RhythmJunky

Thanks Polymath. So just be be clear, this is the Faital 6FE200 in the same size cab as the Fane,but a modified port ?

I've just spent a leisurely couple of hours this Boxing Day morning, whilst waiting for the rest of the family to get up, modeling this on WINISD and had the same problem. Looks like I'll have to look elsewhere. 😓

Is it working again or has something died ? I'm no expert on cab building, but do have some electrical experience and don't really see how a cab could cause that. I'd have thought a duff driver, or maybe a wiring issue somewhere. Have you tested the speaker impedance with a DVM since this experience? Anyway, I'm sure one of the grown ups with real experience will be along to help soon.

Thanks Pea. I'd be interested to hear what you think. I have ran my keyboard (also a Kawai somethingorother) through various bass and guitar speakers in the past and it generally sounds okay, but not very hifi. Not much top end and a bit boomy. So far I've used it on a Peavey Minx (50W bass amp), an Ashdown 4x8 bass cab and a Peavey Mace (a 160 W valve, 2x12 guitar combo). The 4x8 is by far the best, but isn't stereo. I think that the 2x6 is the way to go. I did think about splitting the 4x8 into two 2x8's and run it stereo, but am reluctant to start chopping into it. It's also really heavy and far too big for what I currently need. I've always read that it's generally not a great idea to put a full 88 key piano through a guitar amp, but apparently plenty of people used to use VOX AC30s with a Rhodes back in the day.

Thanks again Phil. I've read that thread again. I think what I'll do is build a 2x6 cabinet that will basically be two 1x6 cabinets joined together and seperated internally. I can then use this as a mono 8ohm 1x6 or a 4 ohm 2x6, with one Gnome, or a stereo unit with a small stereo class d amp. Alternatively, I could always just buy another Gnome, so if I needed a more powerful stereo combo, I'll be gnome and dry. Seems to be a bit of a gnome-brainer to be honest....sorry....quiet day in work. If I'm unhappy with the treble response, I'll build a seperate, stackable, tweeter cabinet with the drivers from the 1x10 and the x-over(s) in the cab.

Sounds like a deal. We've even got Guinness here 😆

Thanks Phil, I appreciate your response. It seems it may be prudent to factor a tweeter, and the volume needed, into the design. I'll have to look around for suitable candidates. Do you think it'll need 2x or just one for the right hand ? Unfortunately, I think it's very unlikely that anybody near me has built one as I live in an idyllic rural wilderness in the very centre of Ireland.

Has anybody ever used this with keyboards? I'm thinking of building a stereo version for use as a practice/ small jazz group jam combo. Voiced mostly as an acoustic piano, but also a Rhodes and maybe some B3 style organs. I'll probably power it with a small generic stereo 25 watt class D amp, but also have a Warwick Gnome, (I also play bass) so it could be pretty versatile. Building two seperate 1x6's would be the most flexible, but I do fancy a single box solution. If I ever wanted more power I could just get a second Gnome (btw, apparently the collective noun for a group of Gnomes is a 'donsy of gnomes'). I'd build it as one box seperated into 2 chambers.

Hello folks, I've taken online music lessons since before they became cool ( well pre covid anyway). My set up has been the same, a microphone and either my bass or my slab piano going into a small (none usb) Behringer mixer. The stereo outputs feeding into the inputs a Behringer UCA202 interface and a desktop (HP Elite intel i7). Cheap, but it's worked okay for a good few years. When my tutor sent me the mp4 of my lesson a couple of weeks ago, my voice was really low and difficult to hear, so I thought that I'd upgrade the audio interface to a behringer UCA22 (not much of an upgrade I know, but somebody down the road was selling one for £20). I tested it all by recording myself a couple of times, on a Zoom meeting and all was good. This was a direct swap for the UCA interface. In my next lesson my teacher complained that there was a bad echo on his end and the only thing that fixed it was by swapping the interface back to the UCA202. Does anybody know why an interface would do this ?

Sorry about the long delay. I hadn't checked back after a couple of days, but thanks everybody for the suggestions.

Not perhaps directly relevant, but I once managed to get a pair of twin rudders complete with connecting rod (ie about the size of a surf board) for a Hobie 14 beach cat through customs at a major UK airport unchallenged. I'd bought them used in Santa Cruz and flew back with them checked as hold luggage. Just wanted to share. Doubt it'd happen today.

Hi, I'm looking for a UK rock based summer school of around 4 or 5 days, that's aimed at....shall we say...the more 'vintage' crowd? I've looked at the BIMM courses etc, and they look perfect, but the average age seems to be around 18 or so. I was in touch with them today and they said that they don't do any courses aimed at the older demographic. Whilst I don't have any issues with that, I just think it might be a tad...well...weird..for me to join in as I'm fast approaching retirement age. I'd probably be as old as the rest of the band combined. I've been playing bass on and off for years and also play keyboards, but have never had the chance to play in a band for a variety of reasons such as work pressure (I used to travel a lot) and availability. I'd love to gain experience in a group and to be honest the entire concept of playing in public terrifies me. Thanks all.

Could you imagine the self assembly instructions that'd come with it ? Now where did I leave my Allen keys....

I recently bought a pair of DT770 Pros (also 250 ohm) and have had a pair of DT880 (600 ohms) for many years. I bought the 770's as I wanted something with better noise isolation than the 880's for practice. There's nothing more annoying than having the theme to Coronation Street bleed through when your concentrating on learning a new song..... They also both use the same drivers as the 990's (at equivalent impedances). In general they can be a bit low if driven by something that's battery powered like an mp3 player, but are fine with anything that's mains powered (provided you're not looking for immediate and irreparable hearing damage volume levels). The entire high impedance means low volume thing, is a bit misleading as its actually the sensitivity that's important, but higher impedance headphones need a higher voltage to drive them than lower impedance ones. That's why it's become a bit of an issue with smaller battery powered devices. (Just like agedhorse said). My favourite amp to drive the 880's is a diy valve amp that i made a few years ago and which can deliver higher voltages, but that's just headphone geekery and I'm probably biased...

Wouldn't you be better off buying a s/h pair of hifi speakers ? Something like Wharfedale Diamonds. I use an old pair of Acoustic Energy AE100s as my monitors above my piano. They're pretty small.