pantherairsoft
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Arguably the finest modulation pedal ever made, or at least up there with the best. This has been the glue of my set up for a few years, but since my move away from midi and downsizing on space, I need to let this go. The pedal is incredibly powerful and offers pretty much every modulation effect you could ask for under one roof, with the massive bonus of being Abel to run two of them at a time, while also switching the order (so chorus into phaser, or phaser into chorus - no problem!). The unit can also be switched into two modes - one that functions like a single pedal at a time with loads of settings on tap, or another with two effects per display. It's very cool! Addition of the triple switch gives you three additional switches that can be assigned to any task you want. I use them as bank up and down, for patch swapping, and a tap tempo in the middle, but the possibilities are endless. The interface for this pedal is pretty deep, and this makes doing some essential tasks waaaaaaay easier. Also included is a perspex rectangle that I have cut to size to sit both items as you see in the image. An EBS flat patch cable is included to allow this to work. The original patch cable that comes with the triple switch is included, but it's too fat to sneak onto this little set up. Both items are boxed with paperwork and the patch and USB cables that shipped with it. Great condition, works flawlessly. I'm asking £300 £275 all in, shipped in the UK, for the pedal, triple switch, EBS patch cable, perspex plate. Pickup in Derby is welcomed (or if you want to come and try it). Only trades I'd consider would be due a Pedal Train Classic Jr in part-ex towards it.-
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I’ve been considering selling my GFI Synesthesia to then fund finding a Utility Knife (as it nails the 4 features I use out of the 9 million on the GFI)… and here one is! Currently doing some maths!!!- 6 replies
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Broughton JoshWah. One of my fav sounding envelope filters, with lots of flexibility. Built in optional drive circuit for extra squelchy grit. Great condition. Fresh Velcro on the back. No box. Asking £130 posted in the UK.-
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I’m massively digging the Fuzzrocious Lil Fella for low-to-mid gain OD. Absolutely amazing in a mix. It’s almost pretty badass as a gated fuzz too, which is a nice bonus.
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I’ve been using a standard one for ages (purchased new a few years ago). This one was purchased direct from Ryan, after he found one blackout enclosure in a dusty corner - so both from new. I’d been holding out until I found a different enclosure so it’s clear on the board which is doing what (one is a sweepable LPF, the other used for LFO and regular envelope, while being swept by the first one). Also had no issue getting self oscillating out of both without the need to adjust the internal trim, so I’ve never bothered playing with it since the day I got the first one. For how I use it, stock is perfect for me. I might revisit it a bit on this one to give me some different options… but I do have enough wild stuff going on already
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Dr Scientist Dusk - Blackout Edition. The text is there, it’s just black, so you can only see it when the light catches it. This is my second Dusk and they are both going on the same board, so I don’t need the details twice This is bumping my Broughton JoshWah off the board and into classifieds. Love this pedal so much. I plan this to be my only pedal purchase of 2025. I’ll let you know how that goes! Ha.
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There is obviously no 'right' answer, but for classic squelchy synth tones, the most common order is Octave > Dirt > Filter > (Modulation), with Modulation being optional. Depending on your particular fuzz and filter, you might need to mix things up, and depending on the output of your bass, you might find fuzz before octave works better, but as a 'go to', the chain above is usually the place to start. The true sweet spot tends to come from tweaking the cutoff of your filter according to whatever your fuzz is pushing into it.
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WMD Geiger Counter Pro. I’ve been after one for years, and have been a long time user of the regular GC. Finally getting my hands on the big boy version was awesome and it absolutely does not disappoint!
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The Lusithand Ground ‘n’ Pound. On paper, everything about it was perfect for me, but the pedal was really disappointing. Nailed the tone is set out to nail in isolation, but couldn’t cut through a mix with other instruments no matter how I tried, and importantly to me, just didn’t play well with other pedals at all. Stacking it with other dirt was mess, it hated every filter I put it through and just turned to mud after an octave. Long story short. It wasn’t for me.
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Lil Fella is AMAZING. My go to for low gain overdrive, AND as a gated fuzz. Bloody great pedal. Half tempted to try two of them... maybe they stack well! -
I know it’s a long shot. I already own one, but have an idea that involves using two of them. I’m hoping I can get my hands on one for a day to give it a whirl. Happy to pay postage both ways, and will even give you a deposit if that makes you feel more comfortable. So, if you have one, and can help me out, please get in touch. ALL SORTED - thanks! Many thanks, Shep
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sorry - sold ages ago!
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Another smooth transaction with Chris. Thanks, bud!
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Moog EP-3 and Fuzzrocious M.O.T.H now SOLD. Bump on the others.
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Post your pedal board - Basschat style!!
pantherairsoft replied to dudewheresmybass's topic in Effects
Correct. The Dusk replaced my Moog LPF. It's there for the synth swells and for pushing the board into dub/sub mode. It gets a lot of use. The JoshWah gets used as a traditional envelope filter, usually along with octave and fuzz for classic synth tones, which are them commonly swept through by the dusk for double resonance.
