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Sibob

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Everything posted by Sibob

  1. I hope there are some promoters that will put on some other types of music (read: heavier) on there! Because the Barfly is awful! Si
  2. Argh, I was gonna wait until I had pictures of it to post.....but I couldn't contain myself! GUESS WHAT I'M PICKING UP TONIGHT!!! Si
  3. I'm confused Is this a neo cab or not? It's not listed as 'neo' on the ashdown website but seems to be the same weight!? Si
  4. Ah I think one of the guys in A Silent Film works in Gerrards Cross with the guitarist in my band (First Signs Of Frost). Ummm, four dates isn't a lot, you shouldn't need a loada gear. Spare strings.....ummmm....clean pants!? Si
  5. Doesn't look like Fender do that Squier in a lefty, nor a jazz bass in that colour, tis just the '60's vibe Precision'. Best bet is Custom Shop (as expensive as a late 60's Jazz, around £2000), or a custom build from a Luthier such as Sei or Shuker in the UK. Si
  6. I think the issues with mid 70's to early 80's is simply that there were a lot more duffs that got through the QC net than previously. No-one is arguing that there are some great examples of basses from these eras, they're just harder to come by than pre '74 and post '85. I agree that the basses are essentially wood and bolts, BUT from early '74 until the resale to the management in '85 they started to pick some pretty questionable wood. I've tried some mid 70's basses that I could barely pick up, let alone strap on for 2 hours....crazy heavy! 2 weeks ago I purchased WoT's 1973 Jazz from Hellrazor (Ed- who Micheal sold it to), and it's sublime, still finding out it's subtleties, but getting there after 5 gigs Si
  7. [quote name='Leeroy' post='295793' date='Sep 30 2008, 07:35 PM']Yea, seems a crazy price. By refinish i presume you mean the paintwork etc...[/quote] Yes, the bass has been repainted, and the damage you see on it has been simulated as part of that process. Refinishing is a common practice, although knocks value off of 'vintage' basses such as this. Relic'ing is the practice of making something look aged and is becoming more and more common after Fender introduced it as an option on their 'Time Machine' series. The refinish here looks good enough but the Relic job is pretty poor. Si
  8. Hey leeroy, why not go on over to the Introduction part of this forum and tell us a bit about yourself I'd say that this bass is around 2,400 Euros (£1900) too expensive. The year suggests that it's going to be heavy as hell, I assume it's all original (apart from the finish) as they haven't stated otherwise, although that is something to be very cautious of. The fact that it's a refinish usually knocks about half from the 'fully original' price, but having said that i don't know what affect on the price the fact that it's left handed would have, could go either way. Fully original I'd say this is worth around 2,000 Euros (£1600), but with it's (badly relic'ed) refinish, I wouldn't wanna pay more than around 1,000 Euros (£800). All these prices are subjective though Si
  9. You coulda ironed the back-drop Si
  10. [quote name='skankdelvar' post='294572' date='Sep 29 2008, 02:57 PM']Ditto stamps. All markets go up and down, which is why the phrase 'An end to boom and bust' is total b****cks. Who'd have thought Musicman prices would have tanked? [b]Or that unprovenanced 50's black-guard Telecasters would go up to £50k[/b]? In answer to the OP, who knows? Depending on condition £500-£2000. Not as much as a 60's though...[/quote] But you've just kinda made the point yourself! We've been through recessions before and those guitars still gained value! As and when the 50's and 60's stuff becomes priced out of the market (only available to rich collectors etc), the early 70's gear, pre '74, will start making big jumps in prices!! Si
  11. Check out some Justin Meldal-Johnsen with Beck, Ima Robot & Macy Gray Si
  12. Not that I'm dismissing the validity of the thread, but I'm kinda in agreement with Iwtait. Surely a custom bass is usually as a result of someone who has identified a need for a feature, or combination thereof, on an instrument that they can't obtain from a stock instrument, and so solve the problem with a custom build! I think what I'm trying to say is that, in my opinion, saying you're having a custom bass, then deciding what problems you wanna solve with it could be the wrong way to go about it as there really are soooo many options available that it could become confused! I'd say try some fanned frets before you go for the option, The Gallery stock Dingwall so that should be your first port of call! I'm a big fan of birdseye maple fingerboards....so thats my two pence on the spec Regarding electronics, would passive electronics be able to do the low F# justice? Si
  13. Beautiful bass!! Although Sei continue with their 'headstocks-that-completely-suck' policy! Just my humble opinion! This should sell quickly bet it sounds fantastic with those Bareknuckles, really barking!! Si
  14. The way I understand it is that the vintage guitar market is always appreciating along with other markets, when other markets are not doing so well, or falling into recession etc, the vintage market just plateaus and bubbles along until it starts to appreciate again! There's a reason why many people are putting their faith into vintage instruments as part of their retirement plans! Si
  15. Aww man, wish I could have been there! Next one !! Si
  16. Sounds like this bass could quite easily become a mish-mash of ideas! I hope not, there's beauty in simplicity Good luck Si
  17. I should be at the London gig on Monday, all things being well! Si
  18. This is now in the Gallery in Camden if anyone wants to go and have a play! Si
  19. I can't come I'm on tour, London that night But i'm gonna miss Richard Bona Woulda been doubly gutted if Adam Nitti was still appearing! Hope the whole thing runs beautiful, maybe I'll manage it next year Si
  20. For my band [b]First Signs Of Frost[/b]: I play with 2 fingers, 3 fingers for faster lines. On recordings of those faster passages I'll use a pick for clarity, but for ease and flow, I'll play those passages live with 3 fingers. There are some small tapping and chordal breaks for me, but nothing major or out of context. I'll include some unison lines on some of the guitar lead lines, but my favourite thing to do is to be playing my bass part over the guitar line and hook in for the unison line for maybe 3 or 4 notes of it in the lower octave....sounds phat! I'll be mostly following guitars and bass drum patterns with the odd harmonic digression if the song requires it! Si
  21. I'm into Jazz shapes and Singlecuts! I have 2 Jazz's and another on the way soon....but no singlecuts lol. I'd love that Benevante that's been for sale for a while, but I simply can't justify it! Oh well! Si
  22. I'd like to suggest that Jim's (99ster) 1960 Jazz Bass is probably worth the most! Si
  23. [quote name='misrule' post='290236' date='Sep 23 2008, 06:48 PM'][b]Sex Discrimination Act [/b] [i]It is possible to restrict a job to members of one sex if being of that sex is a genuine occupational qualification for the job but the circumstances where this may apply are very limited. They include; ... in dramatic performances or other entertainment, for reasons of authenticity.[/i] You're safe Cheers Mark[/quote] Hahaha, love it! Si
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