pantherairsoft

My journey was GS, BDPG, RTM... Heliotropic will be next I expect.

[quote name='Prime_BASS' timestamp='1392468038' post='2369077'] I tend to ruin them with a marker pen then struggle like buggary to sell them on lol. [/quote] This works too!

Great idea. Here's a review of Pedal Labels I did a while ago - Similar concept, though a little larger than yours: http://sheponbass.co.uk/blog/review-pedal-labels - Still a cool product! Marking a default position is super useful, especially for those who are on-stage knob tweakers and need to fall back to the default position when they have done.

I'll bring my Roscoe LG V Signature, far too many effects pedals and pending on the transport arrangements my Barefaced/EBS rig. Can't promise the rig will come along though I'm afraid.

Don't worry, there are more on the way!

I realised today that the amount of pedals I've had to sell over the last 6 months is unacceptable! Plus, I have waaaaay too many out on loan with people! That said, it's time to put a new board together for 2014! This is what's currently at hand... [IMG]http://i61.photobucket.com/albums/h44/pantherairsoft/2014-01/C4B02E15-1B26-43B2-9F49-7C5CDFFD8353_zpshxu3dakk.jpg[/IMG] Watch this space!

[quote name='Cyrene' timestamp='1391177324' post='2354185'] That's great thanks Paul. I'm just little concerned about the Enigma/Bass Wah relationship. The Enigma has an 'expression out' line on the same side as the input. Does this automatically mean you put the wah before it? When I tried that, there was no sound at all coming from the output... [/quote] The location of the socket for expression is only relevant to where it wold fit on the PCB and nothing to do with its relation to the input of output. Shep

I'll be there!

New year, new interview! Time to get back onto this!!! PLEASE BE AWARE - MY WEBSITE IS NOW CLOSED. THE INTERVIEWS CAN NOW BE FOUND HERE -> [url="http://simonpoulton.tumblr.com/sheponbass"]http://simonpoulton.....com/sheponbass[/url] I'd like to introduce you to the dudes behind the very awesome Mantic Conceptual - L. Ray & C. Fredi! Mantic Conceptual, while still pretty new to the boutique effects world, have been making some real noise of late! Their rugged, industrial looking pedals have started appearing on the boards of some big names and the who's who of pedal users - Juan Alderete, Jonathan Hischkte, and Nick Reinhart to name but a few. Check out what the boys had to say!

Your concern with the clean blend is noted by many folks and was addressed recently by Tom @ COG, one of our very own! His newer pedal versions (Knightfall 66, Grand Tarkin, and TK-421-X) all have a clean blend built in, but the clean signal is filtered, for just this reason! The difference is night and day as well - it no longer sounds as though there are 2 instruments, it just adds subtle low end to the tone. Very smart and seriously musical. So yeah, your idea of filtering the clean blend works! There are a few Knightfall 66 and Grand Tarking users around the forum already who I'm sure would confirm this Shep

Basically any tuner which has a 'through' as well as an 'out' is what you want. As mentioned the Boss TU-2 and TU-3 provide this function along with a few others. Using the 'out' will mute when you press the footswitch, using the 'through' will not.

I don't beeline it can be done. I have a JM Stereo. Same problem, very awkward power requirement a and barrel plug.

Only when you press the foot switch - it's is a more traditional tuner in that sense. It is mites tuning only as well. No bypass (you can't tune and hear the instrument, unless you are using it via a tuner out connection or similar). It's my favourite tuner in terms of display though.

As most people expected, Aen and the Dwarfcraft team are the ones who have taken the Devi brand on. Those folks who make Devi pedals on licence (like Mantic who make the Hyperion) seem to have lost that right in the hand over. I have huge respect for Aen - he's a top dude and does killer work so I'm excited to see what he does for the brand!

Hey dude! If you want a trem to chop as hard as the PN-2 then you need a PN-2, or someone to make you something accordingly. Nothing else comes close.

Here's another to welcome to healthy debate... PLEASE BE AWARE - MY WEBSITE IS NOW CLOSED. THE INTERVIEWS CAN NOW BE FOUND HERE -> [url="http://simonpoulton.tumblr.com/sheponbass"]http://simonpoulton.....com/sheponbass[/url] May I present Steuart Liebig - an underground master of intricate, ambient and downright interesting bass-craft. Steuart is a solo and band performer who, for the last 20 or so years, has released countless solo recordings as well as work with the who's who of the avant jazz community. His approach to using the bass is so unique that it has to be heard to be believed.

Ha. Just seen this - Yo CJ! CJ is well aware of my antics, and as mentioned above, Code: Marla is actually signed to my label... And incidentally, the new EP was mastered by me CJ's a top dude and a real talent too. He constantly impresses me.

My live, improvised electronic project KADE is performing at a charity relief show at my favourite venue in the UK, The Dog & Partridge in Bolton on the 6th and at a special LiveElectronic night at the QUAD in Derby on Friday 13th (uh oh). For those of you that have no idea who we are or what we do, we are bass (me) and electronics (my partner in crime, Ash). Everything we do is of a dark, brooding electronic vibe and is improvised. Ash lays down a beat with his fingers, loops it, adds synths, loops them, does some vocal stuff, then I add in big sub bass and synth tones. No track is ever the same twice! Here is a recently live set we performed, complete with a couple of MC's getting up on th emit and improvising live with us too... http://bitnormalrecords.bandcamp.com/album/live-at-stuck-on-a-name-studios And our 'studio' EP - which are our favourite jammed out ideas from rehearsal... http://bitnormalrecords.bandcamp.com/album/aphotic-love-feel Hope to see you there.

Ha! I said that comment would get a response!!!!! You chose to voice that opinion in that way so you have take the flack for it! Ha. Actually I also disagree with you though Mr Taylor. I think blending is the ONLY way to obtain a certain sound. If you want an 'all fuzzed out' tone then you won't blend. If you want to create a specific texture with dirt voiced in a certain way (so the dirt is drastically different to your clean tone) but run the fuzz in parallel to a clean base I think blending is often better than those pedals with clean blends and often lets you isolate the tow 'voices' better. I don't think there are any right or wrongs in music, and I think blenders are amazing.

Done!

[quote name='51m0n' timestamp='1384433909' post='2276601'] Another (more expensive) excellent mic for this is the Line AUdio CM3. Awesome little mic, will handle pretty serious level, and about as flat as you could need, with great low end extension. Its a condensor and will require phantom power, but is tiny, very discreet and outperforms most other SDC mics up to the Schoeps/DPA level, yet only cost about £150 Shepo got one for micing his behemoth of a rig and really really digs it.... [/quote] This! Amazing bass cab mic - Though only if you want hifi - VERY revealing and raw. If you want to capture real low end it's amazing. Also it's Amazing on.... Guitar Cabs Vocals Overheads Snares Stage Mic Kazoo Er... Everything. Basically it's the best mic on the planet in my humble and insignificant opinion.

Yes. And it comes from a couple of us bass chatters - http://www.reallyawesomepedalboards.co.uk/shop/custom-pedalboard-interface/ Input and output buffers that can be switches in and out of needed too. Due to this it isn't passive, but is powered on 9v DC with the rest of your pedals. There's a thread on the affiliates section too - http://basschat.co.uk/topic/213431-the-really-awesome-pedalboard-company/page__pid__2255888#entry2255888