karlfer

Thanks Barrie, never as simple as perhaps thought is it Teach me to take Basschat as gospel

[quote name='basexperience' timestamp='1410085704' post='2545899'] I had a brief burst of Warwick-lust here recently - but ultimately I realised I needed more studio equipment, so I still got GAS but exercised the demon by upgrading a couple of basses instead. [/quote] I have just developed Warwick lust with that Fortress Flashback that is up. Will it ever bloody end

Challenging because I'm a richard head. Could not get the sound I wanted all night. Packing up, noticed I'd put the valve pre amp on. I only like solid state. Dozy bugger Mind it made bugger all difference to the folk dancing and jumping up and down for the second set

T'interweb and Basschat. You said it in your first sentence "the look". Discreet uncovered the main offender. Before t'interweb and Basschat your avenues of looking were very limited. ie local papers, retailers and occasional magazines. Now, as was once said by a wise man, the world is your lobster Rodders! Pretty picture and the mind starts on it's evil trail

[quote name='M@23' timestamp='1410009328' post='2545353'] If there is to be a price reduction across the board, I would imagine it coming in to effect once all the new stock of Italian gear has been phased out. [/quote] The price reduction may well be in place however if retailers have any items of Italian stock, they will try to sell them on before buying replacement Indonesian stock. At Italian stock prices. I am sure no retailer would sell Indonesian stock at Italian prices

[quote name='Mornats' timestamp='1409948055' post='2544978'] I paid £725 for an Indonesian one... So if they lowered it, they did it AFTER they started shipping the cheaper-made ones. However, we don't know if they are dropping the price or whether Thomann are just doing them cheaper than most others (as they tend to do). [/quote] There was quite a long thread on here earlier in the year. Markbass did not initially pass on the savings from cheaper labour onto the consumer. That situation may have continued even later with some retailers. The thread, including Marco's comments was quite an interesting one

I think Markbass have lowered quite a lot of retail prices this year, as they have switched production of a lot of their gear from Italy to Indonesia.

Cracking job Ash, much righteous rock grinning whilst using it I hope!

Diverse opinions as ever then, well, thanks fellas. After all that there is little solid cash interest in my BF but if it does go I will be looking at these I think. Cheers, Karl.

As I am not of your persuasion, please be gentle with me No doubt these have been listed by somebody but just in case.............. I have no knowledge or affiliation to seller or equipment, just trying to be helpful. [url="http://www.gumtree.com/p/for-sale/fender-51-p-bass-body-rare-left-handed-swamp-ash-vintage-x3-bodies/1079151648"]FENDER 51 P BASS BODY RARE LEFT HANDED SWAMP ASH VINTAGE x3 BODIES Derby, Alvaston FENDER 51 P BASS BODY RARE LEFT HANDED SWAMP ASH VINTAGE x3 BODIES[/url]

Well Bradwell (name changed to protect the innocent) , having read all this again, my own little contribution. Any big rig at home doesn't sound like it does at gig/rehearsal. It's main contribution is plaster removal, crockery destruction Your point about new stuff being warranted is very valid. However, much 2nd hand gear has had any warranty issue sorted and frankly, % wise, failures really are miniscule. What I would do in our position, with your budget; 1. Buy that used Berg 4 x 10 on here, you will not need anything else until age catches up with you. For gigs or rehearsals 2. Buy a decent rated, quality 1 x 12" cab for home use with the TC head, or whatever head you end up with. 3. Buy a decent head, 500/700 watt off somebody with good feedback on here. The point of used equipment is that you can try it and if it doesn't work out long term, you can move it on/trade it without losing too much. I can not stress enough how a rig will sound different in so many places. Some gigs are a fight with eq, others, you walk in, set up, hit a couple of notes and that's it. If I may make so bold, a young rock/pop/indie/punk band, image is important. A 4 X 10 may help that image more than a little but efficient 2 x 12. Good luck and enjoy all that is to come.

Bradwell, you obviously know what you are doing, so just a bleeding obvious statement/reminder follows . If you are going down the ultimate route of a couple of 2 x10's, 2 x 12's, don't buy anything like mine, (4 ohms), as very few amps go down to 2 ohms.

We are at The Witton Chimes in Northwich on Sat. Stockport isn't that far. Feel free to come and try my bass rig out before we kick off. Just to give you an idea of what can be done on much less than your budget and without putting away chiropractor savings . PMT in Manchester have some great gear BUT, budget yourself a day out and go see Gary at Promenade in Morecambe. Top fella and they usually have lots of bass gear in. And finally, you said in your OP that the limiting factor with the TC head was your cab. I had a TC Staccatto and was very underwhelmed with the volume. BUT, that is my experience and my opinion, firestorms about how wrong I am, from TC fanbois will be ignored by me

Yes, it is a jazz neck. I hummed and hawed about that one for a couple of weeks but it was just a tad too reliced for me. Beautiful bass though and many congrats. Make sure you put some photos on the Show us your Limelight (porn) thread.

More food for thought, thanks guys . Anyway, if the BF don't go it's academic. Unless the record labels come up with something. Aye, right