Muzz

The one I had was in a rack (with ears, natch) but if you wanted to take it out it was still a size. Odd.

Just sold a chorus pedal to George, very simple transaction, deal with him in confidence! Cheers George, Muzz

[quote name='brensabre79' timestamp='1353060049' post='1871003'] Dont forget the SVT 7, that is lightweight (Class D), and should sound like an SVT! [/quote] Oh yeah, forgot this one - had one for a few weeks: yep, does sound like an SVT (although the 15db pad input kills the tone - use with passive basses and it's fine) but it's an odd shape and size: 15" wide (nearly rack-width, too big for most gig bags) and 15lbs, even though it's a Class D hybrid. It kinda bugged me that they shoulda either shrunk it down to the Shuttle/LM/Streamliner size, or made it a 19" rackmount and maybe put a couple of extra features in. Very loud, tho.

As people have mentioned, if you have a Sansamp and VT, your tone is there in those pedals anyway - your choice of head isn't so critical if you want to use the pedals. If you want the sound without the pedals, you might have to choose a bit more carefully. I was after the sound you're looking for, and used a Sansamp with a LMIII for a while, which sounded good, but I was looking for a pedal-less solution, so I bought a RH450 which was good, and had lots of bells and whistles built-in, but eventually, after going through several other heads (I thought the PF500 was a bit, well, meh, and the OTB is great if you like its sound, but a bit bigger), I've settled on a Streamliner 900. Valvey, light and loud, and worth considering. Oh, and the Super 12 is a great cab.

[quote name='Dr.Dave' timestamp='1352992092' post='1870267'] I don't think you should ever settle for less than that. [/quote] Ba-zing! Reply of the day...

Oh yeah, forgot to add this - we made the final arrangements via off-EBay email.

I had exactly this last week, just ended the auction early, he paid cash on collection, we both saved some money. Job done.

I play it as G G# C D F G# G F D F. Most of the time...

Always happy with This Uneven Sky - the four of us have known each other for 30 years, and it just works on all levels. The covers/function work I do is as part of a dep collective around the main man, and the standard of players has stepped right up recently with some new additions, which has meant me upping my game considerably - always a good thing, and very enjoyable in a completely different way.

[quote name='ezbass' timestamp='1352307883' post='1861429'] I like me some P (check my sig) but that didn't do it for me, a typical Later mix devoid of anything musically discernible in the low end I thought . I was about to dismiss it as that until the next act, Trey Songz, came on. Now that was a bass tone that made my ears prick up, really nice. YMMV. I think it was an MTD through a GK rig. Now this brings into question whether Soundgarden were badly mixed or whether it was just a poor tonal choice by them to start with? [/quote] Just watched both bands, and all of this +1: nail > head

One of the first things I look at these days when I see a new bass is "How much does it weigh?" My 7.5lb Dingwall makes a real difference. I also sit at rehearsals most of the time.

I can concur with the above - the pickups are absolutely standout on these basses (pretty much the only bridge pickup I've played which I'd seriously consider soloing), and I'm sure the niggles/design changes (mostly the neck profile and heel) identified by most of the bassists there will be easily rectified. Massive range of tones (at least a dozen coil selection combinations) and output from a passive bass, and there are some very very nice design touches (like the back contour) which point to a quality instrument. Top marks to Nige for refusing to slap, even when asked to several times!

I've recently traded my RH450 for a Streamliner 900, and it's a much better fit with my Schroeder - the TC's low-mids combined with the Schroeder's low-mid hump to provide too much of it in the end. The Streamliner's a lovely warm amp, although with the Schroeder I have to push the bass to 3 o'clock. The Schroeder and a LM (had one of those, too) is a great combination, I only moved mine on because I wanted a more tubey tone than the LM gave me.

I use Watford Valves, spot on for me.