dlloyd

[quote name='SpondonBassed' timestamp='1488024102' post='3245102'] Yes please! Er, can I have it in tab too? Not essential but helpful. [/quote] Yep, I'll tab it out in powertab and post it later... it's in my head at the moment.

[quote name='SpondonBassed' timestamp='1488024534' post='3245109'] Interestingly that is blocked on the basis of my country for copyright reasons by SME. Who tf is/are SME? [/quote] Shhh! http://videa.hu/videok/zene/marlowe-dk-hit-me-w-basszusgitar-with-your-rhythm-stick-iQqkk4neWrVJbDZZ

[quote name='interpol52' timestamp='1488023745' post='3245099'] The MarloweDK cover on YouTube sounds right to me. I used that to help me nail it. [/quote] He's mostly there... that slide is wrong, but he has the right feel.

[quote name='SpondonBassed' timestamp='1487953039' post='3244541'] At the moment it's Rhythm Stick. Not so much difficulty learning it as executing it faithfully. [/quote] I sweated blood learning this to play at a wedding. The first thing to watch is that most transcriptions of it are wrong. The version that was in Bassist magazine, for example, has so many errors it's almost worse than having nothing. It's a lot easier if your hands are in the right place... Keep your right hand over the bridge pickup and use rest strokes, anchoring your thumb on the E string just neckside of the pickup. I could provide a correct transcription (i.e. as NWR plays it) if you're interested... although it might be exactly what you're already playing.

These look just the ticket. Cheers!

Could something like this be an option? https://www.thomann.de/gb/behringer_xenyx_1204_usb.htm

I'm toying with the idea of recording our live sets and being able to produce them multitracked We have:[list] [*]2 x vocals [*]3 x acoustic guitars [*]1 x upright bass [/list] So we need six inputs. These will all come from the house PA, so theoretically we just need to run cables from the desk outputs into an interface, into a laptop running something like Reaper. What is the most cost effective option? Audience sound would also be a good idea.

[quote name='NancyJohnson' timestamp='1487146361' post='3237395'] I've always felt the same thing. I've been mulling this question over for about half hour now and virtually every bullet point I can think of makes me sound like a fanatical Nazi, which I'm not, by the way. [/quote] There are lots of them. http://www.gramophone.co.uk/awards/2016 http://awards.classical-music.com/ http://www.celticmusicradio.net/scotstrad2016/ http://www.bbc.co.uk/programmes/b00yrkrj

[quote name='TheGreek' timestamp='1487088842' post='3236937'] I see relic-ing like getting a supermodel for a girlfriend, not letting her wear make-up, not wash her hair for months, giving her a black eye and a fat lip, making her wear old raggedy clothes and hurting her back so she can't walk properly.[/quote] I would say your analogy is slightly off. When I find an instrument that is a keeper, I use it to the exclusivity of all others. My current guitar is only a few years old but it's coming on for about fifty gigs... it's showing signs of use... and I'm not scared of playing it hard. It's got character, I can get it to speak. Eventually it'll look knackered, but I'll keep playing it because it feels like home. With a brand new guitar with a lovely mirror finish to the lacquer, I have no idea whether I'll end up keeping it. I worry about scratching it or putting a dent in it and I honestly can't let go and play in the same way. Buying second hand solves that issue to an extent and I reckon a relic would even more so.

[quote name='bonzodog' timestamp='1486892497' post='3235243'] So was one of the smallest gigs we had ever done and i earnt very little money but I drove home feeling proud we had given his family a night to remember. [/quote] It would have been even nicer if they'd paid you for it.

[quote name='LewisK1975' timestamp='1487081469' post='3236837'] I think if we bring this back to the OP's original point, 'Is anybody getting bored of reliced instruments?', you can't ignore the fact that Fender have been doing the Roadworn stuff for pushing 10 years now? [/quote] They've been doing relics for 22 years.

I would venture a guess that Fender CS relics have been on the go longer than some of the people here who've called them a fad.

[quote name='MoonBassAlpha' timestamp='1486383329' post='3231232'] I know the Ovations were state-of-the-art in the 70s, do they stand up against todays quality acoustics? [/quote] In a word, no.

It changes regularly but Night in Tunisia

Playing in a gypsy jazz trio, got asked if we knew Wichita Lineman... said gentleman (somewhat drunk) commandeers a mic and thinks he's singing along with us... PA says no.

[media]http://www.youtube.com/watch?v=StlMdNcvCJo[/media]

[media]http://www.youtube.com/watch?v=mOYZaiDZ7BM[/media]

[media]http://www.youtube.com/watch?v=UvjLgjtJKsc[/media]

Another: [media]http://www.youtube.com/watch?v=yeOvxU7bW4c[/media]

Norwegian viking jazz rockers, Jaga Jazzist. The tendency in these threads is for loads of people to put up videos that nobody watches, but please have a listen to this and tell me I'm not off my rocker... [media]http://www.youtube.com/watch?v=_RtaD6gaPNc[/media]

I like his playing with the second miles quintet... but Maiden Voyage and Empyrean (sp?) Isles are great too/

[quote name='la bam' timestamp='1483959788' post='3211353'] Morning all, A question that I often think is what happens when you become 'famous' (or your band does)? Is that it for live gigs (apart from official big gigs with the band)? Id hate to think thatd be the case. Imagine being so talented then only getting that gig buzz a few times a year - sometimes only every few years! Just wondered if famous bands still gig (on the quiet) or under the radar (as a pub band under a different name etc), or if the musicians have side projects where they can get their gig fix? Seems such a shame to have all that talent and drive, then not gig. [/quote] Obviously gigging takes on a slightly different dynamic when you're a full-time professional musician. Playing Mustang Sally for free at the Dog and Duck might not be as exciting for someone who already plays 100 + gigs per year to pay the mortgage.

[quote name='Dan Dare' timestamp='1483014744' post='3204095'] Re. the talk of "learn your parts", etc, there's a world of difference between an amateur band that has its one or two sets - possibly 30-40 songs - that it plays regardless of where it is and a function band, which can have a potential repertoire of hundreds, even thousands of numbers. It simply isn't possible to keep that much material in a state of constant readiness (That's why orchestral, big band, etc musicians use music). What counts is the end result. [/quote] This. I wouldn't use notes for regular gigs playing rock/pop covers... I do use sheet music for jazz gigs where you may not get much of a set list, no rehearsal, may not have met band members before the gig and you have to get through 60 or more songs many of which will have long and complicated chord changes. I can get through most of the gig without music but might wobble on a few songs and need a reminder.

[quote name='BigRedX' timestamp='1482415099' post='3200343'] So how do you tell if a song is in C or A minor? And does it matter? [/quote] From the score? Without even reading the music, minor keys tend to have sharpened 7ths and 6ths in cadences (where phrases resolve to the tonic ["home chord"]). If you can see any G#s and F#s as accidentals it's going to be A minor rather than C major.

Very nice.