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ikay

⭐Supporting Member⭐
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Everything posted by ikay

  1. [quote name='wateroftyne' timestamp='1353574687' post='1876113'] The 'View new content' button is the way... hit that, and you're presented with all the new posts on a shiny plate. :-) [/quote] Hmm, thanks I'd missed that button. All the new posts are jumbled up together though. Would be nice to be able to filter this by forum, although I guess that would be the same as visiting the individual forums! I just found the 'last post date/time' marker on the old forum homepage a useful way of quickly scanning which forums had new posts since I last looked.
  2. Ped, on the 'forums' home page it used to indicate the date/time of the last post against each forum. Now it just indicates the number of topics and replies. The last post date was useful as a quick way of scanning which forums had been updated since you last looked. Any chance of resurrecting this? Or maybe I'm the only person who found it useful, in which case please ignore!
  3. String tensions for Thomastik flats (and rounds) are listed here if that's of any interest - http://www.thomastik-infeld.com/guitars/levels/products/stringfamilies/out/jeb.htm
  4. Could be a twisted string. B strings are more prone to this than the other strings as they're usually a pretty tight fit at the bridge and can easily develop a slight twist when installing. Try this - loosen the string until the ball end at the bridge is free to move (wiggle it a bit if necessary). If it's twisted then it should untwist itself. Then retune and see if any improvement. When installing new strings try and make sure the ball end at the bridge isn't bnding and is free to move and find it's own natural (untwisted) position before tuning to pitch.
  5. 5ers are generally designed for a low B (BEADG) but will usually be capable of being strung with a high C instead (EADGC)
  6. [quote name='JapanAxe' timestamp='1353174981' post='1872459'] Loads of Godin guitars on the website [/quote] I can see loads of Godin guitars but no basses (or maybe I'm not searching the site correctly)
  7. [quote name='Dingus' timestamp='1353173319' post='1872429'] ... the outer strings in effect recieve less relief from the truss rod ... [/quote] Now you mention it I guess they do (although I hadn't thought of it like that!). It's all to do with the outer strings not running parallel to the centreline of the neck. When the strings are splayed out in this way, the radius of curvature of the neck in effect creates a 'bump' that the string has to pass over. Take something with a really tight radius such as a broom handle for example. Pin a string at one end (the 'nut') and then again at an imaginary bridge further down. Providing the string runs parallel to the centreline of the handle the action can go as low as you like. Move the 'bridge' end of the string slightly to one side though and the string will quickly bottom out as it passes over the 'hump' created by the curavture of the handle. Of course, if the board is completely flat the action can go as low as you like and you don't have to worry about any of this. Just one reason to buy an ACG!
  8. Godin A4/A5 SA? Would be interesting to be able to demo synth access. Marleaux is another brand I'd like to see.
  9. [quote name='Dingus' timestamp='1353165173' post='1872306'] I was wondering if the difference in action between the Lakland and your 72 Fender could be to do with the difference in the fret work on each bass as well as the radius? [/quote] Yes, I'm sure the fretwork does also have something to do with it. The JO4 has an exceptional neck (it's an early one from 2002 so pre Plek - in my view a positive!). The '72 still has its original frets and has been played a lot in its life. A classic workhorse bass with all the associated mojo. The frets have been dressed a few times and are getting a bit low. It's a great player but does require a slightly more forgiving action the the JO. I had a Noel Redding Jazz until a couple of years ago which also had a 7.25" neck. This had narrow vintage frets which were in very good shape but the neck still needed a little more relief and a slightly higher action than the JO. Basic geometry comes into play here. The narrow nut on a Jazz means the strings are splayed out towards the bridge (a little more than on a Precision). The top and bottom strings in particular are therefore running at quite an angle to the centreline of the neck. Doing this on a neck with a small fixed radius means that the outer strings will choke/buzz (around the middle part of the neck) if the action is too low. The larger the fingerboard radius and the more parallel the strings (ie. wider the nut), the lower the action will go before choking/buzzing. A compound radius also helps with a low action.
  10. I have a 72 J with 7.25" radius and a Lakland JO4 with 10" radius. By way of comparison, I can feel that the '72 has a slightly more curved board but in general terms I find them both as comfortable to play. The bigger radius and flatter board is a bit more comfortable when playing further up the board and above the 12th fret. I can also get a lower and faster action on the JO than the '72. As I like a fairly low action with very little neck relief my general preference is for a larger radius (10"-16"). Having said that the '72 suits a more medium action and the 7.25" radius somehow feels 'right' on a bass of this vintage. All other things being equal though, If I was buying a 'modern' bass I'd go for the bigger radius.
  11. ikay

    feedback for etienne

    Just sold my Epi Allen Woody to Etienne. Absolute pleasure to do business with. Thanks Etienne and enjoy the bass!
  12. Taken from the FAQ at www.professorstring.com: [b]"Why are some bass strings tapered?[/b] There are two popular theories that suggest a tapered design is better than non-tapered. The first theory suggests that having too much mass at the string's fulcrum point (the bridge saddle) effects performance, particularly stability and clarity. In theory, tapering eliminates the problem. The second theory suggests, by eliminating the windings from seating on the saddle, tuning performance can be improved. In theory, tapering also eliminates this problem. Is any of this true?...you be the judge." A tad inconclusive I have to admit! I don't use them regularly myself but on the occasions I have I've found the string to ring a bit more clearly than non-tapered. Perhaps something to do with the tapered part giving a cleaner break angle over the saddle.
  13. Bought from garymac on BC earlier this year (April) for an 'acoustic' project which has now run its course so back up for sale. Very nice little bass this. Small and light (7.8 lbs) with a big sound. Neck pup is full and round, centre pup adds a bit more mid and bite. Has a woody (sorry, unavoidable pun) semi-acoustic vibe. Excellent condition, neck and frets in very good shape, everything works as it should. Some minor tarnishing to the gold plating. Only blemish I can find is a small crack/dent in the finish round the foot of one of the bridge posts. I've tried to show this in the last pic but it's a bit difficult to see. Bridge is solid so purely cosmetic and not noticeable unless you look for it. Comes with a no-name hard case, also in very good condition. Spec: Year - serial number dates it as 2003 Scale - 30” Body - chambered mahogany Finish - translucent red Fretboard - rosewood Fingerboard radius - 14” Nut width - 1.62” Pickups - 2 x NYT Bass mini humbuckers Hardware - gold plated Bridge - 3 point adjustable £200 collected or plus delivery (£25 UK only) Viewing welcome (near Horsham, West Sussex) [attachment=123289:P1010002.jpg][attachment=123290:P1010003.jpg] [attachment=123291:P1010004.jpg][attachment=123292:P1010005.jpg] [attachment=123293:P1010007.jpg][attachment=123294:P1010013.jpg] [attachment=123295:P1010056.jpg]
  14. If the neck is already straight then don't tightem the trussrod to try and bring the action down. Is it a set neck or a bolt on? If it's a bolt on then the first thing to try would be shimming the neck. If it's a set neck then, as the action is high at the top end of the board, the best place to try and adjust it lower would be to file down the saddle. Not hard to do, just make a line indicating how much you want to take off and do it in small steps. Make sure you file the bottom of the saddle on a dead flat surface (the bottom of the saddle needs to be flat to make good contact with the under saddle transducer). Can you post a close up pic of the bridge/saddle? This will give a better idea of how much adjustment you might be able to get at that end.
  15. As a guide, this one was up for sale on this forum last year for £150 - http://basschat.co.uk/topic/135150-ibanez-rs940-sold/
  16. simenschi, the Allparts screws are standard 1 1/2" length. If you're in the UK drop me a pm with your address and I'll post you a couple of longer 1 3/4" screws. You should only need them for the G and D strings.
  17. [quote name='BigRedX' timestamp='1351686710' post='1854115'] [url="http://www.bunkerguitars.com"]Still working for me[/url] [/quote] Hmm, so it is! Bit wierd, wasn't working earlier, maybe the server just dropped out for a bit.
  18. [quote name='Roland Rock' timestamp='1351677942' post='1853970'] Here's another one, the 'floating neck' used by Treker and Henman. [/quote] This uses the Bunker tension free neck mentioned above. The old bunkerguitars.com website seems to be dead so I guess they've now teamed up withTreker.
  19. At this price someone should buy themselves an early Christmas present. The Mk1 TRB5 is a quality bass. I've had mine over 12 years and it's still a regular gigging companion. A few years ago I made the mistake of trading it in for something. Went back a couple of days later and got it straight back! Great bass.
  20. [quote name='decify123' timestamp='1351623464' post='1853428'] Hello! I know this is a very old thread but is there any chance anyone could direct me to the Fender pdf listed in Ikay's comment above? Im a final year engineering student and research into alternative neck reinforcement is my final year project. Thanks. [/quote] PM'd
  21. Mackie SRM450s? Good quality kit and built to last. Been gigging mine (older V1 models) for over 10 years and still going strong.
  22. [quote name='fretmeister' timestamp='1351555846' post='1852696'] Buy the guitarist a working tuner. [/quote] +1 haha nothing like the guitarist tuning themselves to a randomly selected string to mess with your head on fretless
  23. "Norm Stockton: When I’m slapping, my fingers have a tendency to get stuck under the strings if there’s too much room between the string and the top of the bass. I guess I have bony fingers! :^) So I’ve had all of my basses that I use for slapping fitted with a thin piece of wood (wenge) to reduce that distance." Basically similar to a regular ramp but not quite so close to the strings to allow a little more room for thumbing/popping. Concept is the same - to achieve a more even playing action. Here's a pic of a Nordstrand with a regular ramp (between pups) and a slap ramp (between pup and neck). The slap ramp is set slightly lower than the regular ramp. [attachment=122245:ramps.jpg] Here's a pic of a graduated slap ramp built into the end of the fretboard on a Status Kingbass [attachment=122244:Status Kingbass slap ramp.jpg]
  24. Four bolt neck and no truss rod wheel which I reckon makes it pre 1990. A few more pics would help and serial number would confirm
  25. ikay

    J+P in one?

    [quote name='geoffbyrne' timestamp='1351013387' post='1846246'] Just replace the stock pups with DiMarzio Model J's wired internally in series - or put a mini switch on them & get parallel too - they sound great in both modes. [/quote] Here's a useful review of the Model Js which gives more detail on the coil configuration and series/parallel switching. http://basschat.co.uk/topic/165194-dimarzio-model-j-dp123/ Separate series/parallel switching for neck and bridge pups should give loads of tonal flexibility and looks like a great option to me. Tempted to try it myself.
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