AndyTravis

https://www.facebook.com/groups/184621401586617/permalink/3914248635290523/?sale_post_id=3914248635290523 this just came up - absolute steal at £240, bit rough but I bet it sounds well.

I was playing in a soul/Motown band and I played a precision. We’re a funk band and I mentioned a guitarist we had at the time arrived with a skull and crossbones painted Jackson...looked a bit stupid, but soon after he was asked to leave as he didn’t chip in with costs and we couldn’t get on with him. When I mentioned his guitar being a bit “off message” on here - I was roundly (and, in retrospect...rightly) told off. I don’t know - some people are gear mad and want to be seen with certain gear - the Dingwall’s are very “in” with metal/rock players at the minute. Every demo I hear of them sounds well off to me - it sounds like it’s being played down an old telephone line... But, if you can afford the change and you fancy it - you feel as if the Ibanez 300 is letting you down; go for it. Don’t skint yourself chasing Excalibur to suit someone else’s desired image though.

@walshy had about 5 sets of boomers for sale mate

I Follow him on Facebook, he’s actually really funny.

It was actually called Deansgate Music when I went between 1997-2000

Pretty sure @mcnach has/had one of the session t models.

I didn’t read the Ad.

Hi Mark - sent you a WhatsApp x

Well, the bb350 was the p/j version of the 300...I started on an MIJ 300. Wish I’d kept the last 300 I had, was a belter.

Decision almost made...love these BB5000a in purple. Eo, while not seen on a 4 string BB, is roughly era correct.

Wow. Exactly what I’m doing (at some point) with the bb350

I had this...for a bit recently. Had some stuff to pay for so moved it on. They crop up between £300-£500 online used. Theres a nylon strung version too. Was nice, not overtly “acoustic” sounding when recorded, but definitely gave that flavour

Is that a 424 in tobacco?

I like that. Like the ultimate blend of old and new.

Nope, disagree - one of the few recent British acts to make a big deal globally. Yes manufactured, yes well marketed, yes a bit crass. But absolutely did no harm for future generations of British artists in terms of acceptance (post stones/Beatles). I’d also say they had a real part to play in feminist momentum. Anyhow, I thought this particular track was a nice homage to the stax/Motown era and was harmless enough. I didn’t enjoy playing it much, but we played it at a few shows and the audience loved it and danced along.

I’m the father of one of the spice girls children. Last I’ll say on the matter.

Hahah. I’m sure I’ve seen this before...

But he’s marked the neck as 1951 in pencil on the bottom?

Just spotted a couple of extra things too. Fake as the knockers on Dolly Parton...

Yeah. I’ll do a comparison.