12stringbassist

My basses and guitars and amps all live in a container that is in orbit above the earth and refuels in space. If it was any different, I would not post openly on basschat about it!!!

We need pictures!!!

May 2011. They only wanted £2400 for it....

The Dick Knight bass owned by Renaissance was for sale at the NW guitar show a couple of years back. I took a pic - god knows where that is. As to John Birch Ric replicas - here's mine. Does it sound like a Ric? - not at all.

I got the choice of the first two in the UK at A1 in Manchester> I went for this one.

Glad it went well. Usually, saying please leave the volumes and tones as they are set will be enough. I absolutely hate other bands using my gear at shared gigs though and will do just about anything to avoid that. Once played supporting a random version of The Searchers and an apparently ex Eurythmics bass player decided to wind up my mic'd up pair of Trace Elliot's that were set nicely in the mix to Hendrix style distortion, so I had to walk on and switch them back down while he was playing, with the muttered 'you can stop playing and get your own gear out of the van if you do that again'. People were actually running away from the stage. He cleared his side of the dance floor. I do a jam night and the bassists at that know the gear is set up for them and that is how it will stay unless I need to pop on and get them up in the mix. They all behave.

Requests for 'Paradise by the dashboard light' always make smile.

I think I have been lucky with mine, going by what Muzz said above (thanks). I saw the one that was in PMT Salford, but I don't usually take a bass off the wall unless I intend to buy and at that time I didn't, so I don't know what it was like. I did look at it close up and thought it was a work of art. It really set my mind working. The neck pickup volume on mine is set way behind the bridge pickup, so i need to raise it some more. Though it blends perfectly in the middle position. I can't find any fault with the finish quality or set up and I can only mention the pickup height, which isn't really a fault. I ordered mine unseen and got the last one from woodbrass.com in Paris, much cheaper than UK stockists.

The most I have ever paid for a bass is £2000. £11000 is a hell of a price tag. BUT... Fodera wouldn't charge it if some people were not going to pay it. And if someone wants to pay it, then it's worth the money to them. [url="http://fodera.com/instruments-in-stock/deposit-for-a-monarch-4-fretless-standard/"]http://fodera.com/in...tless-standard/[/url] It looks to me a bit like an unfinished 80's Yamaha bass.

The boots? I wear these at every gig. I could never ever go on in trainers or normal shoes again. Part of the ritual.

I know what you mean about the drool of Hall. Odious little man. I had stopped buying guitars but this changed my mind. I would appreciate it if Muzz (who took one back) could tell us what was wrong with his?

New bass day yesterday..

I'd play it.

I blame this man pretty much entirely.

My friend Mark and myself were fortunate enough to catch a gig he played with Chris Spedding and Tobi Earnshaw in Bolton last year. He stood around and talked to us for ages afterwards. No big rock star ego or any of that stuff. A lovely humble gentleman. I miss him already.

My own take on this is that I paid up for my bass for my use. If someone was supporting and their bass packed up I would have to know them quite well to loan a bass to them. There is always the possibility that my bass could stop working in their hands, so I am reluctant to loan one out. I always carry a spare and so should they. On the other hand, I run a jam night and have a P bass copy for general use. It is quite a good bass and people who use it often tell me so. If I bring another bass and keep it for my own use I am not being tight as some infant said to me the other week. I am looking after almost a grand's worth of Jazz bass.

My take on her not doing the old hits is that she probably can't sing Wuthering heights anymore and also some of that stuff is so old that she probably doesn't feel like she's the same person now as the girl who recorded it. Plus, the complexity of repoducing some of her old stuff recorded using a Fairlight probably made it a non-starter, I too await a DVD.

For many years I pretended that you couldn't buy new strings unless they were on a new bass.

Bassist available for working band. Based in Bolton. 50-ish. Big repertoire 60's, 70's and so on. Glam rock a speciality. Gear vocals transport - reliable, quick learner. I have contacts with a decent agent. No metal or grunge etc! Thanks. www.ianedmundson.co.uk

This and this..

If people out there have the money, I believe that a certain Birmingham area luthier (Jhno Brcih) still makes them.

That one takes some features from the 620 (my 620/12 below). The F-hole isn't very typical Ric. They usually go for a sharkfin design. The lower horn is 4003-ish. It looks very nice indeed.

I often video the odd song at a gig I've been to. I don't ever hold my camera up in the air blocking people's view (as that really pisses me off) and I don't spend the gig looking to see what I'm getting. [media]http://www.youtube.com/watch?v=0Eaau3P_6ps[/media] I bought the official DVD that came out of this show.