Cat Burrito

[quote name='Beer of the Bass' timestamp='1412441082' post='2568996'] Do I remember that you're using a Blues Junior though? I wonder if the master volume makes the difference, as the single volume control on the Princeton is rather like having the master volume stuck on 10 and adjusting the pre-volume.[/quote] I am indeed using a Blues Jr and again you're right. I set the break up with the volume and control the loudness with the Master control. It's the only amp I've used since I started taking guitar seriously although like Trigger's broom I've changed the speaker, the reverb tank and I am currently having a custom cabinet built for it. Good luck in your search to resolve this.

I think Open Mic is a great way of improving playing or road testing a new band. The danger often is expecting your band to then make the jump from performing there to paid gigs and I've had three bands that got stuck in that circuit initially. I agree some of them can be a bit clicky too but then that's just a case of doing the fun ones and being a bit more selective. On balance I'm a fan despite how this post reads back.

I'm with Kirky in that I don't think a new amp is the answer. My guitarist in my main band uses an attenuator and something like this http://www.gak.co.uk/en/thd-hot-plate/7081 would be a good investment. I play guitar in a band with a 15w tube amp and I have to say that I don't have the same problem and we're a pretty quiet band. This could be down to what pickups we use etc (I'm low output pickups on an archtop kind of player) or just the room etc.

We supported Wilco Johnson and Norman Watt-Roy was a real gent. When I met Al Gare (Imelda May's bassist) he came across as a really nice guy and just a massive music fan. Just two off the top of my head.

Two electric basses and the upright bass so not sure if that counts as two or three for the purposes of the pole. A Squier Cabronita and a 50s tele bass (also Squier) plus the European blonde upright. In the past I have owned approximately 928,376 other basses but thankfully I kicked the GAS habit a few years back.

Played in Norfolk with my new band & it was my first show on guitar in a long time. We'd only done a handful of rehearsals but really pulled it out the bag.

I use Squier electric basses exclusively now, having previously owned £1500+ basses. I've just recorded our next album on a Squier too. I agree with Xilddx here. Some people are very quick to spend a fortune on basses and rigs, less keen to spend out on lessons or put time in on practice.

[quote name='chrismuzz' timestamp='1410975152' post='2555261'] Seen a few of these on eBay now. I wonder if it actually increases the chances of a sale? I mean it probably gets more people to see it, but it makes me think that the bass might not be as great as they say it is if they're resorting to cheesy sales tactics! [/quote] Exactly this. They just wind up on discussion forums, case in point right here.

I'm another occasional thumb user, and again it tends to be on some of our slower songs. Really good for that old school tone.

Having had a couple of £1500+ basses and many in the £500 - £900 bracket I now happily own two Squiers as my only electric basses. They sound great.

For plonkers...

STOP PRESS: Apparently Fender are to launch deluxe versions of both these basses to include a big bumper book of root notes.

I thought I'd had my account hacked when I first saw it. I don't particularly like U2 or hate them (obviously I hate Bono, that's standard!) but didn't feel strong enough to complain to anyone about it. First world problems, as said earlier. And those early Cliff Richard recordings are great IMHO.

I'm back up to three for the second time in my life, two of which are gigging. None are *that* busy so it ticks over nicely with just a bit of juggling regarding schedules. I suspect I'll shelve one once the third band start playing live regularly.

We're still looking if anyone knows anyone or fancies it.

I actually like Gene Simmons / Kiss but he's a 65yr man who is acknowledging that things have changed. The days of Elvis or the Beatles had gone by the time Kiss cam along and it is different again now. I do see some sense in what he is saying but there are enough people coming to gigs etc for rock music to continue for a very long time. It's just the old "things ain't what they used to be" line.

I've just joined a band that has 3 bass players, one of whom is on drums and another (me) on guitar. I think we have our preferences but actually it's nice to play a range of instruments and stretch ourselves a little. I'm enjoying playing guitar at the moment (something I started to do a few years back and then stopped for a return to bass).

The Ramones.

My originals band never rehearse (well, OK maybe 3 or 4 times a year) where as the other lot (muck about band) try to get together every week. I like to get together to play personally,, be it gig, rehearsal or recording but I guess it depends on the band as to how often.

[quote name='The Admiral' timestamp='1409294041' post='2538304']People criticise his playing[/quote] They shouldn't do. He was great on some of those early 70s recordings.

I had a break from 2000 - 2004 to concentrate on my career (which simply didn't exist at the start of my break) and my marriage (which doesn't exist now). I think it was a healthy thing to do as I've enjoyed playing much more since I came back to it.

I stopped for 4yrs which was right at the time. Starting up again has been twice the fun. Go with your gut feeling.

I think a lot of people wrongly assume kit share is automatically somehow magically sorted by the promoter or venue which can lead to misunderstandings. I too agree it isn't an age thing. A young idiot probably won't suddenly grow into a wise old sage! The last two idiot bass players I met were both (coincidentally) mid 30s; the last one was a guy who came up to tell me how much he loved my bass and tone until he realised I had a Squier and not a Fender so promptly started doing a u-turn on how it wasn't quite cutting it and selling me short. The one before that kindly lent me her upright bass and then afterwards approached my singer right in front of me and said she'd dep for me as she was better! She'd been drinking and I have to say having watched her set I actually didn't agree she was a better player. I think it all comes with the territory and the reality is I've met a bunch of cool players too.

When he left the band I was at University & we had to go for work experience. I asked the lady if I could replace Bill Wyman as it was the only job I'd consider. She just loved me

It was my parents (well Mum to be precise) and their old record collection that influenced me, from Elvis to Cash, Beatles to Dylan, Stax soul etc. I think the modern acts will produce some stayers but not like the 50s, 60s & 70s.