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bakerster135

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bakerster135 last won the day on December 4

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About bakerster135

  • Birthday 25/08/1983

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  1. Let's not go over that 7 again! 😆😉 P.s. this is the list of Fender model numbers from the 1960s, with their corresponding instruments: 4. Telecaster 5. Precision Bass 6. Stratocaster 7. Jazz Bass 8. Jazzmaster 9. Bass VI 10. Jaguar 11. Electric XII 1, 2 and 3 were the lap steels
  2. I completely agree with this. While the 1970s were famously a questionable period for Fender’s QC, I’ve also encountered several pre-CBS basses that were total dogs. I’ve also owned a number of pre-CBS Jazz Basses and 1960s American reissues over the years, but they’ve always been the first to go when compared to my two 1970s Jazz Basses. My favourite is my 1975 Jazz which, despite its insane weight, has the most incredible deep, gnarly tone and a neck that feels amazing. Every time I pick it up, I feel inspired, and it’s been my go-to for all the biggest gigs I’ve played. I do worry about whether I’ll still be able to stand with it when I’m older, but I know I’ll never part with it. It has everything a great Jazz Bass should have.
  3. Yes, chrome covers are still with it and everything else! Mentioned in the ad but appreciate it's a bit wordy... Never really understood what Phil meant about the "whiff" of the case, I'm not getting anything and I'm a fragrance-obsessed person...Perhaps it's dissipated by now but you're welcome to come smell it for yourself 😆
  4. I’ve been mulling over this for a long time as I absolutely LOVE this bass, but it’s time. We’re moving house and the proceeds of this sale will go towards the deposit… This is a fantastic example of a 1966 Jazz Bass, classic transition-era “target” sunburst with dots and binding. Bought from pmjos of this forum in 2018 (original ad here). It’s a dream bass. It’s had a refret with period-correct frets, performed amazingly by Martin Petersen of the Camden Bass Gallery, to ensure that the binding has remained intact and that there’s no damage, cracking, etc. I felt this was necessary as, when I got it I think there may have been a minor hump in the upper fretboard which caused some choking out in the upper frets, and it relieved that issue. The bass plays cleanly on every fret of the register, and I’m a pretty heavy-handed player…Otherwise, the bass is totally original in every other aspect. You can see the details in Phil’s ad, but this is a great-sounding bass and super clean. Since I got it, it’s been scrupulously cared for and has only been out of the house for recording and never gigged, so no additional dings or damage. The pickups sound fantastic, each with their own character when soloed (particularly fantastic classic burp on the bridge pickup!) but with that textbook lively mid/late 60s JB tone when combined. It comes with the original case, and also the original funny little leather strap and registration card. I’ve included some general pics below without taking the thing apart, which I’m always loathe to do, and also some shots of the neck so you can see the quality of the refret. I’m also a pretty lousy photographer, but you can view an excellent shot PowerPoint depicting the more detailed aspects of the bass here. Obviously, it also comes with the pickup and bridge covers/ashtrays, I just don’t have these installed currently as, as most probably know, it makes it a bit more difficult to play the bass. Weight confirmed at 3.977Kg I’m looking for £7000. Just to clarify I would strongly prefer collection and inspection from my home in London NW3. No international shipping! Sorry. I’ll consider UK postage, but only with discussion and careful consideration on courier method to ensure that there’s no possibility of damage during shipping, and this will definitely need to be arranged by the buyer with appropriate insurance. Absolutely no trades on this, unfortunately, as I need the cash. I hope everything’s clear, but happy to answer any and all questions. This is clearly a beautiful piece of bass and Fender history and I’m immensely saddened to have to make the decision to move it on.
  5. This is definitely a bit odd that your 66 Jazz stamp has a 5 at the start though, I also have a 66 dot bound lollipop jazz and this is mine. Does it still have an A at the end for an A neck? Regardless, possibly a factory error?
  6. Not sure if it's been clarified before, but the"7" doesn't refer to the date, but the fact it's a Jazz Bass profile neck. Precision was "5" I believe? It doesn't mean that all of the jazz basses produced in March 1965 were made on the 7th, to be clear 😆😬
  7. It's pretty random from my experience, as the weight of that northern ash that they used can vary dramatically. For example, my 74 Jazz weighs 9.1lbs and my 75 weighs 12.6lbs!...
  8. I appreciate the quote, and if I'd bought the bass believing it to be all original then heaven knows I'd be miserable now... I could bore you to death with what I know about Fender decals, mainly gained from personal experience, but this Talkbass thread is pretty accurate for reference https://www.talkbass.com/threads/vintage-fender-decals-who-really-knows-the-facts.902851/ N.B. The only amendment that I would make/suggest is that I have seen legit 1962-67 JB decals with the 168,083 DES number rather than 187,001. So, this shouldn't inherently suggest a fake, but it needs to be considered in line with all of the other aspects.
  9. Yep, cheap screen-printed replacement decal. Font and pat/des numbers totally incorrect. 1964 onwards pat numbers with the end two the wrong way around. Rest of it looks quite passable but the photos aren't near detailed enough. Need to at least see if it's a slab board and the neck end pencil date.
  10. Do you still have the original knobs and scratchplate? Also, do you have a rough idea on the weight?
  11. I've been through loads but have been settled on the 1mm blue tortex for some time. For me they have just the right attack but enough flexibility when you hit hard, and without the "thwacky" sound that can come from thinner picks. P.s. I do always scuff them up a bit with some coarse sandpaper, which really helps with grip!
  12. The issue with the Animato is that, on bass, you also need something to blend in the clean signal as there's very little to no low-end, so you'd also need to get something like a Boss Line Selector to make it useable...That's why most of these clones have a blend control. The Gromtech Aminato and the Crowella Animated are both really decent clones and they do pop up on Reverb now and then if you keep your eyes out.
  13. Lovely setup, though that beer on top of the amp's making me very nervous! 😆😬
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