Jump to content
Why become a member? ×

Sibob

Moderator
  • Posts

    8,813
  • Joined

  • Last visited

Everything posted by Sibob

  1. [quote name='RockfordStone' timestamp='1509457159' post='3399047'] i don't doubt that the OP was doing anything other than complimenting a woman on her skills and looks, apparently its the ordering of his words that make him a sexist pig. id wager peoples focus wasn't on her looks until the first "OMG THATS SEXIST!!" comment was made, now we have had 4 pages about it. a lot of you are acting as if he put the video up and shouted "look at this woman playing a bass, woman are only good for cooking and child rearing", and its quite unfair [/quote] Wow, you've escalated a few things there rather unnecessarily . I'd wager that some people, subconsciously or otherwise, would have focused on her looks first as a result of having read the first thing given to them in the title...."stunning girl". It's something that is completely irrelevant to her musical output and so therefore the OP has, probably unwittingly, reduced what she's about. Again, I've not commented on the OPs character or intentions, simply stated a position that may lead others to consider how and why they refer to others. Si
  2. Hullo, *I'll caveat the below with the context of referring to people who we don't know, or don't have a personal relationship with. Of course there are certain ways we talk to our friends and those we're close to that we know is accetable......or so we think, maybe we should all consider that a little.* I should probably apologise, in that my initial comment wasn't particularly helpful, nor necessarily accurate with its terminology. However, I stand by the sentiment of my post, although it certainly wasn't an attack on the OP, nor any kind of further comment on their person other than their choice of language. Simple fact - Whilst you almost certainly posted the video to draw peoples attention to the guitarist-in-questions music, playing and interesting gear, the fact is that the absolute first and foremost thing you chose to comment on (subconsciously or otherwise) was her appearance. If we drill down into it a bit further, your chosen title suggests that you wish to make people aware of how impressive her playing skills are, the music is, and you'd like to draw attention to those points as well as how interesting her gear is......again, the first point you make (because the title is the first thing we see), is how attractive you think she is (which of course has sexual undertones). On the face of it, as you say, in certain situations, there is nothing wrong with saying how attractive you think someone is....however the way it's done in this post only serves to reduce her other achievements so you can get across you think she's 'stunning', even if you mention her other qualities after the fact......in other words....it's irrelevant. If you started a thread in off topic about how beautiful a particular girl (or guy) is, it would be somewhat base....but arguably relevant to comment on their appearance. On a part of the forum that is fundamentally about music and bass, does commenting on someones appearance first (when it has nothing to do with the performance (i.e. a funny costume etc), before then commenting on their capabilities, not seem completely irrelevant to you? Now, just to be clear.....I'm not offended by it, how you choose to treat others, of which I have had no similar life experience to (an asian-american female guitarist), is purely up to you. As has been mentioned before, the terms 'offended', 'snowflake', 'SJW' etc etc are often banded around because those who have been called up on certain behaviour need to be able to sling something back, none of those terms really mean anything. Some of the replies here are also indicative of the wider societal problem, but again completely engrained by hundreds of years of 'that's ok, that's the way it is'. The whole ethos of 'it's not me that's the problem, it's the rest of the world'. Someone commented about how they described a receptionist as 'cute'.....amongst other things. The fact they didn't deem it necessary to enquire as to her name when dealing with her is one thing (regardless go them being male or female), but when they asked who they dealt with, presumably in a professional situation, didn't think it more appropriate to simply say "I'm afraid I didn't ask, but she had blonde hair", a tangible fact, not a comment on her 'cuteness'. Being so acutely unaware of what the issue is there is not that persons fault necessarily, they're not a bad person, but just them being a product of their time. But doesn't help to change their way of thinking when others say "don't worry about it, everyone else is mad, you continue thinking in terms of her being cute". As I mentioned before, given a conversation specifically about someones appearance, as we're all prone to do, rightly or wrongly, it would be relevant to mention someones appearance. A group of females talking about Tom Hardy whilst out on the town is perhaps likely to be in a sexual context over his acting, of course that happens with both male and female groups, fine. However if a group of women, on a music forum, were talking about his guitar playing, but pre-tagged it with how hot he looks....that's equally irrelevant. Of course they can do it, but it makes them look a bit sad, it reduces the musical discussion. Someone argued the whole 'women do it' above a little, and quite frankly the 'they do it so we can' argument is childish. Someone posted the diet coke advert above, stupid advert, equally stupid to an advert with a half naked girl trying to sell something. It shows a lack of customer awareness and a total lack of creativity. Again 'oh this advert exists so it must be ok to objectify women', very odd. Someone also mentioned should we extend this commenting on appearance to objects......I mean really? Are you in turn suggesting that people are simply objects that we can comment on how we choose? I mean, to be fair, of course you can comment how you choose, but it certainly won't endear you to them in any way. And please, suggesting that you'd pre-tag a video of a male bass player with him being 'handsome' is ridiculous and you know it. Find me a post on this forum that has a male player video that comments on his appearance in the same way, i doubt there is, because if you read that thread title out in your head....it sounds silly.....as it should sound silly to you when posting a video of a female guitarist. So to be clear: - Act how you like, your relationships are your own. - Be aware that females today probably won't appreciate having their appearance commented on if it's in the context of commenting on other skills relevant to the conversation at hand. But again, do what you want, how they perceive your interaction with them is no skin off my nose - I'm not 'offended', just discussing something that needs addressing society wide based on your thread title, take it or leave it. - If you liked the musical content of the OP, check out Chon Perhaps I can send those who don't get it away with some rhetorical homework: Do you think that if you were in a face-to-face conversation with her, first time you meet her, you would first mention how stunning you thought she was before then talking about the music? If you do think you'd say that (weird), how do you think that would make her feel? Now, I know I haven't helped here, but it's clear that those who don't get it, won't, and those trying to help people get it, won't manage to.....and so the world turns huh. Let's crack on with talking about guitarists, 'math-core' and too many strings! Cheers Si
  3. [quote name='Grahambythesea' timestamp='1509389484' post='3398565'] I wonder how long it will be before Adrian gets a call from nasty G's lawyers? [/quote] Weirdly, I don't think Gibson hold the rights to the Thunderbird shape, but they do for SG, 335 etc, which is why you don't see many (if any) widely available copies of those exact shapes. Si
  4. Yes, aside from the casually sexist thread title, musical content reminded me of Chon. Clean math is have a bit of a renaissance it seems Si
  5. [quote name='Fisheth' timestamp='1509300916' post='3397901'] I was contemplating going for a USA Lakland next time, as I wanted a five string P. Then they got back to me on prices. Another Jake it is I think... [/quote] USA Laklands aren't cheap that's for sure!! Excellent though. Si
  6. Not sure about this, but got an ACG build to pay for in the coming months, and so I realistically don't need this. Please, no comments about the price, it's a vintage Boss pedal in excellent condition, this is the market value.....yes there is the Wazacraft version.....so clearly this is only attractive to collectors/users of vintage Boss gear. Price includes postage. No box. Label is intact on the bottom. Excellent condition, although the serial number is gone from inside the battery compartment. I reserve the right to change my mind! [IMG]http://i64.tinypic.com/25uo08h.jpg[/IMG] Cheers Si
  7. It probably isn't the tuners, it's probably the fact you're in A# lol. Have a chat with Newtone Strings about a higher tension set of strings, just tell them what you're tuned too and they'll sort you out. You won't be able to tune to standard (too much tension), and your bass will need a setup to accommodate them, but will mean you can have lower gauge strings, a lower action, and still time low! Si
  8. Mine arrived today! Yay! Will have a good play tonight! Cheers Si
  9. 2 out of 3, not bad Si
  10. I hear/see two people (at odds with the title of the video) slapping bass, sometimes in time, sometimes out of time. S'all I got Si
  11. Here it is 'wet': Si
  12. Eerrmmmhhhgggddd Si
  13. [quote name='Kevsy71' timestamp='1508588440' post='3393125'] This is very useful info, thanks both for the details! @Sibob, the Sound On Sound review was particularly enthusiastic about the fact that with the Quantum, you do not have to deal with an internal mixer as well as the main DAW. Is that also the case with the Claretts?(BTW I'm a Scarlett 2i2 owner and love it ) [/quote] I think specifically it was enthusiasm about the fact that the latency is so low, that there's no need for 'direct monitoring', which you would usually setup using the manufacturers 'mixing' software, it can all be monitored via the DAW. As a result, Presonus have decided not to include any kind of control software. All Thunderbolt interfaces have the potential for low latency, we've measured Claretts down to about 1.67m/s, 32samples @ 96kHz on a Mac (bear in mind you're highly unlikely to hear anything below 10m/s), and so direct monitoring is largely redundant in many situations.....unless you're running a MASSIVE session with a lot of plugins and are still recording parts (not really a use case). We still include our 'Focusrite Control' software as there's more functionality that just setting direct monitor routing. But in any case, it is set and forget. If you only use one routing ever, set it, and you never have to open Focusrite Control again. Cheers Si // Focusrite Media Relations
  14. Maruszczyk Jake - €1030, and you could knock of €40 if you wanted maple instead of Ebony. Modern, light, hand built, and very cool! [IMG]http://i66.tinypic.com/2m5gjtw.png[/IMG] Si
  15. Hubba hubba!! Sonic Blue over sunburst is very cool! GLWTS Si
  16. Yes, agreed, most high-end laptops now are very much TB3. With our messaging, it's that TB3 is currently not 'officially' supported, meaning that on some systems we have certainly encountered problems (although interestingly, our testing on those systems with Quantum & Apollo interfaces has thrown up the same issues), however there may be some system hardware combinations where Claretts do work over TB3 off the bat. In any case we're currently working on releasing some very specific information about what systems and hardware configs Clarett will work over TB3 on, obviously as a result of thorough testing. Whilst it may have been above the price point I believe you were looking at (and indeed not quite the I/O you need), it's perhaps also worth noting that our new Red 16Line is the first true Thunderbolt 3 interface in the market: http://pro.focusrite.com/category/audio-interfaces/item/red-16line Anyway, cheers for the feedback, it's obviously helpful to see what peoples perceptions are! Cheers Si
  17. If you just want it for one song, then price and size wise, your absolutely best bet will be the Digitech Bass Synth Wah (BSW), as mentioned. They'll crop up from anywhere between £40 & £70, here and on eBay. Si
  18. [quote name='Grahambythesea' timestamp='1507892094' post='3388578'] . If this is all they weigh , I think Gibson are really missing a trick here not quoting it in their specs. There are a lot of bass players out there with back and shoulder problems looking for a lighter weight bass. You just have to look at the number of times that question is asked of Basschatters selling gear. No doubt the problems are brought on by playing heavy basses like Fenders and lugging outsized speaker cabinets around to gigs. [/quote] I imagine they're made in vast enough numbers that the variances in weight would render any marketing of weights pointless. "All basses weigh between 7-9lbs" They'd be inundated with requests for the lightest bass, and shops would be left with all the 'heavy ones'. Just easier not to mention it and reap the positive comments online from those who get a light one. Si
  19. Each of the 1/4" outputs on the rear is a balanced mono output. If there was a grounding issue (unbalanced or faulty cables for example), I would expect there to be noise on that output, but not necessarily faint signal from another output. If you're using unbalanced cables (1 black band around each plug), do try balanced cables (two black bands), but this may not solve the issue. As has been mentioned, you could test whether the issue occurs by switching your main outputs from 1-2 to say 5-6.....however you need to be a bit careful as only outputs 1-2 are controlled by the physical volume control on the front of the unit (as you've no-doubt noticed with output 3). You can control outputs 3, 4, 5 & 6 using the software volume in Mix Control, or if that is up full (as is standard), you'll simply get full-scale line level out of those outputs. This is fine if you only use the interface for live use (the FOH desk will be fine to accept line level), but absolutely not good if you plug in some monitor speakers to those outputs, you'll scare yourself (I know this is true from experience, we've all done it here at one point), as well as potentially damage your monitors. As mentioned, as difficult as it may be, moving the setup to an area with signal/internet in order to troubleshoot with one of the team is your best bet. They'll be able to advise quickly whether a hardware repair is needed. Cheers Si // Focusrite Media Relations
  20. I have a Skyline 55-01 (2016 - Indonesia) and a USA 44-94. Considering the 55-01 cost me £749 new, it punches WAY above its weight! Sure I've swapped out the pickups and preamp for USA Bartolini equivalents, but the originals were more than capable. I've also had a Skyline 44-02D & DJ4 and both were excellent. I only sold the 44-02D as I didn't get on with maple fingerboards at the time (still don't), and the DJ4 only went to fund the USA 44-94, if I wanted another Jazz, I'd buy another of those! I also had a brief flirt with a Skyline 44-64 Custom P/J, but that did have some minor finishing flaws, so it went back, very much an anomaly I believe, felt and sounded great though! I can't ever see myself needing anything other the 55-01 in a 5string. I'd perhaps order a USA equivalent, but only if I genuinely had money to burn......which isn't looking likely in the foreseeable lol. The USA is a cut above, but you'd expect that, it's a custom passive P/J 44-94, first of its kind I believe [IMG]http://i66.tinypic.com/hwh5c0.jpg[/IMG] Si
  21. Be thankful you're in a band that wants to play progressive music that stretches and challenges you, you could be in a band who throw Rolling Stones songs at you every week (I'd quit that band instantly). What About Me can absolutely be approximated through the vast majority of the tune, I bet Michael doesn't play it the same each night! The difficult part, simply due to stamina really is the outro/drum solo, it's an easy enough 'riff', but tiring, so when you get to that fast unison line at the end, you need some left in the tank. Was a challenge to learn, but really satisfying when I got it, the rhythms involved are fantastic! Si
  22. [quote name='adamg67' timestamp='1507935399' post='3388959'] My laptop is my (Linux) software dev environment as well as my audio machine, and other things. I could switch to Mac but it's just as propriety as Windows in the end, even if it is BSD underneath. So for now for me for audio it's Windows 10 + thunderbolt 3. That ruled Clarett out from the off as far as I could tell, no support for my setup. I was hoping that TB3 would be the technology that made things work nicely on both platforms, but it's not looking that way just yet. So was always down to TB2 interfaces with Windows 10 support, which was pretty much UAD or the Quantum. I liked the approach with the quantum of going for low latency and doing everything in the DAW, that's why I bought such a beefy laptop in the first place - best Macbook Pro is about half the speed, they seem to be going for thinner and lighter without updating the spec, and still charging crazy money. It seems to work, I can run more virtual amps and effects than I'll ever need and still get stupidly low latency. Weighs a bit more than a Mac though [/quote] Thanks very much, that's interesting to hear, only because Claretts are indeed supported on Windows 10, see here: https://uk.focusrite.com/node/31789 There's some specific info on Windows & Thunderbolt here: https://support.focusrite.com/hc/en-gb/articles/207355215-Clarett-Windows-Compatibility Also interested to hear about the requirement of Thunderbolt 2 specifically, as not many people run the kind of recording setup that requires that kind of bandwidth (please do correct me if I'm wrong in your case), more info here: https://support.focusrite.com/hc/en-gb/articles/206849269-What-type-of-Thunderbolt-do-the-Clarett-Interfaces-Use- I don't think I'm aware of any TB3 interfaces yet, or any TB/TB2 devices supported (officially or otherwise) over TB3. Whilst TB3 is not a particularly new protocol, the roll-out of USB-C on PCs has been on the slow side I feel. Please don't take this as some aggressive 'oh you should have bought this' technique, far from it, you're obviously more than happy with your interface, and that's all that matters of course. But if I can get the above info about Claretts out there a little more and seen by others who might be on a Google search, then that's a good thing . Cheers for replying though, happy recording! Si // Focusrite Media Relations
  23. Unfortunately, it sounds like a fault to me. However I would recommend phoning the Tech support team on Monday (or whenever you're next with yoursetup), and they can trouble-shoot with you. If you're only with the setup out of office hours (mon-fri 9:30-6), then there is a live chat option on the website which is available until about 1am UK time. Let me know if you have any issues! Si // Focusrite Media Relations
  24. The onboard effects are great! Sound really good, especially loved the Ring Mod preset. But I just couldn't get on with the workflow....not because it's bad (although it's fiddly witbout the computer based GUI), but just not what I needed. I didn't purchase the loan unit I had and stuck with my Line6 M5. Si
  25. [quote name='Steve Browning' timestamp='1507879344' post='3388446'] JV P/J pickups? I am not sure there is such a thing as a JV in P/J configuration. I'd be wary of paying too much for that. [/quote] Good spot! Beware!! Unless it's a JV P & a JV Jazz bridge.....but that would be quite odd, someone would have put then together, won't be a stock set. Si
×
×
  • Create New...