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Everything posted by bakerster135
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I’ve been mulling over this for a long time as I absolutely LOVE this bass, but it’s time. We’re moving house and the proceeds of this sale will go towards the deposit… This is a fantastic example of a 1966 Jazz Bass, classic transition-era “target” sunburst with dots and binding. Bought from pmjos of this forum in 2018 (original ad here). It’s a dream bass. It’s had a refret with period-correct frets, performed amazingly by Martin Petersen of the Camden Bass Gallery, to ensure that the binding has remained intact and that there’s no damage, cracking, etc. I felt this was necessary as, when I got it I think there may have been a minor hump in the upper fretboard which caused some choking out in the upper frets, and it relieved that issue. The bass plays cleanly on every fret of the register, and I’m a pretty heavy-handed player…Otherwise, the bass is totally original in every other aspect. You can see the details in Phil’s ad, but this is a great-sounding bass and super clean. Since I got it, it’s been scrupulously cared for and has only been out of the house for recording and never gigged, so no additional dings or damage. The pickups sound fantastic, each with their own character when soloed (particularly fantastic classic burp on the bridge pickup!) but with that textbook lively mid/late 60s JB tone when combined. It comes with the original case, and also the original funny little leather strap and registration card. I’ve included some general pics below without taking the thing apart, which I’m always loathe to do, and also some shots of the neck so you can see the quality of the refret. I’m also a pretty lousy photographer, but you can view an excellent shot PowerPoint depicting the more detailed aspects of the bass here. Obviously, it also comes with the pickup and bridge covers/ashtrays, I just don’t have these installed currently as, as most probably know, it makes it a bit more difficult to play the bass. Weight confirmed at 3.977Kg I’m looking for £6750. Just to clarify I would strongly prefer collection and inspection from my home in London NW3. No international shipping! Sorry. I’ll consider UK postage, but only with discussion and careful consideration on courier method to ensure that there’s no possibility of damage during shipping, and this will definitely need to be arranged by the buyer with appropriate insurance. Absolutely no trades on this, unfortunately, as I need the cash. I hope everything’s clear, but happy to answer any and all questions. This is clearly a beautiful piece of bass and Fender history and I’m immensely saddened to have to make the decision to move it on.
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This is definitely a bit odd that your 66 Jazz stamp has a 5 at the start though, I also have a 66 dot bound lollipop jazz and this is mine. Does it still have an A at the end for an A neck? Regardless, possibly a factory error?
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Yes, I do. Thanks! 😆
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It's pretty random from my experience, as the weight of that northern ash that they used can vary dramatically. For example, my 74 Jazz weighs 9.1lbs and my 75 weighs 12.6lbs!...
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I appreciate the quote, and if I'd bought the bass believing it to be all original then heaven knows I'd be miserable now... I could bore you to death with what I know about Fender decals, mainly gained from personal experience, but this Talkbass thread is pretty accurate for reference https://www.talkbass.com/threads/vintage-fender-decals-who-really-knows-the-facts.902851/ N.B. The only amendment that I would make/suggest is that I have seen legit 1962-67 JB decals with the 168,083 DES number rather than 187,001. So, this shouldn't inherently suggest a fake, but it needs to be considered in line with all of the other aspects.
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Yep, cheap screen-printed replacement decal. Font and pat/des numbers totally incorrect. 1964 onwards pat numbers with the end two the wrong way around. Rest of it looks quite passable but the photos aren't near detailed enough. Need to at least see if it's a slab board and the neck end pencil date.
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I've been through loads but have been settled on the 1mm blue tortex for some time. For me they have just the right attack but enough flexibility when you hit hard, and without the "thwacky" sound that can come from thinner picks. P.s. I do always scuff them up a bit with some coarse sandpaper, which really helps with grip!
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The issue with the Animato is that, on bass, you also need something to blend in the clean signal as there's very little to no low-end, so you'd also need to get something like a Boss Line Selector to make it useable...That's why most of these clones have a blend control. The Gromtech Aminato and the Crowella Animated are both really decent clones and they do pop up on Reverb now and then if you keep your eyes out.
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Lovely setup, though that beer on top of the amp's making me very nervous! 😆😬
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Yeah, the clear/non-painted headstock supports the sunburst. Though there were some very rare exceptions, if it were a custom colour in 65 it'd have a matching headstock.
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Yeah, the "basic" guitar and bass models, i.e. Tele and Precision didn't get them. Strats got them in 71 and Jazz Basses got them in mid-late 74, along with the three-bolt "micro-tilt" neck plate. The only exceptions were the Telecaster Deluxe and Custom AFAIK.
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Post a pic of your Bass god from your teen years
bakerster135 replied to Angel's topic in General Discussion
Double post, doh! -
Post a pic of your Bass god from your teen years
bakerster135 replied to Angel's topic in General Discussion
I believe it was due to Johnny Marr mostly playing with a capo on second fret or tuning up to F#, and as Andy's basslines were quite busy it allowed him to get around easier while still being able to use the E string open. Obviously he could've also used a capo, but as any bassist who's tried that likely knows they don't tend to work too well on bass and often end up muting one of the open strings. -
Post a pic of your Bass god from your teen years
bakerster135 replied to Angel's topic in General Discussion
Ahh, this is a great one actually! I started trying to play Dirty Linen all the way through in my teen years and I'm still trying at 40! -
Post a pic of your Bass god from your teen years
bakerster135 replied to Angel's topic in General Discussion
It's Kim Deal from Pixies -
Post a pic of your Bass god from your teen years
bakerster135 replied to Angel's topic in General Discussion
Defo loads of these, and this guy. Probably quite difficult to get but if you know you know -
Oooft, that is very nice, and definitely a few grand less than others would be offering it for. Looking pretty original from the exterior, i.e. all the correct fittings for an L series and correct early 65 decal and placement, and worn in in a genuine way that Clive Brown couldn't replicate... Owner was clearly a serious knob-tweaker, they've worn the plating off the control plate! 😆 The Brazilian rosewood looks a bit fresh so I'm guessing they've done a bit of fretboard sanding as part of the refret... Always a bit of a shame as it usually removes the patina but perhaps there were some bumps and humps that needed to be addressed.
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Thumb Fin...yes, you read that right, Thumb Fin!
bakerster135 replied to jd56hawk's topic in Bass Guitars
Definitely agree, and floating thumb is definitely healthy technique in terms of right-hand fingering on the top three strings. A rest is very helpful if you're needing to hammer away on the E for any length of time though, although I find certain pickup tops are a bit too far away from the string, e.g. Precision -
Thumb Fin...yes, you read that right, Thumb Fin!
bakerster135 replied to jd56hawk's topic in Bass Guitars
I think one of the best cheap thumbrest solutions is those adhesive rubber feet, like you get on the bottom of pedals. I got a load of black 3M rectangular ones for a few quid and use one on my stingray in the position of a jazz bass neck pickup. Does the job, stays in place and, if you want to take it off, you can remove any glue residue with a little rubbing alcohol. Doesn't look too bad either, especially on a black scratchplate. You can also get clear ones for other colours. -
Tech 21 NYC - XXL Bass Pedal *ON HOLD* - *SOLD*
bakerster135 replied to Eldon Tyrell's topic in Effects For Sale
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Classic and Cool Guitars had a black dot bound S8 Jazz Bass a while ago, so it is definitely a thing - https://classicandcoolguitars.co.uk/portfolio/s8-black-jazz/. I've not seen many of them though, so perhaps pretty rare.