ikay

Any of these? - [url="http://www.guitarpartsresource.com/bass_trussnuts.htm"]http://www.guitarpartsresource.com/bass_trussnuts.htm[/url] Thread specs (diameter and pitch will be the critical thing. Isn't there a Nightingale/Goodfellow connection? Might be worth giving Bernie a call

[quote name='sblueplanet' timestamp='1456268809' post='2987360'] I believe Sting has the SCPB1 in his '57 P. [/quote] I think Sting uses a stacked single coil like this - http://customshop.seymourduncan.com/51-p-bass-stack/ (interview here - http://www.sting.com/news/article/4194)

Don't have one myself but the review in SOS says "The pedal also works with the higher notes of an electric bass guitar, though not quite so well below the instrument’s D-string" [url="http://www.soundonsound.com/sos/oct14/articles/ehx_b9.htm"]http://www.soundonsound.com/sos/oct14/articles/ehx_b9.htm[/url]

I found these contact details for Guy Lewis on an old ebay listing. Not sure if he's still in business but may be worth dropping him an email. Email:[email protected] ebay seller name: pablovibe

If it's the single pickup passive model there's not a lot that can go wrong. If the pickup is generating output and sounds awesome then it sounds like it's working as it should. If the output seems a bit low have you tried raising the pickup height? Low output isn't necessarily a sign of a problem anyway as all pickups vary. Just give it a bit more gain at the amp input stage.

This may be of interest - [url="http://forums.ubi.com/showthread.php/870115-Bass-Thumb-Rests-Forums"]http://forums.ubi.com/showthread.php/870115-Bass-Thumb-Rests-Forums[/url]

Plug it in and have a play ! Do they produce good output? Do have any reason to think that they're not working properly?

[quote name='Manton Customs' timestamp='1455672101' post='2981416'] ... it will be supplied with the slots not cut deep enough. [/quote] This is correct. I bought a replacement SR neck from Strings & Things a few years ago and it comes from the factory with guide nut slots that still need a final bit of filing. A replacement SR nut will no doubt be the same.

The ALN35 markings correspond with what's in the parts list below and look to be correct for an American Deluxe Jazz (JB-4N indicates the neck pickup) - [url="http://support.fender.com/service_diagrams/jazz_bass/019-4690B_SISD.pdf"]http://support.fende...-4690B_SISD.pdf[/url] Maybe the N3 marking on the cover has just worn off (or the covers have been changed)?

I'd have a chat with the chaps down at Strings & Things in Shoreham, they should be able to get you a replacement Stingray nut from Ernie Ball. I've always found them very helpful down there. [url="http://www.stringsandthings.co.uk/"]http://www.stringsandthings.co.uk/[/url]

Re effective RH technique, yes I'm using finger movement more than arm weight so that's definitely something for me to work on. Too many years playing BG, old habits die hard. DB really does demand a very different technique, as I'm steadily discovering on a daily basis! Effective use of weight in both left and right hand being a really big one which I'm finding quite hard to master. Skilled players make it all look so effortless, which I can only assume is the result of selling ones soul to the devil.

JoeEvans - I mainly use the index finger pointing down technique, coming to rest on the string below. Occasionally swapping to alternating fingers. After more experimenting it's clear that my right hand technique is causing the problem. It's difficult not to hit the string below but I'm trying different ways to minimise it. Will give your method a try as well, thanks for that. Jaywalker - The piezo sound is full and strong, no impedance matching issues. The thin sound was only when cutting eq at both ends a bit too enthusiatically. The amp was down by my ankles so agree I wasn't hearing the projected sound. I'll experiment with standing away from the amp to get a better idea of how it really sounds.

Under saddle piezo strips generally go hand in hand with an acoustic type saddle which comes into direct contact with it. I'm not sure how well a piezo strip would work under a regular bridge plate. The piezo channel and bottom of the saddle need to be perfectly flat to ensure good contact and even string pressure/volume. I've used Fishman and D-Tar under saddles, both in hollow body basses designed specifically for that purpose. Piezo saddles are a good option for a solid body. I have a Hipshot piezo bridge with an East piezo buffer in my fretless ACG (in combination with a mag pickup and East SPM-01 3-band eq). This configuration works extremely well, particularly for fretless.

Update for anyone who's interested (probably no one lol) - after a bit more experimenting I tried raising the string height on the SLB which has made a difference. Flattening the plucking angle and softening the attack has also helped. Maybe it's just down to technique and playing with a softer touch when amplified.

Thanks for replying TPJ. The SLB-200 has an onboard preamp so piezo is buffered etc. The KK BassMax goes direct to the amp which works fine. The output level is about the same as the SLB and the unbuffered signal is full and well balanced (not scratchy or clacky). The amp is a GK 200MB, 1 x 12" no tweeter. I haven't tested it through my MarkBass/Bergantino rig. Will do that larger today for comparison but I don't think the amp is the problem. The main issue seems to be that the piezo pickups are very sensitive - they pick up every bit of finger noise or knock and bump. Plucking and coming to rest on the string below generates a noticeable thump/clunk a fraction after the note. I've watched various youtube clips of people playing amplified uprights but it all sounds nice and clean (even when plucking with rest strokes). How can this be, what wizardry are they using to avoid the amplified after-thump or other extraneous piezo noise?! I'm fairly new to amplified upright. If this isn't a common problem then I guess it's just me but I don't know what I'm doing wrong or can do differently to get a cleaner sound.

I'm experiencing problems with excessive noise/thump from my plucking finger coming to rest on the string below with an amplified DB. It's not too noticeable at low amplified volumes but at rehearsal this week I had to crank it a bit to keep up with the drums and the thump was very noticeable. Sounded very clunky and messy. I have an acoustic DB fitted with a bridge wing piezo (KK BassMax) and a Yamaha SLB-200 with an under bridge piezo. I get the same problem with both basses. At higher amplified volumes everything in the playing area (strings/fingerboard/bridge) is very sensitive to the slightest knock or bump. I've played around with EQ on the amp (eg. cutting highs which helps a little bit) but the noise is a combination of clack and thump. Trying to EQ it out at both ends takes away definition and body and just leaves it sounding thin and anaemic. Is this a common problem with amplified DBs? Do you have to somehow adjust plucking technique to avoid coming to rest on the string below (awkward)? Would appreciate any advice or guidance on how to minimise this issue. Thanks

Just bought Andy's SLB-200 electric upright. Absolute gentleman and a pleasure to deal with. He very generously left the bass with me for a full day to try out. Top bloke, many thanks indeed Andy!