Cat Burrito

I've owned several basses worth mega bucks and some amazing vintage Fenders. My current stable is 2 Squiers, a Vintage Modified and a Classic Vibe. I think they are every bit as good as the basses I've owned that were the wrong side of £1500 and it is nice to have money to spend on other things. It really does not matter what it says on the headstock. If you want a Fender get a Fender, if you want something else do what is best for you.

I wanted less breakup earlier on so fitted retro harma valves. If you ask advise from Watford Valves they can usually get you sounding much more in the direction of where you want to be.

EBay will find in your favour - this is not as described and he should have been a lot clearer. Unfortunately they have a policy that allows muppets to sell on the site too. Unfortunately things like this happen.

I might be late to this but I thought these were good fun. I don't really follow modern music but some of these work well... [media]http://www.youtube.com/watch?v=Nz-OMn1o22Y[/media] [media]http://www.youtube.com/watch?v=kJ3BAF_15yQ[/media] [media]http://www.youtube.com/watch?v=_PVLCZE_ov0[/media]

It's hard to top that superb answer from HowieBass but noticing you have an Epiphone Viola probably worth mentioning black nylon strings too. McCartney used them on the rooftop concert on his Hofner and they are another alternative. They come in very heavy gauges because they are low tension but are very easy to play. The only potential hazard is the nut may need recutting if the E is too thick. Basses usually come with roundwounds these days but flats are probably the next most popular. Players who like an older school tone tend to favour flats (or indeed the aforementioned black nylons) with the grounwound & tapewound being a sort of (ducks for cover) halfway step between rounds and flats.

He was always the coolest in the band too. He used to shop at my local (now closed) music shop.

[quote name='BetaFunk' timestamp='1393010203' post='2375319'] Some did and some of those also picked up when the Slow Ass Jolene appeared that John Oswald of Plunderphonics fame had done all this 25 years ago. [/quote] Yeah, I came across it on here a while back. To be clear I was referring to the replies on this topic though. Didn't know it went back as far as 25yrs though.

I use the volume control on my bass a lot. I didn't for years but I play around with both volume & tone a lot now.

This has been around for a while and what people haven't picked up on so far is it is the original recording pressed on a 7" single played at 33rpm.

Lee Rocker has been mentioned a couple of times already but to clarify he currently goes out live with two upright basses, one has steel strings and one has guts.

[quote name='EssentialTension' timestamp='1392891966' post='2373811'] You mean the dodgy intonation on my old Hofner was not because it had been dropped down a flight of stairs? [/quote] Dodgy intonation comes as standard I tried recording my last album with a Hofner Verithin and the whiney producer moaned so much about the intonation I had to re-cut everything on Fenders. I think it is part of their charm and the reason why people talk about basses being out of tune on certain records. Relax, it's more intune a few frets down!

Contact them both with your desired budget and what you play - Thomann were really helpful and I exchanged several emails before making a purchase. Funnily enough artisan's blueburst was my 2nd choice when I bought my blonde and it came very close.

I use leopardprint gaffa tape (yes, such a product exists!) but I like Clarky's link. Sounds like I have the same Shadow pickup too

I own the blonde European upright bass from Thomann. It was going to be them or Gedo as I did a lot of research (also heard to avoid G4M too). They set it up to my requirements and the bridge is actually alright. I did change the strings but it felt like a noticeable upgrade in quality from my entry level no brand thing I had previously. I went back and bought a gig bag from Gedo but Thomann were really helpful when I emailed them first as I was stuck between three of their basses. They were no pressure, great advice and helped me to make a good decision. I bought mine in the last 12 months.

[quote name='John Schoen' timestamp='1392750624' post='2372345'] Nice review, I have one too and agree with almost everything you have to say about this bass. The Fidelitron pickup is not quite punchy enough for my taste, I tried other strings and am now thinking about putting a TV Jones Thundermag.in it. You say that the bass is active; that is a mistake. I opened the control cavity and there is nothing there but two pots and a capacitor. [/quote] Thanks for the clarification John. I (wrongly) assumed the back white control cavity was a battery compartment. Mine is very punchy but then I don't like stuff too punchy (possibly down to the new strings?). Those TV Jones pickups are fantastic though, nice idea for a mod. I'll be staying as stock though.

[size=4][font=arial]I've never done a review before but seen a few on here and as I have no affiliation thought I'd give it a go. Be gentle! I must confess I'd be interested in the Cabronita range for a while. There seemed to be a fair bit of interest on Basschat when these were announced and I thought having finally picked one up it might be useful to offer a different perspective from the YouTube videos. It may be w[/font][/size][font=arial]orth mentioning mine was a surprise present from my girlfriend (there is another thread on that if you are really keen) so first I knew about this was when a delivery guy rang my doorbell![/font][font=arial] The main thing with the videos raised at the time was does it sound so fuzzed up in reality. [/font] http://www.youtube.com/watch?v=xRdlKVi5Ido [font=arial][size=1][size=4]I'd wanted to opt for the Squire as 1) I'd read it was better value for money (& even superior to the Fender in some respects according to some comments) and 2) I'm just totally blown away with the quality of the Squier range these days. If you want to know how they compare, I don't know - never played a Fender one - so search elsewhere.[/size][/size][/font] [font=arial][size=1][size=4][url="http://s38.photobucket.com/user/Tim_73/media/ValentinesBass_zps39ea07b7.jpg.html"][/url][/size] [size=4]Taking the bass out the box it felt fairly light but substantive enough to know it was a quality instrument. The bass was well balanced and incredibly, it was set up to play. [/size][/size][/font][font=arial]The black with white pickguard looks classy and classic.[/font][font=arial] The tuners are solid and sturdy with the neck glossed which is my preference. As I slid my hand up the neck thetop of the tiger stripe felt slightly rough higher up but this is being really picky (& to be fair I tend not to venture up that far anyway!) Feeling the bass now I can't find that first impression so I could be even pickier than I thought. The frets are well finished and the neck is straight. Probably the best set up I've ever had from an online order. My 50s butterscotch Squier was straight in for a set up when I got that - it sorted it out but always nicer when the shop have set it up to play. [/font] [font=arial][size=1][size=4]I tuned it up and the tuners were good with no slipping. A persona niggle of mine (normally) is the bridge is very modern looking. I seem to be one of the loudest voices on Basschat when it comes to championing the retro finishes but to be fair I can certainly live with it. The Fideltron pickup looks classic for a new feature and the 2 knobs (volume / tone) are flat top finish with nothing cheap about them. The body is cutaway rather than slab which isn't always the case on the tele bass design. It kind of reminds me of the Yamaha Pacifica in some respects but is suitably Fender-ish enough at the same time. At the moment the jack cup (curse of all tele basses & where Leo got it wrong) is actually very sturdy and not a problem. Ask me again in six months though![/size] [size=4]Putting the bass on it immediately feels comfortable and well balanced. The setup is spanky (er!?!) with no dead notes on my bass. It felt strange playing roundwounds though as I haven't done so for about 10yrs. This bass breaches two of my main preferences - roundwound strings and it is active. Incredibly I love it and I feel challenged. Time to plug it in...[/size] [size=4]The first thing that got me was it sounded familiar, very bassy but not a million times removed from that classic P bass tone. It wasn't the same as a P-bass but certainly a variation around the same theme. The next thing that got me was the variation on offer from just the tone knob. I've played basses where you roll back the tone and just get a washed out muddiness. Not this bass. Rolled right back it has an almost uprighty tone as would sit in the mix, turned on full there is enough cut through to really make your playing sing. I cranked it through a Vox Pathfinder 10 (can you crank on a practice amp?) and the tone wasn't really breaking up. So I decided to take it to that evening's gig and try it at volume. Once again the bass just delivered and felt like an old friend. I think this one will stay as stock and that includes the strings staying. Enough tone for everyone to find something from vintage to modern and cool enough looks for even the biggest poser (me!) A keeper, much like the girl who bought it [/size] [url="http://s38.photobucket.com/user/Tim_73/media/NBD_zps4597382d.jpg.html"][/url] [/size][/font]

I stopped playing in bands from 2000 - 2004 and kept my Fender Jazz 75RI and my Fender Precision 57RI along with my Peavey combo. This was before I discovered the internet and went through the big GAS period. I dread to think how I would have coped circa 2008. I don't think there is a right or wrong answer, it is just what suits your personal circumstances.

Speaking as someone who loves to keep it lightweight, that looks awesome - bass included.

I keep hovering over the ticket link as that original soundtrack album was one of my 3 first insights into great music. I only saw the film with David Essex about 10yrs ago (I enjoyed it but obviously the nostalgia of the record at the age of about 5yrs old was always going to win). I bet it is a great show and good to see a review like this as it make me think I'll make more effort. I think my brother and I wore the grooves out of my parents original vinyl. I have baked our copy into a groovy vinyl bowl and re-bought it on EBay. The sleeve is framed in my kitchen.

Thanks Dazza - hopefully we'll be back. It was a debut gig so not as slick as my other band that has played together for 5yrs but very well received and a great gig. I love the Vic and as an ex-Wiltshire boy love playing Swindon so we'll look t make a return later in the year.

[quote name='theyellowcar' timestamp='1392586247' post='2370434']How's the tone? Is it a typical P in disguise? [/quote] A lot of variation from the tone knob. Very bassy rolled off (which is what I've done). It breaks two rules for me at present; firstly it is active & secondly it has roundwound strings. I'm liking it as is though so may leave the strings alone. It doesn't sound as overdriven as the original YouTube videos promoting it suggested. A subtle variation that plays it fairly close to home, I reckon.

Slightly Off Topic Lozz but I saw the announcement this morning that The Daves were no more. Spoke with Andy on FB and best of luck with your new band together. Big, big, fan of Squier at the moment too so pleased to see someone else playing one as a main bass

[quote name='BetaFunk' timestamp='1392467307' post='2369064'] These aren't 'reissues' they are just based on the shape of the original and that's where the similarity ends. [/quote] Yeah, I know. I typed reissues as re-imagining seemed a bit pretentious

[quote name='BetaFunk' timestamp='1392460894' post='2368968'] Where online? [/quote] Looks like they are "available to order" rather than shipping now but loads of links like http://www.soundsliveshop.com/News/Apache-Travel-Bass-Guitars-released-by-Vox

The reissues are about £200 and available online.