WinterMute
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I looked very closely at Luna, I have it installed and keep it up to date, but the lack of EUCON control for the S series consoles means I always end up in Protools, I write in Logic occasionally, but even that doesn't implement the extended control protocols. Luna is very good.
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I have a twin and a X16 Gen2, I generally only use an LA2A on inputs for bass, I have an RND Shelford channel with a Quad Cortex driven by the link channel from the DI input, output of both go to the X16. I often use the 1073 plug-in on mix down with either the LA2A or the Distressor. Occasionally I'll use the Eden WT800 or the GK800RB on the DI channel for tone. Before I got the QC, I used the standard SVT3 plug-in, but the version in the QC is better. I use the 1073 and LA2A on mics for vocals, guitars and the like, but leave any serious tone shaping for the mix.
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I've had no issues with mine regarding mains noise or indeed any noises I didn't intend it to make, I do have the studio on power conditioners mind, is I wonder if it's not a dirt mains supply? I record with both XLR and USB outputs variously, and they perform faultlessly.
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Try doing a whole gig with the volume on your bass turned down, put on a show, if anyone notices tell them to shove it, if no-one notices, tell hem to shove it. Yeah, tell them to shove it.
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Yeah, mine's a solidly made block with an IEC mains cable, I have no issues with it at all.
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I don’t think there's anything wrong with it except that it's external, large and the connector doesn’t lock. It's not a wall-wart type, which is in it's favour, it has a proper IEC connector. It provides plenty of current and induces no noise as far as I can tell. Mine is studio based mind. I could see why you’d use a 3rd party unit on a pedalboard, just for size, but any decent cable management will secure the connector, it’s the same as a Boss pedal.
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I have Schaller on both of mine, work very well.
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I saw Ozzy's Blizzard of Oz at the Brum Odeon with Randy Rhodes, bit like not seeing Kate Bush at the Hammy Odeon after seeing the Tour of Life, I think I'd like to remember him in his absolute insane pomp.
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I think it's a brilliant tool for a recording studio that needs to be able to create convincing tones for any number of guitar and bass sounds in sessions etc. Most of them in use live will have a couple of patches, at best, for bass, I have one for fretted, one for fretless, both with switchable OD/distortion/chorus as needed. Maybe a guitarist would have more patches, I know my guitarist mate, who uses the Helix, has a different set of patches for each song, he tap-dances in his spare time... If you don't use an amp/cab of any description, these modellers are worth the effort I think, and probably the expense. I tried the HX Stomp, didn't like it as a replacement for my Line6 Bass Pod Pro, the QC does everything I need in a one-shot box. YMMV.
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Excellent condition and in full working order, this A16 has been faultless in my studio for 5 years. Replaced by its newer brethren, this is still a monstrously good piece of hardware for anyone needing I/O for tracking/mixing or physical synth inputs etc. Has the MADI interface for extra connectivity, although I've never used it. You can buy into the UAD2 plug-in suite if you want to, the quad processors allow for plenty to be inserted, but it acts as a brilliant interface in it's own right. There are no plug-ins included in this sale, but I have dropped an Apple TB2 cable in, as UA don't include one, the tight b*st*rds... Acts as a stereo monitor controller in it's own right, works very well with surround/Atmos systems. Please note this is a line level interface that has no mic pre-amps or DI inputs. Local pick-up preferred, happy to ship at your expense. -
I've had one for a couple of years, it's a brilliant bit of kit provided you treat it as a PA monitor and don't expect it to behave like a standard bass cab. I didn't like the bass specific EQ preset and run mine in full range mode, which is to say no EQ in the pre-amp. I run a Quad Cortex and do all the tone modelling in that, just using the QSC as a dedicated PA. I replaced a BF Big Twin T and QSC power amp with the K12.2 and while it doesn't have the absolute grunt of a BF cab, it's plenty loud enough to deal with a hard hitting drummer in rehearsals, and is an easy set-up for a PA guy, you just send the XLR to FoH, instant bass tone. I put it on the floor in front of me like a monitor, but there's nothing to say you couldn't put it behind you on a stand if you need backline style amplification onstage. I think its a cracking bit of kit, handles 5 string very well.
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I ran a BF Big Twin T for years with a very heavy hitting drummer and a guitarist that was attempting to induce continental drift with his tone... It never failed to compete, often effortlessly, and was frequently complimented for its clarity and punch in rehearsals and gigs. If I ever go back to playing live it'll be with a BT3 and some monstrous power amp fronted by a Quad Cortex.
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I bought an ACG Krell without seeing it, as it hadn't been built when I ordered it. I had played a Krell and other ACGs however, so I knew what was coming. I guess that's true of many premium brands. I'd buy a Wal series 2 5er on pictures alone if the price was right.
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Yay us! Tis a fine place, this.
