Rodders

I've found I almost always need to adjust my EQ between sound check and the start of the gig, because most often you are sound checking in an empty room and (hopefully!) the room will be full of people at the start and throughout the gig, which obviously affects how you as an individual (as well as considering bass is omnidirectional) and the rest of the band as a whole, sound. Not disagreeing in any way just adding another point to hopefully reinforce and further illustrate yours.

Haha! They work well for me, I found the heaviest gauge in the Dingwall set with the .100 E too floppy. So I worked my way up through 105, 108 to 110 and altered the rest to match as close as possible. For reference I was used to 109-49 and 110-52 La Bella flats before moving to the Dingwall.

An adjustable HPF made the biggest difference for me, still learning how to use EQ to best compensate for the room. Pick, fingers, roundwound, flatwound, hand position etc all change the tone for better or worse in different styles of music and band line ups.

Forgive my ignorance, does the strip at the bottom numbered 1-8, mean that you don't have to turn each pedal on and off individually and they are each assigned to one of the numbers?

I went for 110, 82, 63, 47, for an ABZ 4, aiming for circa 50-51 lbs tension on each string.

I put the medium set (120-50) on a P bass over the weekend, its amazing how much of a difference the balanced tension makes. I ordered a custom balanced tension set for my Dingwall from Newtone after using another tension calculator online, enjoying those too.

That looks awesome! I'd never remember what each of them do!

I'd be interested to try these in Medium gauge (and see how much they end up costing), as I have been tempted by the EB "Group" Flats for a while..

I agree, I was hoping for 36" plus.

Sweet Home Alabama, first song I gigged was Wishing Well by Free.

I met Nick 3 times, twice at NEC Music Live and once he came and spent 3 hours teaching me and was kind enough to let me try out his well loved Vigier, he was the first person I met who had synesthesia, he could tell what notes were by a colour he associated with them, from then on he was always happy to give advice and for me to ask questions. Such a sad loss to the bass community. RIP Nick.

Got a few TC pedals for use on Fretless from my wife (Afterglow Chorus, Nether Octaver, Skysurfer Mini Reverb), ordered myself for Christmas a Crescendo Auto Swell and Bucket Brigade Delay to go with it. Then I had to get a PSU to power it all plus my existing pedals, managed to pick up a Truetone CS12 second hand, so just got to put it all together now..

I set the HPF (labeled Low Cut) on my Fishman Preamp to between 60-80Hz, 1st harmonic frequency of a Low D or E, I tried setting it lower around 30-40 but still found it a bit muddy. I boost the bass knob on the EQ if the Sound Engineer reckons it needs it. I use my Dingwall ABZ 4 through a Warwick Gnome & Schroder 12PL majority of the time, picked up a Sine Effect C24 secondhand but I've yet to experiment with it much, I use it on a smaller setup that lives at a rehearsal room.

The brand/stamp logo looks awesome! As does the bass as a whole. Would you mind sharing the etsy seller you bought from?

Fishman Platinum Pro EQ, I mainly bought it for the adjustable HPF mainly but it does much more than that, I was very impressed (leaving aside the single knob compressor) the EQ section is very easy to use, the tuner and boost are very handy, I will be making use of the built in effects loop this year too.