Muzz

Thanks for this! Any recommendations for cable fro the same place? Cheers, Muzz

Yep, another +1 for the RH450 - can do everything the LMIII/Sansamp can do, but in one box, and with lots of really useful stuff like an onboard tuner, a great compressor, adjustable EQ and three presets. Not cheap, mind, but the sound can also be had from the Classic for less cash (around LMIII money). +1 also for the Schroeder 1515L - the smallest, lightest 800w 2x15 there is. As thumperBob says, it's a little mid-heavy, but that isn't a bad thing in itself, and there's so much headroom it can be EQ'd out anyway. A very, very loud combination. Try before you buy, though - let your ears decide...

From an amp perspective (yeah, I know you said you were sold on the Genz, but...) have you tried a TC RH or Classic? I only ask because I was using a Sansamp for some Ampeg-y drive with my LMIII, but I tried the TC stuff and found I could get it all without the pedal. Sold the Sansamp, sold the LMIII, RH450 does it all. For me, of course. Cab-wise, my Schroeder 1515L keeps up (actually it'll comfortably overtake them, too) with a loud drummer and two guitards and as well as being very, very loud is really, really small and light, but they may be an acquired taste: it works for me, though. Worth mentioning I used to have an SVT and 810, too - back in the days when I could lift 'em... If you can, I'd recommend a visit to Mark at Bass Direct - he has all the heads in stock so you can A-B (and C- and D-) them, and lots of cab options. And he's a thoroughly nice bloke, though you'll need a will of iron not to spend a fortune on lovely, lovely stuff...

[quote name='Bassmonkey' post='1084110' date='Jan 10 2011, 12:30 PM']...Shame I then had to help shift the rest of the bands gear too though..[/quote] This is the unforseen downside of lightweight rigs - gigged on Friday in Leigh (don't ask), and walked in with rucksack containing amp, cables, etc, on back, cab in one hand and double gigbag in the other. Done and dusted in one go. This tragically left me more time to Quasimodo myself lumping the friggin PA cabs in...

An ideal candidate for "Is that as hard to play as it is to listen to, mate?".

That clip's one of the smuggest things I've ever seen.

I use Sennheiser inears - CX300s I think. If you can cope with inears (and some people can't) they're really good, and for £30, a cheaper option. With a good seal, they reproduce a lot of bass. Used them for studio monitoring, too, as I'm used to their sound. The Beyers are industry standards and very very good, but too pricey for me.

That's got to induce neck-dive, surely...

And from me...not that I was worried at all, you understand...

Sansamp BDDI, or, for the more budget-conscious, the Behringer BDI-21.

Yep, my RH450 does that. It's not a noise from the speakers, Lozz, it happens with mine whenever it's switched on (even when I'm using headphones and they aren't on my head), and seems to come from the amp itself. Now I'm hoping it's nothing significant

Tried one (twice) in my search for a tubier version of my LMIII, and thought it was indeed very very subtle. Given that I was looking for some warm breakup and even more towards drive, I may have needed more than you did, but it wasn't enough of a difference for me to change from my LMIII. The LM Rocker, by contrast, was just about as subtle as a brick - at about 15% of the tube dial it started to fizz, and stayed fizzy the rest of the way round. I found the RH450 the best tube-sounding head out there, so I bought one. I'd really, really try to try before you buy, though - your ears are everything. If you're anywhere Bass Direct (Warwick-way, and even if you're not, it's worth a day out), Mark has a great selection of mini-heads, including the MB, Genz and TC ones. Edit: Just read the above comment, and I did have a Sansamp BDDI in front of my LMIII for a good while, which gave me the Ampeg-y tone I was after. I can get this from the RH450 on its own, so I sold the LMIII and the Sansamp. The Sansamp isn't exactly subtle, though. If you can't get to a shop to try, if I was you I'd consider buying a Behringer BDDI box for £30 or so, because this'll give you a ballpark of what the Sansamp sounds like.

Steve Curtis working out of PMT in Manchester has done some work for me in the past (and is about to do some more). Very highly recommended.

Yep, my P takes a lot of gain on my RH450 before it lights up, the Ray less so, but still 45%-50%

Geddy Lee JJB Lemmy Chris Squire Glenn Hughes All distinctive (and in most cases ground-breaking) sounds, all have written iconic lines/songs. There are equally remarkable players out there, I'm sure (like Jamerson, Jaco, VW, MM, MK, etc), but their influence on me is negligible*. * OK, maybe not JJ, but the rest certainly.

Heel of right hand.

Dunlop Nylon 88s. 33 years in, and still the only ones I get on with.

+1 for the Schaller 3D; for two 'solid' reasons (other than hard-to-define-am-I-imagining-it? things like tone and sustain) - I like the lateral adjustment available, plus if you're a player who, like me, rests the heel of their hand on the bridge, it's a smoothly-contoured and therefore comfy profile.

Bass Direct is pretty much Nirvana for a bassist. Tho I'd doubt you'd find a cheap P-bass there.

Ahh, but the Fender VI was sunburst...makes all the difference...

Today I'll be sitting down in the conservatory with De m*ngerhausen's "Progressive Chordal Arpeggios, Volume IV" and...no, no, no, I won't really. I've got 26 bloody covers to learn in a week before a dep gig for a mate of mine, so it's Guigsy basslines a go-go...

Jeff Berlin - 'He's A Tickler': Shock Accusation...

Like a 50-year old Fender VI then? These ground-breaking musicians...

I'd like a 6-string tuned an octave up, E to E...oh, wait...

[quote name='gub' post='1071736' date='Dec 29 2010, 01:57 PM']I was just reading a thread where the action was described as being about the thickness of a pound coin at 12th fret . so just popped up stairs and stuck a pound coin under mine at 12th and its tight on my old ibanez roadstar and a little loose on the aria pro 2 sb 1000 , so was wondering is this a good low action or would you get something like a penny under a really good one ?[/quote] It all depends on how you like to play - pick or fingers, dig in or soft touch. I think I've got a good low action, but then I clart the strings with a pick, so it'd probably horrify some. I have one friend who declares my Ray 'unplayable'. I'll check for a laugh later, but I suspect I'd get a couple of quid under mine...