LITTLEWING

True, the Fender ones are noisy cheap junk. I've had a VOX curly lead for over a year now and it hasn't lost any of the clear sound quality and is still quiet. Just about to buy another as a gigging spare.

FWIW, I put a replacement pickguard on my 34" scale MM2 OLP and the new 'guard brings the p'up 10mm nearer towards the neck and now sounds totally amazing. The measurement is 29 and 1/2" from the front of the nut to the front (neck side) of the plastic p'up cover.

Rich, are you pressing the string down a little on the p'up side when fitting ?(giving a nice contact angle on the saddle) I used to get strings dying quick too until I learnt this install tip.

Can someone local PLEASE nip round to Highwayman's house and help out. I admire anyone having a go at setting up, but it sounds like he's unfortunately not very knowledgable where essential tweaks are concerned (no offence honestly, I was there once) and the whole very fine guitar is sadly going to be way out and unplayable in no time. Hope it's sweet and dandy very soon Mr H.

Be careful H, if an Elixir Nanoweb price looks too good then the chances are they're fakes, lots of dodgy sellers out there. Stick to popular distributors if you want to be sure of the real deal. Shell out £30 and get shitters when for a few quid more the proper jobbies will last till next Xmas.

FWIW, I put some in a project P bass a while ago, and yes they are very big depth-wise. Various ways around it - dig out the routing deeper or shim the end of the neck pocket to to make the strings lower to raise the saddles thereby increasing the height of the strings off the body and ultimately higher over the pups. Nothing bad about them, very lively and punchy but all I can say is if you want your P bass to sound nothing like a traditional P bass then buy some.

All depends on the guitar colour, gold doesn't go with everything. I personally hate two bits of wood sandwiched together that are a total obvious mis-match and look like someone threw the last couple of bits off the floor together to make a few more quid with a body.

I sing a couple of numbers in our set and as I'm totally sh*te at remembering lyrics, I have one nearby and just whip it into place then off again.

Them's the ones, CameronJ.

FWIW Santa brought me some 20-20,000 Hz active Vox (made by audio-technica) bass over ear headphones (the red ones) which have gain, tone, volume, compressor controls and an aux socket. They can be used (switched off) for normal use too and they sound bloody awesome both ways. Happy as a pig in poo.

It might just be me, but why would anyone install p bass pups with the wires so far away from the controls? Surely the only sensible way is with as much length as possible for running neatly through the the routing resulting in a nice and tidy looking pickguard to plop perfectly back in? There is no difference whatsoever in the two units; only the location of the poles under the strings is somewhat critical for a balanced output for each string, otherwise you'll be sloping the pups at weird angles to get it right.

Got this from Hartke. Thanks, James.

No, the routing is quite large, considering. The only mildly annoying parts are you’ll need to drill new holes (the OLP has only seven screw holes, the new plate has nine) and as one screw will now be in the void, I snipped the head off a screw and glued it in the plate hole.

Just thought I'd add a bit of personal experience - I changed the pickguard on my 4 string OLP and the new one, obviously modelled on a proper EBMM, moves the pickup about 10mm further away from the bridge to the correct position (29.5" from the front of the nut to the front of the pup). Boy, just that smidge of replacement along the string speaking length has made all the difference. NOW it sounds like Stingray. (Well damn near!!)

Ah, I'll have a feel next rehearsal and see if it comes on any time. Gigged last Saturday with no problem and it was warm compared with my old fan-less Ampeg combo which you could fry an egg on. Cheers.

Anybody know if the fan on my Hydrive 115c 250 watt combo should come on straight away or does it kick in at a certain temperature? My 3500 head comes on straight off but that's 350 watts.

I don't know if I've been lucky but I've fitted a few ports to small bass combos and had absolutely fantastic results which has made them sound like something a few hundred pounds more. Notably a cheapy (£20) Gumtree 40watt Stagg combo with two 8" speakers in, I cut out holes and added two three inch bass ports close to the corners and the bottom of the box, left the length as they came and the bottom end is bleedin' enormous. I imagine as cabs and drivers get bigger there's an element of design to get it sounding right though.

I'm totally paranoid when my bass is on, always holding the neck ALL the time. Once in a blue moon I might clap above my head to get the crowd going but I'm ready. Must get some strap locks sometime. Or bottles of Grolsch.

Has anyone upgraded their 4 string OLP Stingray pickup? I'd love a Nordstrand but I'm looking at a Wilkinson at £20 first to see how much difference there will be. However, looking at the dimensions of other MM pups it appears that they are a bit larger than the OLP jobby and I don't see them fitting the existing cutout in the pickguard. I'm wondering if I'll buy one and get a replacement MM type pickguard possibly made for a 'proper' pickup?

Total waste of valuable studio time and money. The album SHOULD be good but it just isn't. Shame. It's like putting Slash and Shirley Bassey into Abba and expecting the album of the century - all good artists but not in the same room.

Just a quickie - got my eye on one of these for a bit more oomph against drums, two pop/punk guitarists and a brilliant girl singer. This one's 8 ohms and 400 watts and will be using a Hartke 350 watt head maybe with an Ashdown 1 X 15 or 2 X 10. Opinions please? Cheers in advance.

[quote name='Bassassin' timestamp='1508760095' post='3394178'] Might be worth experimenting with different pot values - if it has 250s (which I'd guess it probably does), maybe swap for 500s, which will tend to let a little bit more level through. Plenty of info out there if you google 250k vs 500k pots. [/quote] Careful, 500k's will also add possibly unloved harsh middly tones which means a new lot of amp fiddling.

Definitely a thing. EB's on my MM OLP sounded clangy and didn't do it for me. Put on a set of Elixir Nano's and it was like having a perfect steak in a restaurant.

[quote name='BigRedX' timestamp='1508314091' post='3391217'] Squier Vintage Modified Fretless Jazz. I was playing in a band whose music was calling out for some fretless bass and to that end I'd bought a cheap Acrylic Bodied Wesley that had already been de-fretted for £70 off eBay to get me started. I'd seen nothing but positive reviews for the Squier both on the bass forums and in the musical instrument magazines, where the overall tone was that the VMJ fretless was just about the best fretless bass you could buy for under £500. One Saturday I spotted a Squier in a local music shop, and after half an hours playing I paid my £209 and went home with my new bass. Unfortunately playing in a music shop for half an hour is not really a decent real-world test for any instrument. The first thing I noticed when I got it home was that it didn't hang comfortably on the strap, and I had to pull the whole bass over in order to reach the G string machine head - something I never had to do with my 36" scale Overwater. Next I discovered that in comparison with all my other basses including the cheap Wesley, the Squier sounded thin and weedy, and in rehearsal with my band I really had to pump the volume up when I used in order to be heard. So I embarked on a round of upgrades. First came the Badass Bridge which made a slight improvement, followed by a J-Retro pre-amp, that allowed me to overdrive the input to my amp in all sorts of new and "interesting" ways, but still didn't make the bass sound as full or fat as my other basses. Finally a set of Bartolini pickups which were supposed to be darker sounding than the standard J-style models started to get me into the right ball park as regards sound, but by that time I'd get fed up with all the other short-comings of the bass like the huge (in comparison to my other basses) body and the awkward neck joint that seemed to be constantly in the way when I was playing up the neck, and the fact that for me it just didn't hang comfortably on the strap, and so I went back to playing the Wesley until I go the opportunity to buy a second hand Pedulla Buzz at a very attractive price. I'm sure that there's nothing actually wrong with the Squier, but 3 decades of playing basses that owed very little to Leo Fender's designs - Burns Sonic, Overwater Original and Gus G3 - meant that I wasn't ready to step into the past and put up with design issues that even the Burns, originally made in 1960, had improved upon. [/quote] Have to agree. I had a Squier VM Jazz 5 string. I tried to love it but everything about was just horrid and wrong for me. Waste of wood and wire.