses I've owned. The J-retro currently in my fretless has previously been in two other basses (a Squier VM5 and a Lakland JO5). With no noise or fit issues. The only slight pain is you need to remove the bell plate again to refit a new battery, and it can be fiddly to re-seat with the pickup and battery connector wiring, but once you get the nack, its straightforward, and more importantly doesn't need to be done that often (3-6 months as long as you don't leave the jack plugged in between shows or at home/studio)! If you are not sure it will work for you, and want this to be reversible, simply make sure you take a pic of the wiring before you make any modification so you can re-solder the connections correctly, but otherwise it'll be completely reversible with no damage at all.
  5. +1 for John East! Supplied on a bell plate which drops into the bass with little or no effort! Which one; for me the J-Retro all the way! I have one fitted on my 5 string jazz fretless (the swept mid EQ gives some great, growly Wal-esque tones) and another in my Lakland DJ5. Some might say they are too hot, in which case East have the J-Tone, which is a more subtle and oriented to a a more punchy passive sound. Hope that helps!
  6. Yes, it'll be a 500w version of the 1000w head... Its the same head as in the new 102-500 combo
  7. This driver was bought a while back as a replacement for an active bass bin to try and bring it back to life, but the issue turned out to be the power amp, so the project was binned and the sub was shoved to the back of my studio, never to see the light of day until I had a clearout a few weeks back. The cab went to the tip (it wasn't great!) and the driver, which probably hasn't even been fully run in yet, is now for sale. Price : £75.00 I am happy to ship anywhere in the UK at your expense...
  8. I will NEVER sell my JV!!! its like a part of me!
  9. It didn't come with a thumb rest either....
  10. I have a big Fender Logo PB57 which I have had from new in 1982. The original pick guard was single ply white, and the bass was not supplied with pickup or bridge covers. I would suggest these, and the gold pick guard were added later (mine now has a gold guard, but I still have the original tags and parts!) A couple of months later I bought another, this time a Squier logo'd one, a salmon pink PB62, which had a rosewood fingerboard and brown tort guard. it wasn't as playable as the PB57, so I sold it a couple of years later...
  11. I had a 55-02 Deluxe which had been converted to fretless with a birdseye maple fingerboard. it was a gorgeous bass, but I fell on hard times a couple of years ago, and had to sell it to pay some bills. I would love to replace it again, but for the timebeing my squier jazz conversion will have to do!!
  12. I've been using one of these as my main gigging bass for years now. I've had 5 different Laklands, including two deluxe 55-02's, but my natural ash one has always been a keeper Great basses, GLWTS!
  13. His control and dynamics are amazing and the tone he gets with that Warwick, in spite of the colour(!), is lovely. A great talent (and his ability to talk conversationally while riffing in 7/8 is just bonkers!)
  14. Probably discussing the new amp launch at Namm! Gonna get a few other new things too! Marco posted in the comments: “This is the New Stu Head, we will introduce it during next Namm...1000w, pre Tube and solid ..you can mix with two big Knobs.. 7 bands Graphic EQ...” The cab is 2 x 15 with a horn. I am loving it, maybe time for me to go retro again!
  15. yes... definitely your fault! haha! the URL is: https://www.facebook.com/markbassamps/videos/10155759284988632/
  16. Lovely dynamic playing, oh, and a new signature amp on the way next summer. Skip 2 minutes if you don't speak italian!
  17. At the amp. The EVO 1's amp selector pot is an old school 6 position multi-select rotary switch, so no, the footswitch does not control amp models, it simply switches between channels, or if you press the active channel button it turns on both so that you can mix the tones of two different amp models (it also has separate DI's for each channel, or can be set to send a pre-mixed signal). The "point" of the EVO 1 is to provide a less complex, more "analogue" style solution (with good old knobs!) to amp modelling while still offering some great great amp models. If you want the ability to access more amp models (and a whole lot more besides!) with your feet, then the Multiamp is probably a better call. OK, so its fair to say the EVO 1 does need a bit of getting used to at first (particularly the gain structure), but no more than any new bit of kit. Maybe it needed a bit more time? I have gigged the EVO 1, and it certainly doesn't lack heft into my TRV121H and 151P cabs. Its a monster! Gain structure - Each channel has both input gain and output level, the mix knob sets the blend between channels, and there is a master output level. In addition, the tone settings can have a huge effect on boosting level on some of the amp models, and the channel effect can further influence boost levels too, so there is lots going on there (and thats before you toggle the actual boost setting)! It really does need the footswitch to access the full features of the amp. The advantage of the ability to blend the channels is that it gives the ability to effectively set four different stages of output gain (in fact 5 if you use a compressor). With the amp appropriately setup it allows you to increase/decrease gain levels toggle as follows:- 1. Channel 1 2. Channel 2 3. Channel 1 & 2 4. Boost (can be set to add up to 10db) Not an opinion, but something I've heard... Stingrays are known to have a very hot output, and I've read elsewhere they have been known to cause issues with some amps (not just Markbass) and effects pedals, though I've never owned a MM bass so cannot test with an EVO 1. I'm told this can be simply resolved by rolling off the output of the bass a bit.
  18. I'm in! Hopefully will have some new toys by then!
  19. [quote name='mep' timestamp='1509921440' post='3402680'] I'll pass on it this year. The guest artist have been announced and it all guitarist I believe this year unless I've missed someone. [/quote] The amazing Stuart Clayton is doing a spot I believe!
  20. Anyone going? I will be helping out with Markbass as usual...
  21. Used, slightly relic-ed (!), but fully working, with a brand new slam latch and key lock. I needed to make some space in my PA rack, so swapped it for a 5u one! One of these:- https://www.pennelcomonline.com/en/gb/Penn-Elcom-6U-Rack-Drawer-with-Slam-Latch-and-Key-Lock-3236LK/m-8545.aspx?PartnerID=10&utm_source=google&utm_medium=shopping&utm_campaign=UnitedKingdom&gclid=Cj0KCQjwybvPBRDBARIsAA7T2ki95qvZ1DadxBa0jJ2PmLGlYifd1ggSHlU973IVEFDamuV3kFv28mIaAuGGEALw_wcB
  22. [quote name='Leonard Smalls' timestamp='1506325846' post='3377814'] I like the look of the Mark Audio AC2, but annoyingly their website only lists one dealer - in Italy... [url="http://www.markaudio.it/dealers/2/"]http://www.markaudio.it/dealers/2/[/url] A google search for the UK finds no mention anywhere! [/quote] They'll hopefully have stock of Ergos at Express Music in Coventry by the weekend. If you want to see the Audio Chain, I will be up north to Liverpool with a pair on Friday next week...
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