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Pete1967

⭐Supporting Member⭐
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Everything posted by Pete1967

  1. Folks, I can vouch for this... I bought it new from the Bass Centre in Birmingham. Genuine two owner beauty that is everything good about Warwicks and before they really went mass market. Looks to be in the same or better condition than when I let it go, so buy it, play it and love it... ...Dave's a top guy so deal with complete confidence.
  2. [quote name='the someone' post='804009' date='Apr 12 2010, 07:03 PM']pm sent[/quote] ...and replied
  3. Mike bought an EMG PUP off me. Paid immediately via PayPal and great communications. I'd have no hesitation in dealing again. Thanks!
  4. OK, So I thought it was time this thread was rejuvenated - now that I have two Shukers (and a third on the way) Here's my gratuitious contribution... [attachment=45969:Shukers.jpg]
  5. Steve bought my Geddy Lee off me today - drove all the way up to my place from Nottingham, saving me a drive and shipping. A great, friendly guy to meet, have a cuppa with and sell a bass to! I know you'll enjoy it Steve - I did!
  6. [quote name='mikhay77' post='788610' date='Mar 28 2010, 04:15 PM']Pm sent.[/quote] ...and replied
  7. My Geddy rolls out the door this afternoon and it's new owner prefers the original white plate so I have this black pearloid one left. I had it made by Aurora Project about 3 months ago. It's actually 4 ply black/white/black/black pearl and fitted my Geddy fine and I would assume it would fit other 11 hole pattern basses as well, but we all know how many variants there are... It has some very light surface scratches - you have to look extremely closely in the right light, at the right angle, kind of light - so it's virtually as new. It cost me £35 if I recall. Yours for £16 posted. [attachment=45899:pearloid.jpg]
  8. I was at Jon's today picking up the green Jazz that's on his stock page... now in my spare room.. hee hee.... Anyway Jon was working on your Explorer, and whilst I didn't get to inspect it in minute detail it did look very sweet indeed. The set neck looks an absolute peach of a job, and although I'm not much of an expert in bass builds it's didn't look far off to me.
  9. Sorry I'm bit late to the party on this one, but just to add diversity, Tom Martin's in Banbury if it helps at all. Very Classical if that's your thing, an absolute font of knowledge. [url="http://www.thomasmartin.co.uk"]http://www.thomasmartin.co.uk[/url]
  10. A favourite pastime of mine too... but I've just been cured of my Photoshop doodling by buying this off Jon Shuker [attachment=45134:greenjazz.JPG]
  11. Pics Ahoy.... [attachment=45020:40P5_2.jpg] [attachment=45019:40P5_1.jpg]
  12. [quote name='zephead' post='777077' date='Mar 17 2010, 10:08 AM']any pics buddy?[/quote] Yeah sure - I'll sort some later when I get home. In the meantime, here a handy link! [url="http://www.emginc.com/products/index/118/28/2"]http://www.emginc.com/products/index/118/28/2[/url] P
  13. Pete1967

    Info

    [quote name='tom1946' post='775280' date='Mar 15 2010, 02:50 PM']Yup, USA deluxe, I'm sooo tempted....[/quote] That looks very much like your lounge carpet Tom... are you sure you haven't been tempted already I've not played one of these (P's aren't really my bag), but they have a great reputation for biiiiiiig tone. I do know a guy that uses one and highly rates it. P
  14. [quote name='Tait' post='770658' date='Mar 10 2010, 05:23 PM']personally, i'd say if you just bought it, give it a few months, and try and use the B string wherever possible, so for instance one song i love the B string on is hit me with your rythm stick, if you play the first F in the song on fret 6 of the B string, theres hardly any moving up and down the fretboard necessary. i also hate the sound of anything below the D on the B string, but on the other hand it's useful for different, easier positions with songs you could play on a 4 string. get used to the BEADG tuning before you decide anything different IMO[/quote] Staying with the standard fourths BEADG gives you lots of new fingering options (ooh err missus) and I'd also suggest trying to stick with it FWIW. Bang on with the point about Rhythm Stick - I can't think of a finer example. Turns a tough song in to a doddle(ish).
  15. I played this recently at Tom's house.... it's luuuuuuuuuuuuurvely....... Good catch.
  16. [quote name='tom1946' post='769314' date='Mar 9 2010, 03:17 PM'] Selling your Glee Pete? Couldn't part with mine....[/quote] Hey Tom... Like an impetuous fool I've bought the new green Jazz on Jon Shuker's stock page so I need to sell one to maintain harmonious relations at home...
  17. This was in my Shuker 5 when I bought it from Jon's stock, but I knew I wasn't really P bass kinda guy and quickly swapped it out for a 40J that I bought off Neepheid. It has no discernable wear and comes with the fitting kit, instructions, box, foam, the lot that came with the 40J - they're the same for both PUPs - so it's essentially brand new and boxed £[s]45[/s] [s]35[/s] 30 posted in the UK. I'd post to the EU but would need to check costs - it might be a small supplement (sounds like booking a holiday!) P
  18. Just checked on mine... white dot markers are set in to the black binding. If you end up missing the one you're going for I'll be putting mine up for sale in a couple of weeks!
  19. [quote name='yorick' post='767826' date='Mar 8 2010, 12:36 PM']Definitely a Fender. Quick edit. It's a Mexican model.[/quote] Apparently a 'Cowpoke'! Mexico 1994/5 according to the SN [url="http://www.bovinehost.com/currentbasses/cowpokeP.html"]http://www.bovinehost.com/currentbasses/cowpokeP.html[/url]
  20. I agree with Rich - the modern bow isn't designed to be tensioned by hand. For one thing Baroque bows tended to have a convex curve (where modern bows have a concave curve) and I've not seen the hand tensioning this done with modern bows. There's also a school of thought that you shouldn't touch the face of the hair with your hand because it transfers oils from the skin and can cause the bow to 'skid'. If I were you I'd use your normal technique and concentrate on the stylistic elements of playing Baroque music - slightly staccato and metronomically accurate rhythm. Listen to a recording by the Academy of St Martin in the Fields. [url="http://www.youtube.com/watch?v=pHphPq4Vnzg"]http://www.youtube.com/watch?v=pHphPq4Vnzg[/url]
  21. Oh lordy lordy.....
  22. +1 on the Jon Shuker suggestion - that's where I would go.. oh hang on... have gone... twice Utterly personal service, and he'll build pretty much anything you want to specify. I couldn't recommend a chat with him enough....
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