StingRayBoy42

There's a couple of patches for the SA C4 that recreate it. I just go raw, personally!

I do this in one of my bands. I don't play it as well as this... Great song, a ton of fun to play amd always goes down a treat wif da yoot. 'Levitating' is another corker if you like that sort of thing, which I do.

You can die from exposure.

Glamtastic!

SUNDAY! There was a thing in the daytime first, I'll shout when I get to actual Last Night. The first outing was a Morris do (Morris haters (ie: anyone with any sense) close your eyes for a bit now, I'll tell you when you can open your eyes again). We (Beorma Morris (the answer to a question that nobody has ever asked)) had been invited to dance with the Witchmen (who are very well respected in the Morris world (and rightly ridiculed everywhere else)) along with five (?) other sides outside a pub (!) in Isham near Kettering (pronounced "Ket'rin"). Picked up Selly Oak's finest Japanese Trombonist, drove to Ket'rin in glorious sunshine, arrived to freezing cold, grey (gray?) skies and rain, stood round (outside, in the freezing cold and rain) watched idiots dance around, shout and clout sticks together for a bit, did a few dances (I didn't dance, I played Sousaphone but it was SOFJT's first ever public dance (she they dance as well as playing Trombone (and fiddle) but not at the same time)), questioned my sanity and life choices and complained about how cold it was. Quite a few people there, they enjoyed it, we were good (I found this out later, I can't tell), the rain eased off eventually and a good time was had by all (apart from the cold). Played the Sousaphone, wore New Rocks (Reactor 55s I think) and a kilt. All done, packed up, back to the car, heating on full, saw a garden with a full sized sleigh and two ghastly fibreglass Reindeer (I love a hideous christmas tableau), head off to Stratford (-upon-Avon) for the final gig of the weekend and year. Morris haters, open your eyes, we have finally reached actual last night. LAST NIGHT! The Sax Pistols at The Stratford Alehouse, Stratford (-upon-Avon)! Eight piece brass band (Two tenor saxes, alto sax, bari sax, trombone (SOFJT), drums, Sousaphone (me), BL alternates between trumpet and alto sax). Fantastic tiny little micropub, packed to the rafters when we got there, stage about the size of an EHX nano pedal so I had to stand in front of the door (!). I was still wearing my Morris hat and kilt when we arrived, it turns out (some of) the band have a (sort of) steampunk vibe anyway, so I just went with it. Very quick setup (I had to clear the stage to make enough room to get the Sousaphone out), pint of Stout (on the house!), all acoustic so no soundcheck or anything and then we were off. Opened with 'I wanna dance with somebody' and the full house absolutely loved it - it is a pretty impressive sound. We did a few carols in between the usual stuff, the BL was getting the audience involved ("Sing it for the baby Jesus!" sort of thing, hilarious), the drummer was brilliant (first time I've played with him), the BL is a fantastic player and proper lovely bloke, and the Trombone player (SOFJT) is just *superb* and really shines in that sort of lineup (funky pop tunes, do your own thing), harmonies, solos, countermelodies, joining me on Basslines... they're *such* a good musician, a real joy to play with. Went down a storm, I think most of the audience were friends of the band TBH but it was great to play a packed (if tiny) venue, and have a laugh with the audience between songs. (The place was so small and full, there was nowhere for me to park my pint, so I had to ask a woman right in front of me to loook after it and pass it over between songs. Hilarity ensued.) Played Sousy, wore animal print Converse. And a kilt. Highlights were the Trombone in 'Just a closer walk with thee' (Old New Orleans style hymn), the audience singing 'Sir Duke', the breakdown in 'Uptown Funk' and going for a walk into the audience in the last song - turned around to see the BL had joined me. Fantastic night and a really lovely last gig of the year.

SATURDAY! Still not last night, bear with me. Cantina Band at Hennesey's in Digbeth, Brum (again). Loud, fairly rowdy Irish bar the Saturday before christmas... what could possibly go wrong?! Let's find out. Managed to park right outside (the car park had an old K8 phone box as the ticket machine which was very cool (if you're a nerdy phone box fan (I am))). Setup all normal, stage was just about big enough for us all. Guitarist was using a Kemper that he'd borrowed from a mate, which sounded a lot like his normal amp if I'm honest. He was excited about it though - kept talking about triple rectifiers, whetever they are. Rowdy (but seemingly OK) crowd, few mates of the band in, all good. A few up dancing for the first set and a few singing along from their tables, the DJ arrived halfway through first set and managed to unload his stuff through the stage (as we were playing) and set up - unfortunately, he unplugged our desk while he was at it, so the vocals all disappeared for half a song (probably no bad thing TBH). He seemed to be loving it, he was air-drumming along... turns out he's an ex-student of our drummer. The crowd interaction section in 'Blitzkrieg Bop' ("I'll say A! O! then you say "Let's go!"") went down a treat, people were pretty much queueing up to join in, 'Seven Nation Army' was very popular (not sure if you're aware, but drunken rowdy lads LOVE that riff and often improvise their own profane lyrics about what Darren does (or does not do) in his spare time), 'Anarchy in the UK' was well recieved, all good fun. Short break to ingest legal poisons, then the manager dropped an absolute BOMBSHELL. They were showing the big fun punching game (Dyson Furious (?) and Etchy Uzbek (?) would be hitting each other in the face for the entertainment of all and sundry) so would we mind only doing half an hour for the second set? You can imagine the white hot fury we unleashed at being told that we'd be finished for about 9 o'clock (which meant singer and guitarist could go home and watch Tegan Ferocious (?) and Itchy Offset (?) beat each other senseless (for entertainment)), but we managed to contain our collective ire and not let it affect our performance. Second set was good, full dancefloor by the end, wireless wander (through the dancefloor, right to the back of the pub, back round past the bar and finish up in the middle of the dancefloor) was great, paid, finished by 9, pack up, load out, back to my Pop's crib in the hood (Moseley) for 10 (!) for a pint of homebrew Pineapple, Mango & Spiced Rum Cider (ABV: Plenty) Played the Sterling -> small board -> secret weapons -> MB CMD121P, animal print Converse. I've had worse nights!

FRIDAY! I know that's not last night, we've been through this. Azura 3 piece at The Old Crown, Digbeth (Birmingham). Early start, the load in and setup had all been done by the time I got there (at 6:30!) which I was furious about again. Cool place, we were out the back in a sort of massive permanent marquee with rows of bierkeller style benches and tables. It was a ticketed event (supposedly 'Bad Santa' themed), the third Friday of three. We were billed as a nineties/noughties band (?!), so we'd made the effort to learn *three* 90s/00s songs as we're consumate profeshionuls. Got my gear set up, quick line check, then hang around for a bit and take advantage (responsibly) of the free drinks tokens we'd been given. Quite a few in there by the time we went on, but they were all sitting on the benches and not many got up on the dancefloor. They were enjoying it though, a few groups of drunken, rowdy lads singing/chanting/shouting along (especially to 'I predict a riot'... drunken, rowdy lads love that one apparently... good job we didn't do 'Seven Nation Army') and a few folk got up and had a dance so it was all good. Singer/Guitar/Keys/Henry snapped a string, so I had to entertain the mob for a bit while he got his spare out and tuned up (unfortunately, no system has yet been invented that involves him getting it out and tuning up before we start playing... we have our finest minds working on this seemingly intractable quandry), but they were a very understanding rabble, so no harm done. The drummer managed to get a fag out of a packet and light it while playing (and not missing a beat (like I say... consumate profeshionuls)) which was hilarious, me and S/G/K/H cocked up the words to 'Escape (The Pina Colada song)' as we do at pretty much every gig (again, no system has yet been invented that involves us actually learning the words (or in his case, reading them off the iPad that's attached to his keyboard (In my defence... there are lots of words and all the choruses (chorii?) are slightly different to each other (and I don't want an iPad on stage (and I don't own one))))). Went down well, lots of positive comments from the mob (and the organiser) which was nice. Quick break, back on for round two, quite a few dancers up (hooray!), everyone loving it until the organiser came and told us there'd been a noise complaint from one of the neighbours (Let's not get into the 'This pub's been here for about two hundred years, why in the name of God's trousers would you buy a flat near it and then complain about the noise, you absolute frotting felchspoon?!' discussion) and we had to do one more song then finish. We were FURIOUS at being told we'd be finishing even earlier than the really early finish we had booked as you can imagine. We did two more - we *had* to do an encore so I could visit the dancefloor, which was packed by this point. The organiser was incredibly apologetic and offered us a handful of yet more free drinks tokens to make up for it (which we respectfully declined (apart from the drummer and his mate, who weren't driving)) but we managed to contain our abject misery and packed up in fairly short order. Load out (complete with incredibly drunk scottish man talking to us as we loaded the van), pack the car, back to Bewdley at a reasonable hour for a *very* stiff Gin (Hendrick's (41.4% ABV)) and (Fevertree (I think I'm supposed to be boycotting Fevertree for some reason but I can't remember exactly why, so don't tell anyone) Elderflower) tonic. Played the StingRay -> small board -> secret weapons -> MB802 -> PA, Cherry Red/Oxblood DMs. A good night and a decent payer. Cheers.

Remind me NEVER to diss your shoes! Not that I would of course... far too much of a gentleman.

Just worked out that's why it's called Pitchers! 😳 EDIT: Just realised Pitchers is also a sport thing *and* a drinking thing, so for a sports bar that used to be a cinema... 👌 I blame the lack of sleep.

You have not missed out.

Yep, that's the place!

Apart from fat, old, bearded, ale-swilling, middle class pricks called things like Jeremy and Rupert... and who wouldn't want to be friends with them?!

There was a bloke taking photos... if anyone misbehaves I'll share them. This is the sort of getup I wear though-

If you're suggesting I'm some sort of sad, pathetic nerd who is not only pedantic enough to care about things like that, but also obsessive enough to check and take some weird, warped sense of pride in it, you'd be pretty much bang on.

Busy this weekend, yeah... three gigs (and a M*rr*s thing) next weekend as well but unfortunatley it's not always like that - I go weeks without a gig sometimes. No NYE gig (anyone need a dep?!) and nothing in January at all, so plenty of free time to question my life decisions/have nervous breakdowns etc I can only be friends with people who think Morris Dancing is stupid (I certainly do), so I think we're good on that score.

SUNDAY That's today. Up at 4:45 AM to play Sousaphone for the annual Beorma Morris (the only Morris side with its own safe word) winter solstice sunrise danceout at the Rollright Stones (it's a stone circle near Chipping Norton). You've probably seen Morris dancing... fat, old, bearded, middle class pricks called things like Jeremy and Rupert, dressed all in white, wearing bells, dancing round a maypole, drinking tankards of foaming ale, waving hankies around, right? Well, that's Cotswold Morris - a summer tradition from the Cotswolds (!). Beorma (foisting tradition on the unwary since 2012) are a Border Morris side (that's what we call the teams/gangs/groups) which is a winter tradition from the Welsh borders (!) - a different vibe to Cotswold. Border sides dress mostly in black, wear scruffy tailcoats or tattered rags type outfits, paint their faces (but not black anymore, not after 'the great morris argument' of a few years ago that we won't go into here), wear top hats decorated with feathers, leaves, playing cards, spoons, brass goggles, fairy lighs... whatever you want. Border is a lot scruffier, more rough & ready, very shouty, we clout sticks together and only use hankies for blowing our noses. It's a bit steampunk, a bit goth.... I won't use the word 'cool', because it's still Morris dancing, but you get the idea. There is some crossover (and a jokey 'rivalry') between Cotswold and Border - they share a few dances, some people dance both, we often have danceouts with lots of sides from lots of Morris styles, and to be fair, Border morris has it's fair share of fat, old, bearded middle class pricks drinking lots of ale. Anyway, up before 5 o'clock, kit on (kilt, new rocks, tailcoat, top hat - like I say.. Steampunk vibe), pick up Birmingham's best non-binary, Japanese, Morris dancing, lindy-hopping, Jazz tromboning (not a euphemism) fiddle player (she's they're called Monet, she's they're lovely (How do non-binary people kill each other? They slash them.)), an hour drive to the Rollrights to get there for 7, mill about for a bit, process around the circle three times (no idea why, I think it's a pagan thing?), call the quarters (no idea what or why, pagan thing maybe?), dances, watch the sunrise on the shortest day (ish - we don't do it on the actual solstice, there's too many weirdos about), poems (no idea), a mummers play (like a medieval pantomime), more dances, all utterly ridiculous and good fun, or at least slightly better than not doing it. After that, head to Banbury, do a few dances at Banbury Cross, then off to a *proper* greasy spoon (Jenny's?) for a full on, gut-busting slap up breakfast (sixteen of us, all in full kit, top hats and white face paint), quick stop in Cash Convertors (just the two of us, still in full kit) where I didn't buy a Trevor James Soprano Sax, then back to Brum to drop off Brum's best NBJMDLHJTFP then home, all the while ignoring the funny noise my car has started making. Played the Sousaphone, wore New Rocks. Back about 3PM to empty the car, load up the car for work tomorrow (two keyboards, two guitars, a Bass, a PA speaker, a guitar amp, an electric drunkit, a tabletop electric drumkit, a massive heavy bag of stands, leads, mixer etc and a fold-up trolley), a pint of Henry Weston's Vintage cider (8.2%ABV), mild hallucinations due to sleep deprivation, questions about my life decisions, the Sunday Bass Direct email and that weird nagging feeling that I haven't done my homework for school tomorrow. Last week of term next week - five gigs, three school concerts, two nervous breakdowns, one rehearsal and a partridge in a pear tree. If you've read this far, DM me and recommend a decent sanitorium in the West Midlands, or just call me an idiot.

SATURDAY! That definitely was last night. Cantina Band at some place called Pitchers in Tamworth. Em (you remember her... from the awful shopping centre carol thing we did? She bought me the fingerless gloves? That's the one.) is from thereabouts and reckoned it used to be one of the best places in Tamworth but had recently reopened, so her and a couple of wind band/Jazz orchestra mates came down to see what it was like (and to see us. A bit). When I arrived at the postcode I'd been given, my blood ran cold, my heart sank, my bowels turned to liquid and it was all I could do to stop myself from running screaming back to civilisation, begging forgiveness from the Almighty (other deities are still available). Emblazoned above the door, spewed in neon hatred was most loathsome two-word phrase in the English language (except maybe 'Inoperable tumour' perhaps, or 'Piers Morgan'?)... 'Sports Bar'. You know the sort of place, there's at least one in every town and city (if you have a shred of humanity or the faintest glimmering of a soul, you will have avoided them), horribly bright lights, shiny surfaces, painfully loud thumping dance music (I love loud music, but not to the point of being able to actually physically feel it jolting my sternum with every beat), two hundred and eighty seven enormous TVs all showing boxing (I can't see the appeal of watching two oiled, semi-naked men battering one another into unconsciousness/submission in front of an unruly mob who are goading them on , but I digress)... and we've turned up to play classic rock (and McFly). Still, best foot forward and all that... think of the money. The punters watched us set up with a mixture of horror, amusement, naked hostility and disdain (apart from Em and her mates... they were on side (singer and guitarist's WAGs (both lovely) were there as well, so not a totally barren field)). Stage was nice and big, so setup was decent (we dumped our bags and cases and stuff in the DJ booth (an actual booth this time), then the DJ arrived and asked us to move it all. You'd think I'd have learned (learnt? I'm never sure which is right) by now.) Massive place with a really high ceiling (and a mezzanine floor where you can play pool!) and we don't use PA for backline (apart from the kick drum) so I had to 'go nuclear' and turn the Markbass volume up to four! (It was still too loud so I turned it down to three (and a half). I love that amp.) First set was met with pretty much total indifference (apart from Em's crew and the WAGs, they gave us some encouraging whoops and a bloke in a wheelchair had a dance (in his wheelchair, we're not miracle workers)), second set was slightly better, a couple of people at the bar sang (and air guitared) along to Sweet Child o' mine and Teen Spirit and we even had a few dancers up for the Slade christmas one ("Of course I remember it!" (I started to remember it halfway through verse 1... went OK after that)), went for a wireless wander to join Em at the bar (and encouraged her to pluck my G string) which was a hoot, the DJ made us do an encore that neither audience or band wanted, a couple of blokes said they'd enjoyed it as we were packing up (I think that's what they were saying - the music had progressed from merely sternum-jolting to skull-shatteringly loud... they were smiling, anyway) so not as bad a gig as it could have been. It was nice to have a few mates there and to show off (?) a totally different side of my playing (they're used to hearing me play Duke Ellington, Gershwin and Glenn Miller) and they all enjoyed it (especially the McFly one) so... yeah, I'll take that. If you've read this far, you should DM me and recommend an album I should listen to. Or just call me an idiot. Played the Sterling -> small board -> secret weapons -> MB CMD121, Tiger/leopard print Converse. Finished at a reasonable ish hour, paid, packed up, Beth Orton on the way back to my Birmingham estate (Dad's place) for a pint a Father's homebrew Mango, Pineapple and Spiced Rum cider (ABV unknown) and lovely cats. Bed about 1. Early start tomorrow!

THURSDAY! I know that's not last night, shut up, I've been busy. Dysfunctionals 3 piece at O'Neill's, Broad St Birmingham. It was a private party - works do for Mitchell & Butlers, a local brewery so we weren't really sure what to expect. Parking in the middle of Brum was fun, load in had unfortunately all been done by the time I'd found a parking space (I was LIVID, as you can imagine) setup was a total pain as the stage is tiny and we had to share it with the DJ (We dumped all our bags and cases and stuff on/under/around the DJ booth (table) then found out there was going to be a DJ so we had to cart everything out to the van (which had somehow bagged a parking spot right outside, thankfully)). We were set to go on at 9, then the manager asked us if we could go on at half nine as people would still be arriving at 9, no problem, actually can you go on at 9:45 as there's still not that many here... we went on about 10 to a packed house, all completely pissed, total baying mob who absolutely loved it. We had a mate doing the sound which was nice. First set went down a storm, dancefloor was packed from start to finish, great reception, good stuff! Quick vape break, queued at the bar for about two years to get a pint, back on for the second set, similar reception to the first set but more drunken (them, not us), went for a wireless wander in the last song which went down a treat, two encores before the DJ took over with ear-splitting thumpishite (thank God (other deities are available) for the ACS lugplugs). Played the StingRay (I love that Bass. Daisy (Goddaughter) gets it when I die) -> small board -> secret weapons (VTDI -> Thumpinator) -> MB802 -> PA, Cherry Red/Oxblood DMs. Pack up/load out was horrible as all the cases were in the van and there was no room to load them back in, so we had to empty them out of the van, then take stuff out of the venue *in order*, fill the cases in the street (and they say it's not a glamourous business!) and load them back into the van... nightmare. All done, Ben Folds on the way home, back about 1:30 (ON A SCHOOL NIGHT!), a tiny tot of Diplomatico Rum (40% ABV), bed for 2, up at 7 for work. Worked (I had a school concert (I teach primary school kids to play in rock bands) but that doesn't really count as a gig so I won't bore you with the details (Tiger/leopard print Converse and my work 3/4 size Jackson super pointy Bass if you must know)), then went out with one of my schools work dos, which was lovely but not a gig, so I won't bore you with the details of that either. Running on fumes by the end of the night.

That is hideous. I love it.

People don't believe me when I tell them I've got a favourite Spandau Ballet song, but it's True.

You should have said, I was in Tamworth on Saturday...

Yeah, the weather was abysmal! You didn't miss much TBH but it would have been nice to meet a fellow BC'er without handing over a stack of cash. 😀 I don't think the dying shopping centre/high street is unique to Tamworth - Kidderminster's looking pretty run down, as is pretty much every town centre. I blame the internet. 😟 And Tesco probably.

TODAY! AND TONIGHT! Two very different gigs! I use the term loosely. Up at unacceptable for a Saturday o'clock to drive to Tamworth (through Storm Darragh, mind you... pelting rain, high winds and yet *still* bellends (mostly in Audis, Beamers, Mercs and Teslas) screaming down (up? (actually, let's not get into that again)) the M6 at about 90, undertaking, tailgating some idiot fop (me) in a Hyundai who's just trying to stay alive... arseholes) for 11am to play carols in the Ankerside shopping centre with the mighty Tamworth wind band. (Em (the TWB Euph player and JJO (more about them later!) trumpet player) asked me to stand in so I couldn't say no). Imagine a depressed shopping centre in a modest regional town (with much to be modest about) with lots of closed units and not many shoppers around (it was supposed to be the christmas lights switch on but they cancelled it due to the weather) actually no, imagine dawn of the dead (is it dawn of the dead? Or day of the dead? The one where they're all stuck in that godforsaken mall with the zombies outside?) and you're probably closer to it. It was *feezing* cold (Em bought me some fingerless gloves in the break, which helped) and a pretty grim experience... we played loads of stuff from 'The Red Book' (not the Mao Zedong one), which anyone who's been near a wind band in December will know - they're all beautiful arrangments and in horrible keys - six flats, anyone?! We were supposed to play until 4 o'clock (!), but by about 2 we'd all lost the will to live, so the conductor suggested we just knock it on the head about half two (we all eagerly agreed) so we did. We played and sounded OK all things considered but it wasn't an experience I'm in a rush to repeat. Unless Em asks really nicely again, which she probably will. Then it was hotfoot to Brum for a quick pitstop at my Pa's place and to pick up Birmingham's finest Japanese non-binary morris dancing jazz trombonist and off to the Cameo Suite in Coleshill for the JJO Black Tie James Bond/Christmas (first set Bond themes, second christmas stuff. No idea why.) concert! It took ages to get there due to horrendous weather and a couple of roads blocked by fallen trees (!) but we made it in time for a quick top 'n' tail rehearsal. The first set (Bond) sounded fantastic - The main theme sounds great, Goldfinger was mint, Skyfall was really good, Writing's on the wall (how a man can sing that high is beyond me) sounded superb and Live and let die (the Stan Kenton big band arrangement) was a particular highlight, the trumpets reach notes that are far too high to reasonably exist. Oh and nobody does it better is an absolute belter - the flute in the intro which I'd never really been able to hear before was the glaze on the cherry on the icing on the cake. I drop D (Hipshot) on that one for extra phatness. Five differnt singers! Couple of minor flubs, but overall we sounded great. A friend of the BL who's a pro player (West End type stuff) said some lovely things about my playing at half time, which was nice. Second set was all the christmas stuff, not as exciting to play as the Bond themes, but a couple of good'uns in there... The opener was It's the most wonderful time of the year, which is ace to play, my part in Jingle Bells is bonkers - four pages of relentless FAST crochets... I even hit a couple of the right notes (purely by accident), we did a weird Latin style arrangement of God Rest Ye Merry Gentleman which is a taste I have so far failed to acquire, we did a lovely (Tom Kubis) arrangement of O Holy Night which is really weird and tricky but it all came together (Soprano sax solo by Sarah and Flugle solo by Steve) and a cracking playout/mashup which cracks along at about 800 bpm. Sold out audience of about 90-100 people (all friends and family, we're a 'community' band) who were all dressed up to the nines in black tie/dinner jackets/posh frocks and were very appreciative. Played the 70s (reissue mex) Precision -> small board (VTDI -> Thumpinator (the secret weapons!)) -> MB 802 which sounded cracking! I was at the front for some reason and the BL commented how good the Bass sounded which is always nice to hear. Full on suited and booted affair (Midnight Blue 1460 DMs with orange laces (the band logo is orange on black)). Packed up, dropped Brum's finest JNBMDJT off, The Wondermints on the way home, back about 1230 (avoiding more downed trees) for a *very* stiff V&T and the remains of yesterdays Jambalaya. And so to bed, and looking forward to a Sunday of doing absolutely NOTHING.