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Everything posted by BabyBlueSound
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Oh thanks, but I prefer more... shape we realised we need more stuff from Thomann anyway, like Elixirs for the shortie, so went ahead with that Thomann bag. I also got a spare nut which I can file to rubber string size, so I can have one nut for the regular strings (if I'd go for those RIDICULOUSLY expensive flats at some time in fhe future), and another for the rubber ones. I think the bridge holes might need to be enlarged for those rubbers tho... π
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Not yet, not a priority for me being a living room bassist, but I was eyeballing this one as I don't plan to spend a fortune: https://www.thomann.de/gb/thomann_uke_bass_baritone_uke_gigbag.htm Apparently baritone uke bags work.
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@JohnDaBass how is your E string though? Mine was pretty dead, and the A is already losing brightness, and I always play with clean hands. Ordered D'addario nylons anyway, might need to file the nut a bit
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One thing I must highlight is since the strings stretched to their length, I barely have to re-tune the little guy, holds the tuning very steadily!
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Sounds about right, I would have never gigged with this. But so perfect and comfy for noodling around at home, and hobby recording. Just too loud to play next to a TV in the living room π
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...and how did it go? π I am still enjoying mine, but I am just a living room bassist, no band. My experience is similar with the tone knob, anything above 50% becomes scratchy, artificially metallic sounding. My only problem is, it's so easy to pick it up and play it's loose-ish comfy strings and tiny neck, my muscle memory is already starting to reset and I am making more mistakes on the shortscales π
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Here's a fun little thing Moises does. Sometimes it can fall "between" tempos somehow I was recording my most recent video the other day, and used Moises for backing, basically playing to the drum track and the smart click track from the song I was recording. It was running from my phone for simple handling, through a bluetooth speaker. When I was finished, and wanted to add the full, clickless backing track, I have exported it via the web client, imported to Reaper, and was trying to align them without any success, they always sounded bad together. I noticed despite both being 164, they're not the same tempo, the web version was slightly faster. So if I synced up the beginning of the song, the end was out of sync, and vice versa. No problem, I thought, I'll just export it via the phone app then. But now the phone one matched the one from the web... so seems like I played my song to a "magic" 164 bpm that just can't be replicated, and now I'm without a backing track. But I still had my video where the "magic" 164 and it's click was still audible, so I added that audio to Reaper, and then started playing around with the web export to try to match the magic one. Ultimately I found if you decrease the playback rate from 1 to 0.9988something, they finally match. Lesson learned: if recording, always export the track first, and play along using a good ol' wav file. edit: even better, export the click track and the clickless at the same time, so no gremlin can mess with rounding errors etc
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If I had a penny every time a new technology / approach / genre / instrument completely devalued music... π Like how garage/techno "defeated" all other music with it's simplicity. I mean I get where you're coming from. But about 99% of the world's current human-made music is absolute trash (at least from a very subjective perspective, what exactly makes up the 99% varies), I really don't think the 1% most of humanity will be listening to will actually be premium quality AI made music. I am a lot more concerned about Gen-Z being absolutely crazy about what I consider today's absolute nothingburgers, those crap tracks where there's like a 80 bpm digital drum with 16th-32th hi-hat runs, some bloops and beeps, and a guy or girl basically speaking in an autotuned voice about something in a monotone, bored manner. And there's millions of songs of this same thing. Even AI can do better than THIS.
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I love mine when practicing, the bluetooth connectivity to the phone is so useful. But I don't think I'd try to record it. The output is very digital to my taste, I can hear the sound is coming through a cheapish toy. But if this is the only device you have for recording, then it's definitely better than nothing, and should do the job for Youtube and stuff! And I have never tried the "Mightier" app yet that is supposed to give you more control...
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So the little guy has arrived, and I am enjoying it a lot. I guess it's not for everyone, but as a mainly shortscale guy, this is MY shortscale. The build quality is not terrible for Β£220. The wood is fine, the pieces are joined up nice, it's a pleasure to look at. It DOES sound prec-ish somehow. The fretwork is where the "made in China" shows, they don't even show on photos that much, but the fitting is quite disgusting around a few frets. As you can see, the fretboard was dried out to the point where the wood starts to become grey-ish, so gave it some lemon oil, and it turned nice dark brown. However at this point my nut fell off. After a brief panic, I used some very weak wood glue to stop it from moving sideways and I let the strings hold it in place. It's working and should be fine. Unfortunately the E string is pretty much dead, compared to the other 3 strings which sounds fine. But I don't mind as I never care about the factory strings anyway. Might try the weird postie rubber strings just for kicks, but I in the long run I just plan to put some proper strings on it. I might also try cutting up my older coated strings, try to put them on and see what happens. After re-stringing, it takes ages before the strings stretch to wherever they should be. Intonation is... what it is. For any bass ukes, usually this is the pain point. The G is spot on, but the D is almost a quarter tone off at 12th, and there are smaller differences for A and E as well. Just play the low frets, or get a real uke π The electronics are pretty nice, colourful accurate tuner, and a pretty wide TONE knob. I guess it's active, having a battery, but's surprisingly loud even compared to the "hot" pot setting on my Sterling Stingray. I was genuinely surprised how crappy and dull the Sterling sounds after playing the uke (but I got 1yo bummed out cobalt flat strings on the Sterling, so that's somewhat expected, I was just surprised at how big the difference was in clarity). My biggest pain point is, there's no blue coloured uke bass. They made a blue uke... but not a bass uke. So now I got an instrument that's not blue Mildly Sansamped sound in action below. Please excuse the crappy playing, this is just a test short, I shall use this instrument properly in the near future
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Made this short just to test the fun size bass in action, so far enjoying the little thing!
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"Hey again, it's Mark here from TalkingBass" is my all time favourite online teacher. No nonsense, only useful stuff, and I am a fan of the deadpan presentation. Teaches technique, approach, and specific basslines as well, dissecting everything into consumable little steps.
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Ah, my Mirror Stingray brother, finally... It's beautiful. They're all beautiful. And so weird, can't stop looking and πing. I am left handed but I play a rightie... This is the first time I regret it.
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!!! WARNING !!! ATTENCIΓN !!! POZOR !!! Just ordered one of these, NBD post incoming in a few days or so!
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Whoops sorry for the spam, not quite sure what happened here. Can't delete my own posts so can't clean up...
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It's so beautiful it hurts. Do you have a link to this bass?
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It's so beautiful it HURTS. Do you have a link to this bass?
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It's so beautiful it HURTS. Do you have a link to this bass?
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It's so beautiful it HURTS. Do you have a link to this bass?
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Like every time I try to update a component on my PC or look into using some specific apps for specific purposes, the (prolly sponsored from head to toe) Linus Tech Tips thumbs swarm my results, and all I can see is his dumb "reacts" O-face, in literally anything related to a PC, even though I never clicked on his stuff, as I just can't stand him. Enter Johnny Dibble when I try to look up anything gear related... π
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Finally had a few hours to myself to really test it. Unless I mess up the threshold completely, it just sounds good on all settings. Always a bit different, but always good. The sort of great compressor where you can't really hear it, you can just feel it. I only ever had cheap ones before, the difference is amazing.
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Free, low-resource DAW for recording (only) a live gig
BabyBlueSound replied to Jack's topic in Recording
My bad, I completely missed the SSD part! -
Free, low-resource DAW for recording (only) a live gig
BabyBlueSound replied to Jack's topic in Recording
I wanted to say Reaper, but I see people are already saing Reaper However your bottleneck will be the storage drive's speed when recording all those tracks that need to be written on your drive. I would not expect a small older Dell laptop to have some crazy fast storage, so you might need some external (USB) drive to plug in and record to that can handle all that I/O. Definitely do some 15-track dry runs to see how it copes with writing multiple files on the fly. -
A placeholder idea that became a short multipurpose song: tested some new gear with it, practiced cutting/editing skills in Davinci, entered the song into the November Composition challenge, and most importantly, I had some fun with it
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Consider that some pro bass players own like 300 basses and keep switching them anyway (I would)