W1_Pro

El bump.

This is an awful lot of bass for someones money. I'm quite tempted myself. GLWTS.

Just a bit of an update on these questions and my lack of answers. I've still not managed to get the bass back from The Gallery, I may attempt to pop down in the next week or so. I understand that Martin has been isolating and I've just been a bit hopeless. Once I've retrieved it I'll post some updated pics and answer the questions above. Apologies for the delay. If anyone has any other questions, please feel free to ask....

You can see the angle a bit better on these two pics. I've inserted a datum line in both. Again the original is the one at the bottom.

Then I tried my Artisan in the same case. I have to say, it fits like a glove. So thats a good thing. I also took this picture of the headstocks on the Artisan and the original side by side. As you can see, the headstock angle on the Original seems markedly more acute (obtuse? Sorry, crap at geometry) than that of the Artisan. The Original is the one on the right.

As I mentioned above, I have a couple of these Hiscox cases, and very good they are too. If the OW would fit in one, that could be a good solution. So I retrieved one from storage. . It's the same dims as the Hiscox 'large peardrop' hard case. I tried to get one of my other Originals in it. Not a great result. I had to pretty much force the bass in and it is wedged. Whilst lack of movement in a case is a good thing of course, this feels to tight to me... The greater issue to my mind would be that once again, due to the swerve of the headstock, the neck sits at least an inch proud of the neck rest. I wouldn't like to try and get those clips done up....

Up! Happy to consider other trades apart from Jazz basses. Hit me up. You never can tell when a deal could be made....

Up!

Has to be said..BC Rich Eagle..not to be sniffed at....

I've got a couple of those cases. Could have sworn I tried it, possibly not. Many thanks for the suggestion!

Thanks Nik!

You'd think so, but not really I'm afraid. The headstock on the Original swerves back at quite an alarming angle, so in a T Bird case the neck won't come to rest on the support in the case. It sort of hovers in mid air resting on the headstock. I tried (and tried) to source a generic- non flight- hard case, but it's an uphill struggle given the extra depth needed. Nevertheless, thanks for the suggestion.

Goood questions...all good questions. I'm not with the bass at the mo, so I'll have to park precise answers for now. It is quite heavy. But it does balance beautifully on a strap. It's 34" scale. The E string sounds like a piano. Its awesome. String spacing: The neck is a little bit wider than my other Originals, they are usually quite Jazzy necks in profile but this is more of a not so chunky P, if that makes sense. When I get it back from The Gallery I'll do some measurements.

Something slightly unusual. PRICE REDUCED TO £1100 IT'S A STEAL!!! This is an early Original, according to Chris May it dates from the late seventies. It has the routed edges to the horns that all the early ones had. It's all mahogany construction I believe with a bound ebony fingerboard and a bone nut. It has a Schaller bridge and machine heads and a pair of the superb Bill Lawrence humbuckers which Originals used to come with in those heady days. The good: It's generally in good order, low action sounds good and plays nicely. Lovely colour too. The bad: A couple of cosmetic dinks here and there. I can provide more detailed pics if anyone wants to see. It's in good condition for a forty odd year old bass. The circuit and pots were pretty knackered. It's currently with Martin at The Gallery being rewired. It will have per original spec CTS 500K long shaft linear pots for the volumes and log pots for the tone. I don't have the original (original) knobs. I've tried unsuccessfully to buy some from Overwater, so I'll probably stick some gold speed knobs on, which look quite nice. As you will notice from the pic of the fingerboard, the ebony has shrunk slightly over the years, leading to the 'scalloped' look on the binding strip. I spoke at some length to Chris (May) about this, and he was of the opinion that there is nothing to be done about it. Well, I mean, there probably is something to be done about it, but it would make no sense, I think was the drift of the conversation. Anyway, it makes no difference to the playablity at all. It's a really lovely bass. I don't normally get rid of basses in any way, shape or form. I love them all like my children, but we may be moving abroad in a year or so and at this rate, I'll need a shipping container for my basses, and that is not sustainable. That being said I'd be happy to trade for a nice Jazz or Jazzesque bass. (cough)..Ahem... Ah yes, one other thing, the shot of the back shows the control cavity cover removed, this will of course by back on when it leaves me. I have no case for this particular bass so meet up in London or Suffolk might be best. If it really has to be shipped, I have a proper flightcase (belonging to one of my other Originals) which I would be happy to ship it in but the lucky buyer would need to pay return shipping on the case. Which could work out expensive, but it is kind of a solution...I suppose.

I've got one the same colour and vintage. Absolutely fantastic bass. Someone is going to be happy when they buy this. GLWTS.

Magnificent, quite frankly. GLWTS.

This might be the best buy on Basschat at the moment...Allowing for personal taste of course, as I know that a medium scale fretless would not be everyones cup of tea. But for sheer quality vs ££. Amazing! GLWTS.

And another...