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Everything posted by Muzz
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(OMFG - it worked!!) Fender Custom Shop - worth the tag?
Muzz replied to hiram.k.hackenbacker's topic in General Discussion
My Dingwall has, while not completely curing my GAS, raised the bar very very very high indeed. Having said that, I'm 50 in April, so thoughts turn again to binning any party arrangements and costs, and to start looking for a YOB Precision. I'd want a maple board, though, so that raises the search level from Hen's Teeth to Rocking Horse Cr*p...probably just as well... -
[quote name='edoliveira' timestamp='1389188252' post='2331034'] " I had a LMIII, then a RH450, then tried an awful lot of the smaller heads (LM Tube 500, GB Shuttles, Walkabout, etc) and ended up with one." Do you really think the LM Tube 500 is that bad..? I have always thought that it would be like LM III but with the small valve improvement... [/quote] I didn't think the LM Tube was different enough from the LM to make the permanent change - I thought the drive was fizzy and very off/on. The Streamliner's EQ catches a lot of people out (but again this does depend on the cab used, too - my Schroeder 1515L needs bass adding, but my BF Super 12 is far more accurate, and the bass needs to be attenuated) because as I said it's particularly voiced, which isn't everyone's taste, but it's very warm and tubey, and there's some great tube sounds there. I even preferred it to the Walkabout and the M-Pulse 600, which are great tubey amps.
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If small and tubey is what you're after, it doesn't get much tubier than the Streamliner - I had a LMIII, then a RH450, then tried an awful lot of the smaller heads (LM Tube 500, GB Shuttles, Walkabout, etc) and ended up with one. They're a particularly voiced amp, but there's some bargains going around in GB stuff at the moment, so it may be worth taking a chance...
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I was that soldier circa 85. It was never as much fun as the Motley Crüe videos made it look...
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Thrice-Weekly-Covers Band -Flatwound-PBass-SansAmp type introduction(!)
Muzz replied to stumpypepys's topic in Introductions
Welcome indeed, and perhaps have a look at a Radial Bassbone - a bit less coloured sound than the Sansamp pedal (but I've just noticed even more expensive!)...and I've just spotted it doesn't have phantom power...oh well... -
I had a LMIII I moved on for the RH450 - I had a Sansamp I used with the LM, and found I never switched it off: the RH450 gave me that sound without the Sansamp. I eventually ended up with a Streamliner, and that's staying. The feature set on the RH is still the most comprehensive out there, and I miss the presets, the tuner and the footswitch.
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[quote name='BigRedX' timestamp='1389095886' post='2329762'] IME no set list works only if ONE person calls the next song and their word is THE LAW. Anything else reduces your band to strictly amateur hour. [/quote] This. We have setlists for the wedding/function band at least a week in advance, but that's just curtesy and to make sure any deps are 100% up to speed (and we do have a 100+ song list to go at), but on the night the bandleader will call the order as he judges the room, and so the order might change. We don't have more than 5 seconds between songs, again unless the singer/bandleader is talking to the audience. When we gig the originals stuff, we have a set list which stays that way.
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I've got the ACS PRO 15 filters. Fine for me, and I have tinnitus, so I'm quite sensitive to high sound levels.
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I've got the ACS custom filters, and I went for the T15s just before Xmas for a real wireless IEM solution. They work really well, the single drivers are more than enough for me to hear everything that's going on, and I'm not as deaf as a post by the end of a gig (and for days afterward). They're a little fiddly to get in place, but once they're in, it's all good. I think if you have multiple drivers to listen to music already, you might notice the single driver in the T15, but I don't, so I don't, as it were. I like the option of being able to use the filters at other gigs, too - they really are good: your Dad's right, you can have conversations with people perfectly well while they're struggling with the noise...
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Sooo, Xmas still wants paying for, so the clearout continues, and this time it's a nice thru-neck Korean bass from the late 70s which I'd had as a project bass, but domestic shenanigans (like a new kitchen and ceiling) mean I'm never gonna get to finish it. It's a solid bass, with plenty of cosmetic dings, and tho it hasn't got any markings, I'm confident from researching other examples it's Korean-built, from the Cort factory. It's got a brass nut, brass truss rod cover, brass fret markers, and the original neck pickup. The bridge pickup's been replaced at some point, and it's been rewired and had the jack socket and switch replaced. It sounds really solid, some good strong P/J sounds. Even though there are plenty of the aforementioned dings, the frets are pretty much pristine: I doubt it's had a hard gigging life, it looks like it's been moved around a lot but not played much. The woods are nice, I was going to refinish it, but it's not gonna happen round here any time soon. If a bit of yer actual 35-year mojo doesn't faze you, it's good to go. The action's a little high, I believe some of these have had the bridge routed in bit to cope with this, but it's far from unplayable as it is. I'd say £125 posted is a fair price for a slice of neck-thru bassness. I can ship, in the UK, well packed and insured. M I've bust me upload limit for now, if anyone wants any more pics, let me know and I'll PM them. [attachment=151457:photo 1 (2).JPG] [attachment=151458:photo 2 (2).JPG] [attachment=151459:photo 2 (5).JPG]
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For a real spread of sounds, a secondhand Variax might be worth a look, tho the basses themselves aren't as good as the electronics. I've always fancied trying one in a band context.
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[quote name='BigRedX' timestamp='1388404525' post='2321530'] Lets face it. You're the one up on stage playing and he's the guy without a gig on a Saturday night. I wonder why? [/quote] This. This is the bottom line - if I ever get any of that sort of attention (which is very very rare), I smile, nod and go and do something else. Anything else.
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[quote name='bobpalt' timestamp='1387738344' post='2315108'] Played my last ever gig with the band I've been with for 13 years yesterday at the local Golf Club's Christmas party, before I retire to go travelling with the good lady. Brilliant! The guys made it into just the best night ever, changing the words of half of the songs in the second set (when the audience were well oiled) into anything that remotely sounded like or rhymed with "Bob" or "Sue" or "Bob and Sue"! (Sue is our lighting lady as well as having suffered wedded bliss with me for the last 37 years, so will probably be missed as much if not more than me by the band). Our front man must have told the audience half a dozen times that I was leaving that night, and in turn I was showered with hugs, kisses and adulation (!) from them. I dug my lucky bass players pork pie hat out of retirement, played the Pedulla Sue gave me 12 years ago on our silver wedding and don't think I made a mistake all night, and we all went back to one of the guy's houses for cheese, biscuits and whiskey afterwards. They gave me a big photo blown up onto that canvassy stuff to remember Breeze by, and its now in pride of place in the hallway, just in case any visitors don't believe I was once a 59 year old budding rock star...... Life just doesn't get any better than this, but as one door closes a new door has now opened to our latest phase of life as travellers, something we have wanted to do for ages, and now we are both retired and waiting delivery of our motor home has become a reality. Have to go now as I'm starting to well up writing this. Cheers to everyone here and have a great Christmas. [/quote] Great to hear you've signed off on a high Bob, all the very best for your travels in the New Year
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P. I've had several Rays, I like everything about them except the sound live. I've also had a few Precisions, but I stopped swapping as soon as I got the right one (a PJ, but that's a whole other thread). I don't have a Ray at the moment. Both my main keeper basses have split-coil pickups and are essentially P-sounding basses.
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Sold a small Roland amp to Geoff, thoroughly enjoyable transaction, he's a gent, deal with him in confidence.
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So, we're playing the the Lancashire Fold last night, down to a trio as the guitarist's hand had ballooned with some odd infection, and we're bashing through a modified set list, including a reasonable facsimile of Not Nineteen Forever, when I look up, and there's two of the Courteeners standing watching, luckily smiling. Slight clenching, but no lasting physical effects. It's not the first time, either: a couple of years ago, I was playing in a band of mostly deps in a bar in South Manchester, cheerfully murdering Sit Down, when a small kerfuffle broke out in the (mostly seated) crowd. Tim Booth was in. Given the quality of the rendition which was being perpetrated, it was one of the longest 3:24s of my life...and possibly his, too... Anyone else faced the original artist with a nightmare vision of how their material could have turned out?
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Cheers Dave, but Elixirs get a bit beardy once I've been at them with me pick for a while... Managed last night, but I'd really like some for Thursday...off to the Net again.
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One of the basic principles of my domestic life is "It is easier to seek forgiveness than ask permission". Well done.
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Sh*t already slapped outta dem: didn't achieve much, to be honest...
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Ok, sooo I've got a gig tomorrow night, and I've got the main bass out, and the strings have died overnight: long gig last night has finished them off. I've noticed this with DRs: they last a good while, but when they go, they seem to go very quickly. Does anyone know where I can pick up a set of DRs (Lo Riders for preference, but Sunbeams will do) tomorrow in Manchester/the North West? I'm struggling to think of anywhere that carries any stock... Cheers, Muzz
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