12stringbassist

From the initial post, I would ask them for a list of dates, with the ones that they want you on asterisked. Then make a decision. I personally would not want to be in a band that drops musicians as per the main two people in the band, then picks them up again. It's not you. It's them.

I've been gigging for 41 years or so now. What I have learned is to play what suits the song. To sit down and learn songs rather than just busking it. Play with players who are as good or better than myself and make damn sure I keep up. Not to take duff musicians on, as the band will only go to their level. Let mistakes go and try to laugh. It''s not all about me. To try to 'project' while playing and to talk to the audience. To try to smile sweetly when a venue dumps on you. Perseverance.

Thanks, guys.

Has the Bass Guitar Magazine website been abandoned? It appears not to have been updated for several months? The new news is from February? http://www.bassguitarmagazine.com/

The lineup has a lot of potential. I imagine the rewards are pretty good (a pension boost) and Neil Finn wouldn't have taken it on if it felt wrong in any way to him. He pretty much does what suits him and if this didn't, at any stage he would have opted out. I reckon Finn will continue to do solo things and maybe reconvene Crowded House between Fleetwood Mac tours. Mike Campbell is a dream addition to most bands.

The Ibanez: Customised Ric Mapleglo Ric Fireglo He has also been seen using a White Ric.

Paul Weller and Bruce Foxton lent genuine Rics for the Jam exhibition last year as I recall. At the time of In the city, Bruce Foxton was certainly using an Ibanez copy. By the time of This is the modern world, enough money was coming in to enable the band to buy the guitars and basses that they desired. Bruce had several Rics. I understood that the Rics used in the videos later on were used on the recording sessions.

I never thought I'd be able to do anything like this, as there is so much going on, but... put the work in and you can.

I do the lead vocals in my band. we do two one hour sets. The secret is to get the bass part solidly in your head first, making sure you play what is required to keep the song solid, then to get a lyric sheet and play and sing along with the song until you are sick of it and all of it is in your head. Not easy work.

Strengths: My voice stays intact on 4-gig weekends. I play the bass part that is required. Reasonably fast learner. Creative with arrangements and not sulky if an idea does get accepted. I am persistent and can fill a diary. Good gear and transport. I can keep a good tight pounding rhythm on something like Roadhouse blues. Weaknesses: I get really tired, due to health issues (but have never messed up at a gig). Not a good after-gig chatter. I usually want to get home and to bed. I sometimes need a cheat sheet on the floor for new songs til they are in my head. The occasional lyric will fall out of my head at a moment's notice - I have never had to sing all of a 2 hour set until last 2 years.

I bought this a couple of weeks ago and am using it as my main bass on 3 gigs a week. 2018 Player P. (Scratchplate swapped out) I liked it so much I bought this one since.

Eurythmics | Revenge

If you can do it and your diary works, all is good. It may play hell with someone else's diary, but best of luck.

Agreed. I have found that getting drum cover is the easiest. Our band doesn't go out if myself or the guitarist are not available. It's never the same with a different drummer, but we can get by respectably.

I have always found people being in another band to be a pain in the butt. Trying to run a diary when they are possibly elsewhere with people from other bands, all interdependent on their other bands not being down is utter misery. I would not take on a guitarist who was in two bands, simply because I want to go out and play and have all of my band mates there at every gig. If Guitarist A can't live with that, there are others as good who can. I won't go out with a scratch band on the night. It's rarely good. Concentrate on one thing and get it right. The exception being if there are a couple of you that are in both bands and then working on the diary is quite simple.

is correct.

"Oh she's nice". "What's the next song, I can't see my list". "Oh that was a good drum break". "How does he play guitar like that?" "What's the first line of the next verse?" "What's the first line of the next verse?" "Jeez, I hope they didn't notice that!" Last night: "She had better not fall into the drums again". "Oh good they have taken her home". "If these buggers have to stand around and have a conversation, they could at least not form a crowd in front of me, as people are trying to watch the band." "God, I'm tired".

My thyroid: Half of it went. Fortunately, it was just a cyst. My thyroxin will need checking periodically. The prostate cancer - I have a page on my website about it and ALL you male bassists should read it. It's on THIS page. There's an explanation of what happened to me and a radiotherapy blog. To cut a long story short: After I finished work to just do the band thing, I spent a lot of time with my wife who remarked I was going to pee a lot. I said it's just all this coffee I drink. You pee a hell of a lot, she said. Get yourself checked out. She said this many times, until I cracked and went for a 5 minute blood test. Then the doctor called me in. PSA level = 19. They would have been happy with 4.5. Finger up the bum time. Lovely lady Doctor. could have been a lot worse. Then another doctor. Then a biopsy. Then sepsis. Then a week in hospital, trying not to die. Released in time for my diagnosis. Given options. Chose surgery. A few weeks later I had my prostate gland out at the Christie cancer hospital in Manchester. Some months later, they told me the thing was "fried" (their word). Quarterly reviews clear for nearly a year, then small recurrence of the cancer. Radiotherapy earlier this year followed by one clear review.

A series of health decisions have driven things to get me where I am now. I took early retirement from my day job, about 6 months after having part of my thyroid gland out. I made the band that I was with then my job, plus a jam night band every Sunday. The band turned out to be absolutely horrendous to be in and then I had to have my cancerous prostate gland out. During my downtime I thought hard about what to do and so the jam night band became the full-time band. And here we are today. Make hay while the sun shines.

@Bluewine Next year's diary looks like this already. We have a landlord who has 7 pubs who wants to put us in all of them and once a month in one of them. So there are some more dates to go on there yet. Plus we have a glam band side project that we are going to start selling in a little while. www.the3.co.uk

The good thing about his freebies with newspapers was that he got paid exactly what he wanted by The Daily Mail for each copy. He would have made far more money from that than any streaming deal.

I'm 60 in October and my band have 130 gigs in the book this year. There's no such thing as too old, unless you are physically incapable of playing.

That reminds me of my guitarist in an old band of mine... "Brian May doesn't play that song like that" "He would if he was in this band!!"