73Jazz

yamm..yaaaaam

looks like not

In my oppinion it is worth the weight. i also had lightweight rigs before..i was so happy..walked in the hall smiling, set up my rig smiling. after that i walked out again to help the guitar player with his heavy all tube marshall, not smiling, put it on stage, not smiling. after that i helped the drummer with his heavy drums, not smiling, put them on stage, not smiling. no i take my sunn or svt smiling, put it on stage..smiling;)

do not sell the case. i like black pg on natural 70 p´s my stripped 73 p will be refinished soon in sonic blue, thats the time when she gets a white pg too

First bass owned: Fender Precision Go-to bass: Fender Precision Your bass: Fender Precision sorry^^

yes the tone is really "classic", but it has a loud vent noise. it is caused by the holes in the steel plate, as i learned before. to be honest..this amp always has to be louder than the fan noise:) in comparison to my sunn 300t, i have to say that they are both soundwise neighbours, the sunn is more versatile, has more features like di-out, tube compressor onboard etc, but the skunkwork svt has that tone, that can only be heard out of ampegs..i love that

..bought one, love one:) feels like coming "home"

you may check the tribal planet double gigbags..i like mine http://store.guitarcore.com/gsx5.html

What a pitty, but nevertheless..i promise, you will love the bass when she is ready

Just take the yamaha ne-1 outboard "pedal", the best sounding jazzbass accessory you will find..and it is cheap..so your wife will be happy as well

[quote name='Delberthot' timestamp='1317567592' post='1391811'] Maybe in standard form but my Warmoth with quarter pounder (quarter pounder for sale soon) would take your head off without so much as a by your leave [/quote] You do not need a quarter pounder for this;) all standard bass in this short playalong [url="http://www.youplayalong.com/video/ab04ec68e4991e5/Ready-and-Willing--Whitesnake-free-playalong"]http://www.youplayal...-free-playalong[/url] What i meant is,It is more where the bass is in the mix and where you are you used to "look" for it sorry if this was misunderstanding

[quote name='Delberthot' timestamp='1317571322' post='1391859'] It would be one of a kind as it was me that ordered it originally from Warmoth and its came back to me via Austria and Germany. [/quote] Amazing..so the circle is complete and the bass found its way home

Yes, sorry^^ i am really busy at the Moment. This bass is so one of a kind that i would be surprised if it is not the one of germany:) Nice bass indeed, hope you enjoy it

may i ask, if you bought the bass from a german guy?the bass looks familiar to me

Sunbeams and JB is the best combination in my ears

I do not think that the bass gets lost in the mix. I pressume your ears try to find the bass sound in the mix, where you are used to find it. I had the same "problem" while i switch from vintage p basses to a 68 tele. The play different roles soundwise, are located different in the mix. The sc is not so aggressive, is more restrained than the splitcoil. I love them both

Thank you for sharing this information. Anyone else?

In the 80s Ampeg did those SVT Skunkwork reissue heads with a run of 500 pieces. Does anyone got an idea what those heads are worth nowadays? Soundwise, what is the difference to the actual SVT or a 70s SVT? Thanks for your help in advance

i would try dr lorider steel(!)maybe the 110, really long lasting and good for rock and plec sound... or if you prefer coated, i would give the elixirs a try did you consider flatwounds?seems paradox to your preference..but maybe with d´addario chromes you will hold a brighter level for a long time, also you get a hard punch and attack with plec in a rock context