lojo

People should be free to wearing spandex ,stand on monitors and not charge for it if they want to

[quote name='chris_b' timestamp='1480780018' post='3187095'] Sorry but putting your foot on the monitor (even Mr Harris) is lame [/quote] I don't do it , but don't think there should be a law against it ?

I joined basschat around 2009 when I was quite happy with my rig and you guys did a job on me Cheers

Rehearsals for me are more about song structure confidence and making sure guitar and keys are covering whats required in the song etc volume is not required though in a small room it's often dictated by the drum kit

We supported Take That this year , oh sorry that was Re Take That

I've got a pitch black pedal or a built in markbass , both great depending what I take

All knowledge is good I have made a choice not to put time into it as I enjoying my covers functions work which I can do without much theory and have to many other things going on in my mid life. Roll back the clock and I'll tell my teenage self to study it of course

If it's a leap year do you get a day free or is it £20.05?

If you do repeat venues you could inform them of price increase if your confident that it's still viable to those booking you. For one off functions just as in any business you need to be sure your fee is attractive What kind of gigs you doing ?

I hear a lot of modern music through my kids , but they seem to stream it and never seem to watch MTV or music type shows on screen

Whilst there's all kinds of performances , from the shadows walk to the axe position and they all have there place , I do find people on stage just being themselves very entertaining , that could be someone who loves jumping around and sticking thier tongue out to a shy but talented person standing very still doing their thing.

[quote name='LayDownThaFunk' timestamp='1480538000' post='3185265'] Take it everyone commenting on this is white then... [/quote] I look all white but my dad was black No joke

What is sad is that the media have linked in with the fact that Daryl is black , which clearly not connected.

Often 2 , my favourite 4 string and one for a few that require drop D , either my 5 or a D tuned 4 Once did a gig on medium sized public hall stage and the guitarist brought so much gear the rest of us shared 50% of the stage , he got there early and we couldn't be bothered to argue

I know some good and reliable drummers , just saying they aint all bad

Ive got a Japanese RI jazz and precision , neither have headstock truss adjustment points

Cheers I'll get it on catch up tomorrow

There was a point when there where loads of these going, guess all the new owners are happy for now until the gas kicks in

Thats great , can we get a bigger pic ?

Yep, they've played it a lot , he's a versatile and talented guy old Shaky There was a great documentary about him a while back, he certainly paid his low level gigging dues before he got commercial success

[quote name='ProfJames' timestamp='1479542804' post='3177304'] Were the late '90s a good period for Stingrays? [/quote] I don't know the consensus , but I'm very pleased with it, it's exactly what I wanted , flea bridge, string mutes etc

I paid around £700 for a 1997 stingray this year in reasonable condition

I could take a P, a J or a Ray to rehearsal or gig , and the most is get is "that's a nice colour" not sure the band hear any difference live

[quote name='Grangur' timestamp='1479327066' post='3175727'] As a funk player would he. maybe want more "twang" when slapping the E-A and calm the twang on the popping on the D-G ? For your further entertainment: http://youtu.be/puY2_cRLMbQ [/quote] That's the bass Maybe for twang , but not sure he slaps that much His ESP has reversed p pickups also , might be some reasoning on thier literature?